Steven Wilson of Porcupine Tree has announced a new solo album, The Harmony Codex, and has shared the lead single “Economies of Scale” ahead of the LP’s September 29th release date.
The song lets Wilson — a renowned producer in his own right — explore his soulful side, as he builds layers of vocal harmonies around a pitter-pattering electronic rhythm that casts an early-aughts Radiohead vibe.
“I’m happy to announce my seventh album The Harmony Codex,” wrote Wilson on his website. “This one is a real trip, a beautiful and experimental 65-minute labyrinth of a record, with almost every one of its 10 tracks taking a different musical approach.”
Wilson also teased the follow-up single, “Impossible Tightrope,” which will be released next week. Wilson described the song as “completely different” than “Economies of Scale”: a “mostly instrumental 11-minute hybrid of progressive rock, spiritual jazz, and electronica.”
“More songs from the...
The song lets Wilson — a renowned producer in his own right — explore his soulful side, as he builds layers of vocal harmonies around a pitter-pattering electronic rhythm that casts an early-aughts Radiohead vibe.
“I’m happy to announce my seventh album The Harmony Codex,” wrote Wilson on his website. “This one is a real trip, a beautiful and experimental 65-minute labyrinth of a record, with almost every one of its 10 tracks taking a different musical approach.”
Wilson also teased the follow-up single, “Impossible Tightrope,” which will be released next week. Wilson described the song as “completely different” than “Economies of Scale”: a “mostly instrumental 11-minute hybrid of progressive rock, spiritual jazz, and electronica.”
“More songs from the...
- 8/29/2023
- by Jon Hadusek
- Consequence - Music
When British producers manage to break away from the inexorable house music tunnel vision that so commonly plagues them, they tend to leave a respectable mark on whatever other genre lands in their crosshairs. Rich Lonbay A.K.A. Daktyl captured the attention of bass music tastemaker Diplo with his ambient, experimental brand of chill trap/midtempo/future bass, and as a result, his Cyclical LP came out through Mad Decent. The ambitious body of work ultimately marks the starting point of Lonbay’s journey to perfect his own unique sound, and as evident as his efforts to that end may be, to declare that he’s arrived at his destination is to give the album undue credit.
Play any track on the LP and you’re struck by the ripples from a sea of inspirations. The intro track, “Legacy,” features bright, effervescent synth work that slowly builds to a...
Play any track on the LP and you’re struck by the ripples from a sea of inspirations. The intro track, “Legacy,” features bright, effervescent synth work that slowly builds to a...
- 4/24/2015
- by John Cameron
- We Got This Covered
Seconds Before Landing: The Great Deception (Sbl)
First, let me say that, setting aside a quibble or two, this is almost certainly my favorite album of 2013. And that has less to do with any specific personnel, "song," or individual aspect of the album than it does with the fact that the old adage "they just don't write 'em like that anymore" does not apply here. This is a "progressive" album in every sense of that term, and is somehow able to both evoke the heyday of a particular genre of progressive rock (i.e., have a certain "timeless" quality to it) and to be both timely and relevant in the present.
The primary writer here is John Crispino, about whom little seems to be known except that he is a "composer and musician." (He plays drums, keyboards, and percussion, and provides most of the vocals.) He is joined by a distinguished group of musicians,...
First, let me say that, setting aside a quibble or two, this is almost certainly my favorite album of 2013. And that has less to do with any specific personnel, "song," or individual aspect of the album than it does with the fact that the old adage "they just don't write 'em like that anymore" does not apply here. This is a "progressive" album in every sense of that term, and is somehow able to both evoke the heyday of a particular genre of progressive rock (i.e., have a certain "timeless" quality to it) and to be both timely and relevant in the present.
The primary writer here is John Crispino, about whom little seems to be known except that he is a "composer and musician." (He plays drums, keyboards, and percussion, and provides most of the vocals.) He is joined by a distinguished group of musicians,...
- 2/3/2014
- by Ian Alterman
- www.culturecatch.com
One of my most diversified year-end lists yet -- rock, electronica, jamband, prog, pop, R&B. I didn't really think I'd even find 10 albums that could hold my attention start to finish, and believe me, I tried to listen to most of my fellow critics' top ten titles and could barely get through most of their selections top to bottom. Okay, so there may have been some overlapping, but very little. Here are my top tens of favorite CDs and singles in some kind of non-numerical order. (Well, actually, the number of plays on my iTunes player.)
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
- 12/24/2013
- by Dusty Wright
- www.culturecatch.com
One of my most diversified year-end lists yet -- rock, electronica, jamband, prog, pop, R&B. I didn't really think I'd even find 10 albums that could hold my attention start to finish, and believe me, I tried to listen to most of my fellow critics' top ten titles and could barely get through most of their selections top to bottom. Okay, so there may have been some overlapping, but very little. Here are my top tens of favorite CDs and singles in some kind of non-numerical order. (Well, actually, the number of plays on my iTunes player.)
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
1. Laura Mvula: Sing to the Moon (Columbia)
A Mercury Prize music nominee in the U.K. and rightfully so. Slightly left of center, but accessible in a sweeping film noir soundtrack meets Nina Simone kind of way. Joyous tone poems with gorgeous vocals (and ethereal background vocals) and Gil Evans-inspired orchestral arrangements that leave you breathless.
- 12/24/2013
- by Dusty Wright
- www.culturecatch.com
As much as I lamented the demise of quality album releases in 2013, the last few months have restored my faith in the bands releasing worthwhile long-players. The following are all contenders to make my year's end top ten list. And I suspect I'll find a few more late entries, as well.
"Back to the River" Lily & Madeleine - Lily & Madeleine (Asthmatic Kitty)
The teenage Jurkiewicz sisters hail from Indiana but boast a sparse, urban sophistication that feels more like classic NYC nu folk. Credit to their producer/arranger/co-songwriter Kenny Childers. Nary a weak track on their debut. The perfect Miley Cyrus antidote; share it with your teenage sons and daughters.
"Ode to the Summer" Syd Arthur On and On (Harvest)
Prog is back! I picked them as contenders way back in January; finally their debut CD gets a stateside release today! This young U.K.-based quartet -- guitar,...
"Back to the River" Lily & Madeleine - Lily & Madeleine (Asthmatic Kitty)
The teenage Jurkiewicz sisters hail from Indiana but boast a sparse, urban sophistication that feels more like classic NYC nu folk. Credit to their producer/arranger/co-songwriter Kenny Childers. Nary a weak track on their debut. The perfect Miley Cyrus antidote; share it with your teenage sons and daughters.
"Ode to the Summer" Syd Arthur On and On (Harvest)
Prog is back! I picked them as contenders way back in January; finally their debut CD gets a stateside release today! This young U.K.-based quartet -- guitar,...
- 11/30/2013
- by Dusty Wright
- www.culturecatch.com
The Gabriel Construct: Interior City (Gabriel Riccio)
Although my older brother likes some of Genesis' music, he does have one main bugaboo about them: that their songs are often "aimless," simply going from one section to another, seemingly at random. I disagree, of course: while it is true that many of their compositions have multiple sections, often introducing different musical motifs, most of those compositions follow the exposition-development-recapitulation form of some classical music, and almost always return to and resolve at least the initial motif, if not others.
However, given my older brother's feelings, I can assume that he would not like The Gabriel Construct (though I do -- with some reservations), the debut solo project from Gabriel Lucas Riccio.
In most of the ten compositions on Interior City -- particularly the lengthier ones -- Mr. Riccio actually does what my brother suggests about Genesis: haphazardly string unrelated sections of music together,...
Although my older brother likes some of Genesis' music, he does have one main bugaboo about them: that their songs are often "aimless," simply going from one section to another, seemingly at random. I disagree, of course: while it is true that many of their compositions have multiple sections, often introducing different musical motifs, most of those compositions follow the exposition-development-recapitulation form of some classical music, and almost always return to and resolve at least the initial motif, if not others.
However, given my older brother's feelings, I can assume that he would not like The Gabriel Construct (though I do -- with some reservations), the debut solo project from Gabriel Lucas Riccio.
In most of the ten compositions on Interior City -- particularly the lengthier ones -- Mr. Riccio actually does what my brother suggests about Genesis: haphazardly string unrelated sections of music together,...
- 7/8/2013
- by Ian Alterman
- www.culturecatch.com
Monks of Mellonwah: Neurogenesis (Gatcombe Music)
There are two definitions of "progressive" with respect to music. One is the progression of a band: how it develops over time, finding itself, setting its style (assuming it finds one), channeling its influences, etc.
The other is a genre of rock music, one which I have defined as "a mindset, a conscious and deliberate approach to writing rock music based on certain elements, which usually include some or all of the following: incorporation of Western (classical, jazz et al), Eastern (Indian, Middle Eastern, et al.) and/or 'world music' (African, Latin, et al.) influences; use of non-standard (for rock) chord progressions; use of odd and/or shifting time signatures; use of non-standard (for rock) instrumentation (from sax, flute, or violin to sitar, bagpipes, or African percussion); an 'orchestral' (i.e., scored) approach to arrangement; extended compositions, often including extended instrumental passages; virtuoso musicianship,...
There are two definitions of "progressive" with respect to music. One is the progression of a band: how it develops over time, finding itself, setting its style (assuming it finds one), channeling its influences, etc.
The other is a genre of rock music, one which I have defined as "a mindset, a conscious and deliberate approach to writing rock music based on certain elements, which usually include some or all of the following: incorporation of Western (classical, jazz et al), Eastern (Indian, Middle Eastern, et al.) and/or 'world music' (African, Latin, et al.) influences; use of non-standard (for rock) chord progressions; use of odd and/or shifting time signatures; use of non-standard (for rock) instrumentation (from sax, flute, or violin to sitar, bagpipes, or African percussion); an 'orchestral' (i.e., scored) approach to arrangement; extended compositions, often including extended instrumental passages; virtuoso musicianship,...
- 3/12/2013
- by Ian Alterman
- www.culturecatch.com
Special From Next Avenue
By Suzanne Gerber
You don’t have to throw out Little Feat to make room for Fleet Foxes
Google “ways to discover new music” and no less than 89,800,000 results pop up. Tons of websites, blogs, radio stations broadcasting the old-fashioned way and streamlining online, not to mention music sites like Spotify and Radio Paradise are dedicated to the proposition that all people deserve to discover new tunes.
So why are so many of our needles stuck in the “classic rock” groove, playing the same albums since 1992 -- or 1968? Not that there’s anything wrong with continuing to cherish the music we grew up with. For our generation, it would be hard not to: Some of the most enduring music (at least rock, soul, jazz and blues) was made when we were coming of age. But what I find frustrating is the misbegotten mindset that nothing new is worth listening to.
By Suzanne Gerber
You don’t have to throw out Little Feat to make room for Fleet Foxes
Google “ways to discover new music” and no less than 89,800,000 results pop up. Tons of websites, blogs, radio stations broadcasting the old-fashioned way and streamlining online, not to mention music sites like Spotify and Radio Paradise are dedicated to the proposition that all people deserve to discover new tunes.
So why are so many of our needles stuck in the “classic rock” groove, playing the same albums since 1992 -- or 1968? Not that there’s anything wrong with continuing to cherish the music we grew up with. For our generation, it would be hard not to: Some of the most enduring music (at least rock, soul, jazz and blues) was made when we were coming of age. But what I find frustrating is the misbegotten mindset that nothing new is worth listening to.
- 2/27/2013
- by Next Avenue
- Huffington Post
It's inevitable that I miss out on some terrific music and culture every year. The sheer volume of releases seems to increase every year, and the lack of time to listen to everything, the recommendations of fellow critics and friends, well, there's just so many hours in a day. Here then are some things that I finally got around to ingesting in the last few weeks. Even caught a few live shows in between all of the mounting work. And if that wasn't enough, a killer new tune from His Purple Badass - Prince!
Syd Arthur On An On (Dawn Chorus)
Prog is back! This young U.K.-based quartet -- guitar, violin, bass, drums -- borrows more from Gentle Giant than from the sound of its hometown of Canterbury, i.e., bands such as Caravan, Soft Machine, Egg, or Gong. I've not enjoyed a progressive rock record this much...
Syd Arthur On An On (Dawn Chorus)
Prog is back! This young U.K.-based quartet -- guitar, violin, bass, drums -- borrows more from Gentle Giant than from the sound of its hometown of Canterbury, i.e., bands such as Caravan, Soft Machine, Egg, or Gong. I've not enjoyed a progressive rock record this much...
- 1/28/2013
- by Dusty Wright
- www.culturecatch.com
If you're into grand-scale progressive rock and metal, you've no doubt heard the name Steven Wilson – one of the most talented musicians, songwriters and producers to emerge from the UK prog-rock domain. Known for creating dark, dreamlike soundscapes and transforming melancholy ballads into crushing, terrifying symphonies of thunderous metal riffs and apocalyptic synth passages – imagine a supercharged version of Pink Floyd and you're getting close – Wilson has worked closely with artists like Ian Anderson, Marillion and Opeth (his influence on their albums Blackwater Park, Damnation and Deliverance made them my personal favorites among Opeth's works), but his main outfit Porcupine Tree has risen up from humble experimental roots in the late '80s to become a world-renowned juggernaut of emotionally powerful and ominously heavy music. The new double-cd live recording Octane Twisted represents the band at their absolute peak, both in terms of songwriting skills and overall energy. The dynamic...
- 12/26/2012
- by Gregory Burkart
- FEARnet
Rating: 4.5 out of 5 stars
Website: www.anathema.ws
Facebook: www.facebook.com/weareanathema
Release date: 30th April
One of the best albums to be released in 2010 was Anathema’s We’re Here Because We’re Here. Fact. What’s that? No, it wasn’t? You’ve obviously never listened to it then. Here we go.
The album was on a many album of the year list and it was no surprise, really. The textured layers of musical arrangements; delicately glorious and invoking vocals which twisted, turned, touched and soared; the impending doom-esque, apocalyptic yet undeniably beautiful connotations of each track’s layout and content; and the complete musicianship of the album, which left it feeling as a gigantic, empowering, towering body of work resulted in the album hitting hard with anybody who took a listen; be it fellow musicians, critics, or even just music fans who took the time to...
Website: www.anathema.ws
Facebook: www.facebook.com/weareanathema
Release date: 30th April
One of the best albums to be released in 2010 was Anathema’s We’re Here Because We’re Here. Fact. What’s that? No, it wasn’t? You’ve obviously never listened to it then. Here we go.
The album was on a many album of the year list and it was no surprise, really. The textured layers of musical arrangements; delicately glorious and invoking vocals which twisted, turned, touched and soared; the impending doom-esque, apocalyptic yet undeniably beautiful connotations of each track’s layout and content; and the complete musicianship of the album, which left it feeling as a gigantic, empowering, towering body of work resulted in the album hitting hard with anybody who took a listen; be it fellow musicians, critics, or even just music fans who took the time to...
- 4/27/2012
- by Rhys Milsom
- Obsessed with Film
Rating: 4 out of 5 stars
Release date: 26th March
Facebook: http://www.facebook.com/pages/Klone/133065049048
Website: www.kloneband.net
Progressive metal is a genre that’s been explored and abetted by plenty of bands in recent times: most notably the big names such as Isis, Mastodon, Pelican and Tool have arguably had the biggest impact on the genre. But there are other bands as well, that may not have had as big an impact but have nevertheless done the rounds and have shown their take on the genre and have delved into it. Even though these bands are small, they still make a difference – they may be a young musician’s favourite band and therefore that musician could go on and form a band of his own and carry the torch instead. A prime example of a band like this is Sikth, who are one of the most revered bands in the genre.
Release date: 26th March
Facebook: http://www.facebook.com/pages/Klone/133065049048
Website: www.kloneband.net
Progressive metal is a genre that’s been explored and abetted by plenty of bands in recent times: most notably the big names such as Isis, Mastodon, Pelican and Tool have arguably had the biggest impact on the genre. But there are other bands as well, that may not have had as big an impact but have nevertheless done the rounds and have shown their take on the genre and have delved into it. Even though these bands are small, they still make a difference – they may be a young musician’s favourite band and therefore that musician could go on and form a band of his own and carry the torch instead. A prime example of a band like this is Sikth, who are one of the most revered bands in the genre.
- 3/7/2012
- by Rhys Milsom
- Obsessed with Film
Welcome back to Radio 66.6! On tap this week we've got another dose of music news for you cats. If you have a tip, feel free to submit it. Be sure to check back every Monday to stay up-to-date on the latest music headlines.
News
Killswitch Engage have confirmed that former vocalist Jesse Leach has re-joined the band, following the recent departure of frontman Howard Jones. "Truth be told, Jesse blew us away in auditions," says the band. Read their statement here.
Deftones bassist Chi Cheng has been in a coma since a car accident in 2008, but he is slowly recovering. As of this week, Cheng can now lift his leg by request. Watch a video of the progress here. We wish him a speedy recovery.
Bassist Matt DeVries has left Six Feet Under to pursue other musical endeavors. DeVries has been touring with the band since last year. His replacement...
News
Killswitch Engage have confirmed that former vocalist Jesse Leach has re-joined the band, following the recent departure of frontman Howard Jones. "Truth be told, Jesse blew us away in auditions," says the band. Read their statement here.
Deftones bassist Chi Cheng has been in a coma since a car accident in 2008, but he is slowly recovering. As of this week, Cheng can now lift his leg by request. Watch a video of the progress here. We wish him a speedy recovery.
Bassist Matt DeVries has left Six Feet Under to pursue other musical endeavors. DeVries has been touring with the band since last year. His replacement...
- 2/13/2012
- by Alex DiVincenzo
- DreadCentral.com
Rating: 4.5 out of 5 stars
Every now and then you to get to listen to an album that is a real breath of fresh air in today’s often stagnant music scene. Allow me to introduce you to Antlered Man, a London based four piece about to release their debut album, Giftes 1 & 2. To get an idea of the Antlered Man sound, take one huge dollop of System Of A Down, throw in the scuzzy basslines of The Melvins and Neurosis, add a bit of grunge, a bit of Porcupine Tree-esque prog and top it all off with a Mike Patton garnish. Delicious.
Having carved their teeth on the live circuit with spots supporting Radio 1-botherers Lower Than Atlantis and post-rock crew And So I Watch You From Afar, the Antlered Man guys are poised on the verge of something great, and whilst they won’t take on the world by a long shot,...
Every now and then you to get to listen to an album that is a real breath of fresh air in today’s often stagnant music scene. Allow me to introduce you to Antlered Man, a London based four piece about to release their debut album, Giftes 1 & 2. To get an idea of the Antlered Man sound, take one huge dollop of System Of A Down, throw in the scuzzy basslines of The Melvins and Neurosis, add a bit of grunge, a bit of Porcupine Tree-esque prog and top it all off with a Mike Patton garnish. Delicious.
Having carved their teeth on the live circuit with spots supporting Radio 1-botherers Lower Than Atlantis and post-rock crew And So I Watch You From Afar, the Antlered Man guys are poised on the verge of something great, and whilst they won’t take on the world by a long shot,...
- 2/12/2012
- by Dan Donnelly
- Obsessed with Film
The 2011 Grammy Awards were big for the ladies -- country trio Lady Antebellum took home the most awards with five, while Lady Gaga earned three. Eminem had two honors, but Alternative Rock group Arcade Fire won the coveted Album of the Year.
Here is the full list of winners:
Album Of The Year
The Suburbs -- Arcade Fire
Recovery -- Eminem
Need You Now -- Lady Antebellum
The Fame Monster -- Lady Gaga
Teenage Dream -- Katy Perry
Record Of The Year
"Nothin' On You" -- B.o.B Featuring Bruno Mars
"Love The Way You Lie" -- Eminem Featuring Rihanna
"Forget You" -- Cee Lo Green
"Empire State Of Mind" -- Jay-z & Alicia Keys
"Need You Now" -- Lady Antebellum
Best New Artist
Justin Bieber
Drake
Florence & The Machine
Mumford & Sons
Esperanza Spalding
Song Of The Year
"Beg Steal Or Borrow" -- Ray Lamontagne, songwriter (Ray Lamontagne And The...
Here is the full list of winners:
Album Of The Year
The Suburbs -- Arcade Fire
Recovery -- Eminem
Need You Now -- Lady Antebellum
The Fame Monster -- Lady Gaga
Teenage Dream -- Katy Perry
Record Of The Year
"Nothin' On You" -- B.o.B Featuring Bruno Mars
"Love The Way You Lie" -- Eminem Featuring Rihanna
"Forget You" -- Cee Lo Green
"Empire State Of Mind" -- Jay-z & Alicia Keys
"Need You Now" -- Lady Antebellum
Best New Artist
Justin Bieber
Drake
Florence & The Machine
Mumford & Sons
Esperanza Spalding
Song Of The Year
"Beg Steal Or Borrow" -- Ray Lamontagne, songwriter (Ray Lamontagne And The...
- 2/14/2011
- by editorial@zap2it.com
- Pop2it
Pavement, Faith No More, Thom Yorke, Vampire Weekend also on the bill.
By James Montgomery
Jay-z
Photo: Raymond Boyd/ Michael Ochs Archives/ Getty Images
Coachella has always been seen as the least traditional of the big U.S. music festivals, and in 2010, they're definitely staying with that sentiment. On Tuesday (January 19), organizers revealed the lineup for this year's Coachella fest — set for April 15-18 at the Empire Polo Club in Indio, California — and the bill is topped by three acts you wouldn't necessarily see headlining fests here in the states (except when the Beastie Boys drop out at the last minute): Jay-z, Muse and Gorillaz.
Coachella 2010 Lineup
Joining them are the usual assortment of 'Chella acts, including the prerequisite reunited acts (Pavement, Faith No More), the icons (Thom Yorke, Devo, Sly and the Family Stone), the indie stalwarts (Vampire Weekend, Phoenix, Spoon, Mgmt), the hotly tipped buzz acts (Yeasayer,...
By James Montgomery
Jay-z
Photo: Raymond Boyd/ Michael Ochs Archives/ Getty Images
Coachella has always been seen as the least traditional of the big U.S. music festivals, and in 2010, they're definitely staying with that sentiment. On Tuesday (January 19), organizers revealed the lineup for this year's Coachella fest — set for April 15-18 at the Empire Polo Club in Indio, California — and the bill is topped by three acts you wouldn't necessarily see headlining fests here in the states (except when the Beastie Boys drop out at the last minute): Jay-z, Muse and Gorillaz.
Coachella 2010 Lineup
Joining them are the usual assortment of 'Chella acts, including the prerequisite reunited acts (Pavement, Faith No More), the icons (Thom Yorke, Devo, Sly and the Family Stone), the indie stalwarts (Vampire Weekend, Phoenix, Spoon, Mgmt), the hotly tipped buzz acts (Yeasayer,...
- 1/19/2010
- MTV Music News
Grammy-nominated British progressive rock band Porcupine Tree’s first concert in the subcontinent was everything it promised to be. A capacity crowd of more than 10,000 screaming fans, some blazing guitar solos by Steven Wilson and Colin Edwin, insane drumming by Gavin Harrison, accompanied by some stunning lights and visuals, made the year’s biggest Indian rock concert worth every Rupee of its ticket. The concert, which was a part of Iit Mumbai’s inter-college festival, Mood Indigo, was a start-to-end, roughly one hour fifteen minutes long gig, that saw the band play some of its best-known ...
- 12/23/2009
- Hindustan Times - Cinema
Steven Wilson, frontman of Porcupine Tree, on his music, lyrics, concerts and all things Indian.Your music has evolved from psychedelic to progressive with metal leanings. What feedback have you received from fans?It’s one of those things, where you decide if you are an artiste who does things to please himself, or an entertainer, who works towards winning appreciation from his fans. I would like to consider myself an artiste, because my music tends to change according to my mood, emotions and experiences. My fans have to get used to the idea that Porcupine Tree (Pt) is constantly evolving and they ...
- 12/19/2009
- Hindustan Times - Cinema
It is the first major international act to come to India post the 26/11 terror attacks in Mumbai last year. And Grammy-nominated British progressive rock band, Porcupine Tree “can’t wait” to take stage in Mumbai. “We have a feeling that the atmosphere in India is going to be great, similar to what we experienced in Mexico and Israel, where rock isn’t the predominant music community, but people are appreciative and passionate about it,” says the band’s frontman Steven Wilson, from London. He says, “All of us are eagerly looking forward to this trip. Ideally, we would have liked to spend at ...
- 12/19/2009
- Hindustan Times - Cinema
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