Tarek El Moussa is having a tumultuous time of it, and certain denizens of social media aren’t making it any easier for him. The “Flip or Flop” star, who announced his separation from his wife and co-star Christina El Moussa this week following an incident involving Tarek and a gun, was eviscerated online for having a firearm near a child. In an Instagram post this week, El Moussa posted a photo of the book “10 Great Things Dads Do” by Rick Johnson. (The El Moussas have two children together, daughter Taylor and son Brayden.) Also Read: 'Flip or Flop' Stars Tarek and Christina.
- 12/15/2016
- by Tim Kenneally
- The Wrap
Thundercrack!
Directed by Curt McDowell
Written by George Kuchar
USA, 1975
When one looks at the underground cult film scene of the 1960s and 1970s, the names Mike Kuchar and George Kuchar definitely come to mind. Twin-brothers who have spent the majority of their lives making short films, Mike and George utilized over-the-top titles and experimental storylines, all of the home movie variety shot on a rather “stylized” no-budget that Ed Wood would’ve been jealous of. Mike Kuchar’s work seemed to be inspired by pop genre films with a dash or two of wild fantasy: his best known film (well, best known in regards to the underground) is Sins of the Fleshapoids (1965), a trippy sci-fi/fantasy whatsit, all shot in color 16mm inside various rooms with limited art direction, utilizing dubbed-in narration and on-screen dialogue represented by optical cartoon-like speech-bubbles, and cribbing some music cues of Bernard Herrmann’s...
Directed by Curt McDowell
Written by George Kuchar
USA, 1975
When one looks at the underground cult film scene of the 1960s and 1970s, the names Mike Kuchar and George Kuchar definitely come to mind. Twin-brothers who have spent the majority of their lives making short films, Mike and George utilized over-the-top titles and experimental storylines, all of the home movie variety shot on a rather “stylized” no-budget that Ed Wood would’ve been jealous of. Mike Kuchar’s work seemed to be inspired by pop genre films with a dash or two of wild fantasy: his best known film (well, best known in regards to the underground) is Sins of the Fleshapoids (1965), a trippy sci-fi/fantasy whatsit, all shot in color 16mm inside various rooms with limited art direction, utilizing dubbed-in narration and on-screen dialogue represented by optical cartoon-like speech-bubbles, and cribbing some music cues of Bernard Herrmann’s...
- 1/20/2016
- by Christopher Koenig
- SoundOnSight
I have to tell you that this installment of Scenes We Love was a close one, because the more I searched for the scene in question from A Nightmare on Elm Street Part 4: The Dream Master, the more I realized that it was a pretty terrible movie. The fourth installment of the horror franchise saw Freddy looking for some fresh meat after he had worked his way through the original "Elm Street brats". But like I said, this is about the song as well as the movie, so Dream Master (despite it's failings) lived to earn its very own Songs We Love thanks to "Anything, Anything", by Dramarama.
Now, no one would blame you if the name isn't ringing a bell, but Dramarama was an La-based power pop band that made some inroads to fame before fading into obscurity in the early 90's -- with the exception of an...
Now, no one would blame you if the name isn't ringing a bell, but Dramarama was an La-based power pop band that made some inroads to fame before fading into obscurity in the early 90's -- with the exception of an...
- 11/11/2009
- by Jessica Barnes
- Cinematical
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