The Museum of Modern Art (MoMA) kicks off its 16th annual Doc Fortnight on Thursday, a 10-day festival that includes 20 feature-length non-fiction films and 10 documentary shorts. This year’s lineup includes four world premieres and a number of North American and U.S. premieres.
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
- 2/15/2017
- by Chris O'Falt and Graham Winfrey
- Indiewire
Suppendapo is Wreck and Salvage’s eschatological web series and warehouse, preparing individuals for the impending apocalypse since 2005. Here’s how it works: Persons who believe the Rapture is an imminent event and/or persons who believe in creative and entertaining online video are asked to call the Suppendapo hotline at 206-339-6324. (It’s a real number. You should give it a ring.) You’ll get their answering machine (all of the the company’s End of World specialists are undoubtedly handling other calls), at which point you will be prompted to leave your order for whatever (and I mean whatever) it is you require to live in a post-Armageddon world. Suppendapo then fulfills your order by way of an animated, clip art-heavy online video. Animation Hotline is kinda the same thing, except without the catastrophic premise. Artist Dustin Grella solicits interested parties to give his answering machine a ring at 212-683-2490. (Again,...
- 7/31/2011
- by Joshua Cohen
- Tubefilter.com
[Our thanks to Kier-La Janisse for the following.]
It's been over a week since Ottawa's closing night festivities, and my head is still reeling with the smorgasbord of animated treats I was privy to for the few short days I was there. Other than the features and some of the retrospectives (which I talked about in my previous Ottawa Animation Festival Wrap-Up Part One), I was able to catch the Canadian Short Film Showcase, one of the International showcases and the first of five short film competitions (sadly missing both the latest Priit Parn and Jonas Odell shorts).
The Canadian program kicked off smartly with Amy Lockhart's The Collagist, inspired by the creative process of her frequent collaborator, cartoonist/artist Marc Bell. With a single shot depicting two hands manipulating objects on a desk into a series of images - blobby potatoes, people, raindrops, mouths, eyes and text - this cut-out animation is a spirited ode to...
It's been over a week since Ottawa's closing night festivities, and my head is still reeling with the smorgasbord of animated treats I was privy to for the few short days I was there. Other than the features and some of the retrospectives (which I talked about in my previous Ottawa Animation Festival Wrap-Up Part One), I was able to catch the Canadian Short Film Showcase, one of the International showcases and the first of five short film competitions (sadly missing both the latest Priit Parn and Jonas Odell shorts).
The Canadian program kicked off smartly with Amy Lockhart's The Collagist, inspired by the creative process of her frequent collaborator, cartoonist/artist Marc Bell. With a single shot depicting two hands manipulating objects on a desk into a series of images - blobby potatoes, people, raindrops, mouths, eyes and text - this cut-out animation is a spirited ode to...
- 11/10/2010
- Screen Anarchy
The Atlanta Underground Film Festival wrapped up its 7th successful year back on Aug. 29 and has given out awards to 13 feature films and 14 shorts.
Several of the winners are films that have been featured here on Bad Lit, either with a review or having been embedded on the site for your viewing pleasure. First, repeat Auff winner Chris Hansen won the Best Director award for his second feature film Endings, a film that finds three disparate strangers spending their last day on Earth together.
Loretta Hintz‘s outrageous lesbian farm fantasy The Sheep and the Ranch Hand took home the 2010 Auff The Wall award. Also, the recently embedded The Shave by Sean Christensen, a haunting memoir, won the Best Experimental Short award. And, lastly, I was very happy to see that animator Victoria Cook, whom I’ve written about in the past, took home the Best Short Short award for her Devil Town.
Several of the winners are films that have been featured here on Bad Lit, either with a review or having been embedded on the site for your viewing pleasure. First, repeat Auff winner Chris Hansen won the Best Director award for his second feature film Endings, a film that finds three disparate strangers spending their last day on Earth together.
Loretta Hintz‘s outrageous lesbian farm fantasy The Sheep and the Ranch Hand took home the 2010 Auff The Wall award. Also, the recently embedded The Shave by Sean Christensen, a haunting memoir, won the Best Experimental Short award. And, lastly, I was very happy to see that animator Victoria Cook, whom I’ve written about in the past, took home the Best Short Short award for her Devil Town.
- 9/18/2010
- by Mike Everleth
- Underground Film Journal
The 7th annual Atlanta Underground Film Festival is like having four different fests crammed into an exhaustive three days on Aug. 27-29. It’s an outrageous underground fest, an animation festival, a documentary fest and a horror movie festival: The culmination of a month of fests run by Atlanta’s Festival League. There’s tons of short films, documentaries, features and more.
There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...
There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...
- 8/18/2010
- by Mike Everleth
- Underground Film Journal
Jacques Bonnavent's "The Gold Mine," the story of a spinster who meets her dream man online, scored jury three awards, including the best of the festival prize, at the Palm Springs International ShortFest & Short Film Festival.
The fest, which announced winners Sunday at the Camelot Theatre in Palm Springs, handed its future filmmaker award to Pierre Ferriere for "The Story of My Life."
The Panavision Grand Jury Award went to Jonathan van Tulleken's "Off Season." The festival, which concludes today, screened 314 short films.
Award winners that received a first-place prize in four categories are eligible for Oscar consideration.
A complete list of winners follows.
Jury Awards
Best Of Festival Award
The Gold Mine (La Mina de Oro) (Mexico), Jacques Bonnavent
Future Filmmaker Award
Pierre Ferriere, The Story of My Life (Toute ma Vie) (France)
Panavision Grand Jury Award
Off Season (Canada/USA), Jonathan van Tulleken
Jury Special Citation...
The fest, which announced winners Sunday at the Camelot Theatre in Palm Springs, handed its future filmmaker award to Pierre Ferriere for "The Story of My Life."
The Panavision Grand Jury Award went to Jonathan van Tulleken's "Off Season." The festival, which concludes today, screened 314 short films.
Award winners that received a first-place prize in four categories are eligible for Oscar consideration.
A complete list of winners follows.
Jury Awards
Best Of Festival Award
The Gold Mine (La Mina de Oro) (Mexico), Jacques Bonnavent
Future Filmmaker Award
Pierre Ferriere, The Story of My Life (Toute ma Vie) (France)
Panavision Grand Jury Award
Off Season (Canada/USA), Jonathan van Tulleken
Jury Special Citation...
- 6/27/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
The 16th annual San Antonio Film Festival, which runs June 23-27, is truly a great combination of celebrating local talent and international cinema, screening films produced in Texas to ones produced in Europe, South America and the Middle East.
There’s also a distinct flavor of socially aware fictional narratives and documentaries, including films about Tibetan refugees, migrant workers, the 2008 Presidential election, alcoholism and genocide. But, that’s not to say the fest is a totally serious affair as there’s also several genre films about the World Cup, sheep rustlers, dancers, crooks and other ne’er-do-wells. It looks like a fun mix.
The full lineup of films is below. The way the festival runs is that films screen in blocks in three different theaters. A “block” of films will generally contain a feature or two (feature = film that is 50 mins. or more), plus several shorts. In the lineup I have up,...
There’s also a distinct flavor of socially aware fictional narratives and documentaries, including films about Tibetan refugees, migrant workers, the 2008 Presidential election, alcoholism and genocide. But, that’s not to say the fest is a totally serious affair as there’s also several genre films about the World Cup, sheep rustlers, dancers, crooks and other ne’er-do-wells. It looks like a fun mix.
The full lineup of films is below. The way the festival runs is that films screen in blocks in three different theaters. A “block” of films will generally contain a feature or two (feature = film that is 50 mins. or more), plus several shorts. In the lineup I have up,...
- 6/22/2010
- by Mike Everleth
- Underground Film Journal
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