By Allen Gardner
The Samurai Trilogy (Criterion) Director Hiroshi Inagaki’s sprawling epic filmed from 1954-56 is an early Japanese Technicolor masterpiece, rivaling the scope of filmmakers like David Lean and Luchino Visconti. Toshiro Mifune, Japan’s greatest actor, stars as real-life swordsman, artist and writer Musashi Miyamoto, following his growth from callow youth to disciplined warrior. The three films: the Oscar winning “Musashi Miyamoto,” “Duel at Ichijoji Temple,” and “Duel at Ganryu Island” are an incredible story of human growth, tender love and sublime, blood-soaked action. Not to be missed. Also available on Blu-ray disc. Bonuses: Interviews with translator and historian William Scott Wilson; Trailers. Full screen. Dolby 1.0 mono.
The 39 Steps (Criterion) Alfred Hitchcock’s 1935 story of spies, conspiracies and sexual tension put him on the map on both sides of the Pond. Robert Donat stars as an innocent thrust into a deadly plot alongside a cool blonde (Madeleine Carroll...
The Samurai Trilogy (Criterion) Director Hiroshi Inagaki’s sprawling epic filmed from 1954-56 is an early Japanese Technicolor masterpiece, rivaling the scope of filmmakers like David Lean and Luchino Visconti. Toshiro Mifune, Japan’s greatest actor, stars as real-life swordsman, artist and writer Musashi Miyamoto, following his growth from callow youth to disciplined warrior. The three films: the Oscar winning “Musashi Miyamoto,” “Duel at Ichijoji Temple,” and “Duel at Ganryu Island” are an incredible story of human growth, tender love and sublime, blood-soaked action. Not to be missed. Also available on Blu-ray disc. Bonuses: Interviews with translator and historian William Scott Wilson; Trailers. Full screen. Dolby 1.0 mono.
The 39 Steps (Criterion) Alfred Hitchcock’s 1935 story of spies, conspiracies and sexual tension put him on the map on both sides of the Pond. Robert Donat stars as an innocent thrust into a deadly plot alongside a cool blonde (Madeleine Carroll...
- 7/9/2012
- by The Hollywood Interview.com
- The Hollywood Interview
In his still relatively young, yet incredibly prolific, career, Iraqi-American filmmaker Usama Alshaibi has mostly exhibited three very distinct and separate styles in his approach to his films.
There are the highly sensual and sexual portraits of women, such as Traumata, Gash and Organ Molly. There are the serious and personal documentaries, such as Nice Bombs and the still-in-production American Arab. And there are his gonzo, transgressive “comedies” such as The Amateurs and The Foreigner.
However, for his latest feature-length, fictional narrative film Profane, Alshaibi has melded all of those styles into a singular, cohesive vision that is, as of now, his most accomplished work.
Have You Seen This Movie? (Leave Your Own Review)
Although Profane is a portrait of a young, female Muslim sex worker, Muna (Manal Kara), one can’t but help to feel that the film’s raw, naked emotional level comes from a highly autobiographical place.
There are the highly sensual and sexual portraits of women, such as Traumata, Gash and Organ Molly. There are the serious and personal documentaries, such as Nice Bombs and the still-in-production American Arab. And there are his gonzo, transgressive “comedies” such as The Amateurs and The Foreigner.
However, for his latest feature-length, fictional narrative film Profane, Alshaibi has melded all of those styles into a singular, cohesive vision that is, as of now, his most accomplished work.
Have You Seen This Movie? (Leave Your Own Review)
Although Profane is a portrait of a young, female Muslim sex worker, Muna (Manal Kara), one can’t but help to feel that the film’s raw, naked emotional level comes from a highly autobiographical place.
- 4/25/2011
- by Mike Everleth
- Underground Film Journal
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