[Editor’s note: The following includes spoilers for “Sugar.”]
“Sugar” is a neo-noir television series set in modern-day Los Angeles, featuring private investigator John Sugar (Colin Farrell), who, in addition to being very good at his job, is also a huge movie buff. Sugar’s latest case, to find the missing granddaughter of legendary movie producer Jonathan Siegel (James Cromwell), only sends him even further down the path of Hollywood lore.
Throughout the eight episodes of Season 1, Sugar’s journey to find Olivia reminds him of scenes from some of his favorite classic films, which are intercut into the series as if we are seeing little flashes of what is racing through Sugar’s mind.
“It was all done after the fact, so I had no idea until I saw it how many [and] which clips [they used],” Farrell told IndieWire, adding he was pleasantly surprised to see himself juxtaposed with some of his all-time favorite films, like “Sunset Boulevard” and “The Maltese Falcon.
“Sugar” is a neo-noir television series set in modern-day Los Angeles, featuring private investigator John Sugar (Colin Farrell), who, in addition to being very good at his job, is also a huge movie buff. Sugar’s latest case, to find the missing granddaughter of legendary movie producer Jonathan Siegel (James Cromwell), only sends him even further down the path of Hollywood lore.
Throughout the eight episodes of Season 1, Sugar’s journey to find Olivia reminds him of scenes from some of his favorite classic films, which are intercut into the series as if we are seeing little flashes of what is racing through Sugar’s mind.
“It was all done after the fact, so I had no idea until I saw it how many [and] which clips [they used],” Farrell told IndieWire, adding he was pleasantly surprised to see himself juxtaposed with some of his all-time favorite films, like “Sunset Boulevard” and “The Maltese Falcon.
- 5/4/2024
- by Chris O'Falt
- Indiewire
[Editor’s note: The following interviews contain spoilers for “Sugar,” Episode 6.]
When showrunner Mark Protosevich began writing Apple TV+ series “Sugar,” he knew two things: He would start with the story of a throwback anti-hero and then completely flip the perception.
“To pull off almost a genre switch,” Protosevich told IndieWire. “You’re introduced to this guy and story, and the rug gets pulled out from under you.”
Protosevich rips out the carpet at the end of episode 6 when it revealed that private investigator John Sugar (Colin Farrell), who loves dogs and old movies and metabolizes alcohol 50 times faster than anyone else…
…is an alien.
IndieWire talked to Farrell, executive producer/director Fernando Mierelles, editor Fernando Stutz, and Protosevich about the big twist.
The Twist Used to Be Much Earlier
Protosevich didn’t pitch the show to Apple. He wrote the first two episodes on spec, believing that studios and stars needed to read the story to understand his intent.
“The...
When showrunner Mark Protosevich began writing Apple TV+ series “Sugar,” he knew two things: He would start with the story of a throwback anti-hero and then completely flip the perception.
“To pull off almost a genre switch,” Protosevich told IndieWire. “You’re introduced to this guy and story, and the rug gets pulled out from under you.”
Protosevich rips out the carpet at the end of episode 6 when it revealed that private investigator John Sugar (Colin Farrell), who loves dogs and old movies and metabolizes alcohol 50 times faster than anyone else…
…is an alien.
IndieWire talked to Farrell, executive producer/director Fernando Mierelles, editor Fernando Stutz, and Protosevich about the big twist.
The Twist Used to Be Much Earlier
Protosevich didn’t pitch the show to Apple. He wrote the first two episodes on spec, believing that studios and stars needed to read the story to understand his intent.
“The...
- 5/3/2024
- by Chris O'Falt
- Indiewire
The new Apple TV+ series “Sugar” isn’t shy about announcing its influences: It’s steeped in the traditions of film noir.
Creator Mark Protosevich leaned into the tropes of detective stories by Raymond Chandler and Dashiell Hammett when creating private investigator John Sugar (Colin Farrell), who himself is obsessed with classic Hollywood film noirs. Director Fernando Meirelles (“City of God”) and editor Fernando Stutz went so far as to edit in clips from those classic films, drawing parallels between Sugar’s investigation into the disappearance of Olivia Siegel (Sydney Chandler) to Humphrey Bogart’s spin as Phillip Marlowe in “The Big Sleep.”
“I wanted a character who carried themselves in a classic style, that this is a person who doesn’t necessarily seem from this time,” Protosevich told IndieWire. He wondered how out of place the noble heroes of classic ’30s and ’40s Hollywood movies would feel in modern...
Creator Mark Protosevich leaned into the tropes of detective stories by Raymond Chandler and Dashiell Hammett when creating private investigator John Sugar (Colin Farrell), who himself is obsessed with classic Hollywood film noirs. Director Fernando Meirelles (“City of God”) and editor Fernando Stutz went so far as to edit in clips from those classic films, drawing parallels between Sugar’s investigation into the disappearance of Olivia Siegel (Sydney Chandler) to Humphrey Bogart’s spin as Phillip Marlowe in “The Big Sleep.”
“I wanted a character who carried themselves in a classic style, that this is a person who doesn’t necessarily seem from this time,” Protosevich told IndieWire. He wondered how out of place the noble heroes of classic ’30s and ’40s Hollywood movies would feel in modern...
- 4/8/2024
- by Chris O'Falt
- Indiewire
One of the most distinct characteristics of the new Apple TV+ series “Sugar” is the way it cuts scenes from classic Hollywood films into its present day story of detective John Sugar (Colin Farrell). While the technique is novel, if not experimental, the connections being made are clear: Sugar is a cinephile obsessed with old Hollywood movies, while creator Mark Protosevich’s neo-noir series is steeped in the tropes of these 1940s and 50s black and white films.
The connections are so strong, and the intercutting works so well, the real surprise is that the cinephile Protosevich didn’t script them.
“It was all done after the fact, so I had no idea until I saw it how many [and] which clips [they used],” Farrell told IndieWire, adding he was pleasantly surprised to see himself juxtaposed with some of his all-time favorite films, like “Sunset Boulevard.” “It’s a really fun alignment for me,...
The connections are so strong, and the intercutting works so well, the real surprise is that the cinephile Protosevich didn’t script them.
“It was all done after the fact, so I had no idea until I saw it how many [and] which clips [they used],” Farrell told IndieWire, adding he was pleasantly surprised to see himself juxtaposed with some of his all-time favorite films, like “Sunset Boulevard.” “It’s a really fun alignment for me,...
- 4/7/2024
- by Chris O'Falt
- Indiewire
Want to see a master class in acting? Watch Jonathan Pryce and Anthony Hopkins show how it’s done in The Two Popes, a fiercely moving and surprisingly funny provocation that pivots on speculative conversations between the German John Ratzinger, a.k.a. Pope Benedict XVI (Hopkins), and Argentine Cardinal Jorge Mario Bergoglio (Pryce), the future Pope Francis. In Anthony McCarten’s beautifully written script, the two men — Benedict a lofty aristocrat who prefers classical music, Bergoglio a humble servant with a thing for Abba — struggle to find a unifying bond.
- 11/26/2019
- by Peter Travers
- Rollingstone.com
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