Sydney Sweeney‘s second film of 2024 is finally here, let’s hope that it doesn’t turn into a disaster like the first one. Produced by Sweeney herself, Immaculate is a psychological horror film and it follows the story of a young nun who joins a convent in the Italian countryside. Her quiet life quickly turns into a nightmare because of the horrific secrets hidden in the convent. Directed by Michael Mohan, Immaculate also stars Simona Tabasco, Benedetta Porcaroli, and Álvaro Morte. So, if you loved Sweeney’s horror film here are some similar movies you should check out next.
The Convent
Co-written and directed by Paul Hyett, the 2018 film British horror film titled The Convent gives a similar atmosphere to Sweeney’s Immaculate. The Convent tells us the story of a group of young women seeking refuge from the turmoil of World War II in an isolated convent in the countryside.
The Convent
Co-written and directed by Paul Hyett, the 2018 film British horror film titled The Convent gives a similar atmosphere to Sweeney’s Immaculate. The Convent tells us the story of a group of young women seeking refuge from the turmoil of World War II in an isolated convent in the countryside.
- 3/24/2024
- by Kulwant Singh
- Cinema Blind
This is not your garden-variety horror picture -- its scares stem from primal guilt and fear of supernatural demons and devils that we can't entirely dismiss because people still believe in them enough to do terrible things. Robert Eggers' first film is the best-reviewed horror picture of its year, and quite an achievement. The VVitch: A New-England Folktale Blu-ray + Digital HD Lionsgate/ A24 2015 / Color / 1:66 widescreen / 92 min. / Street Date May 17, 2016 / 24.99 Starring Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens. Cinematography Jarin Blaschke Film Editor Louise Ford Original Music Mark Korven Produced by Daniel Bekerman, Lars Knudsen, Jodi Redmond, Rodrigo Teixeira, Jay Van Hoy Written and Directed by Robert Eggers
Reviewed by Glenn Erickson
I don't find most modern horror pictures scary. The ones that scare usually do so with ideas, reaching beyond our defenses to find and exploit a personal weakness.
Reviewed by Glenn Erickson
I don't find most modern horror pictures scary. The ones that scare usually do so with ideas, reaching beyond our defenses to find and exploit a personal weakness.
- 5/16/2016
- by Glenn Erickson
- Trailers from Hell
Stars: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Bathsheba Garnett, Sarah Stephens, Julian Richings, Wahab Chaudhry | Written and Directed by Robert Eggers
“Dost thou remember that I love thee?”
The Witch is a searing emotional calamity of a film. Its scope is at once frighteningly vast and achingly intimate, its themes of societal violence and perversion borne out in miniature through the collapse of a desperate Calvinist family struggling to survive their self-imposed exile on the American frontier. While religious hysteria drives the sense of inevitable doom and insecurity on which the film trades, it feeds in turn on a surprising source. Love, the genuine love that exists between members of a close-knit family, and a sense of flawed but deep-seated goodness in the film’s driving personality, give The Witch its particular heartbreaking strength. Horror thrives on violations of the status quo, and this...
“Dost thou remember that I love thee?”
The Witch is a searing emotional calamity of a film. Its scope is at once frighteningly vast and achingly intimate, its themes of societal violence and perversion borne out in miniature through the collapse of a desperate Calvinist family struggling to survive their self-imposed exile on the American frontier. While religious hysteria drives the sense of inevitable doom and insecurity on which the film trades, it feeds in turn on a surprising source. Love, the genuine love that exists between members of a close-knit family, and a sense of flawed but deep-seated goodness in the film’s driving personality, give The Witch its particular heartbreaking strength. Horror thrives on violations of the status quo, and this...
- 2/22/2016
- by Gretchen Felker-Martin
- Nerdly
While the studio system has more or less given up on truly attempting to put out thought provoking horror films, the independent circuit has really picked up the slack over the past handful of years. As many of you know, I raved often last year about It Follows, with many being huge fans of The Babadook the year before that. This year, we’re getting a top tier title early, as Robert Eggers’ movie The Witch is coming to theaters this week. Truly a horse of a different color, this is likely to do very well, finding a potential sweet spot between period character study and overt fright flick. Ever since it debuted at the Sundance Film Festival, it’s been building a solid core of strong reviews and fandom, so don’t expect this one to disappear quickly. The film is a period piece set in 1600’s New England,...
- 2/17/2016
- by Joey Magidson
- Hollywoodnews.com
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