Rafael Cardoso, João Gabriel Vasconcellos in Aluízio Abranches‘ From Beginning to End (top); Brad Altman, George Takei in Jessica Sanders‘ George & Brad in Bed (upper middle); Remy Germinario in James Franco‘s The Feast of Stephen (lower middle); Roney Facchini, Kauê Telloli in Gui Ashcar‘s Professor Godoy (bottom) Aluízio Abranches‘ Do Começo ao Fim / From Beginning to End, Donatella Maiorca‘s Viola di mare / Purple Sea, Steve Balderson‘s Stuck!, and the two short film showcases "Queerer Than Fiction" and "Flesh 4 Fantasy" are among the presentations at Outfest 2010, the Los Angeles Gay & Lesbian Film Festival, on Friday, July 9. [Film Synopses.] Starring João Gabriel Vasconcellos and Rafael Cardoso as two super-hunky half-brothers involved in an idealized romantic relationship, From Beginning to End opened in Brazil in late 2009, where it has done well in the arthouse circuit despite wildly mixed reviews and a number of complaints that the film [...]...
- 7/8/2010
- by Andre Soares
- Alt Film Guide
First, ewwwwww!
That was my first thought when I saw the trailer last year for From Beginning to End, a new Brazilian film about a love affair between two biological brothers. Was such a film really necessary?
But I’ll admit: when the lights are out and the curtains are drawn, the storyline does hold sort of a perversely intriguing premise. If nothing else, it’s certainly something I’ve never seen before.
Sadly, the finished film, which is currently playing NewFest: The New York Lgbt Film Festival, is an almost completely wasted opportunity.
The first half of the film, which is by far the most successful, tells the story of two young brothers who are … unusually “intimate.” Everyone close to them senses how close they are.
Is this a bad thing? The father worries it might eventually turn sexual, but the mother (well-played Júlia Lemmertz and easily the most...
That was my first thought when I saw the trailer last year for From Beginning to End, a new Brazilian film about a love affair between two biological brothers. Was such a film really necessary?
But I’ll admit: when the lights are out and the curtains are drawn, the storyline does hold sort of a perversely intriguing premise. If nothing else, it’s certainly something I’ve never seen before.
Sadly, the finished film, which is currently playing NewFest: The New York Lgbt Film Festival, is an almost completely wasted opportunity.
The first half of the film, which is by far the most successful, tells the story of two young brothers who are … unusually “intimate.” Everyone close to them senses how close they are.
Is this a bad thing? The father worries it might eventually turn sexual, but the mother (well-played Júlia Lemmertz and easily the most...
- 6/15/2010
- by Brent Hartinger
- The Backlot
Maria Beatty’s Boy in a Bathtub (top); Enrique Buchichio’s Leo’s Room (middle); João Gabriel Vasconcellos, Rafael Cardoso in Aluisio Abranches‘ From Beginning to End (bottom) Maria Beatty will be honored with a screening of Boy in a Bathtub at the Torino Glbt Film Festival – Da Sodoma a Hollywood (Turin’s Glbt Film Festival – From Sodom to Hollywood) on Wednesday, April 21. Set in 1920s Paris, Boy in a Bathtub tells the story of a courtesan who seduces a very young man — only to turn him into an androgynous "love slave," with whom his/her mistress can do as she pleases. Also at Torino, the international premiere of Rosa von Praunheim’s New York Memories, in which the filmmaker, accompanied by his new partner, [...]...
- 4/21/2010
- by Andre Soares
- Alt Film Guide
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