Montreal-based h264 reports sales in more than 25 territories on Pascal Plante’s Fantasia best film winner.
Pascal Plante’s Fantasia best film winner and recent BFI London Film Festival and Busan selection Red Rooms has continued to attract buyers, with Montreal-based h264 reporting more than 25 territory sales including to the UK, and Eastern Europe.
Vertigo Releasing has acquired the cyber thriller for the UK, HBO will distribute in Eastern Europe, and Rwv Studio will release in Cis and the Baltics.
As previously announced, Utopia holds US rights, La Aventura will distribute in Spain, Hooray Films in Taiwan, and Njuta in Scandinavia except Norway,...
Pascal Plante’s Fantasia best film winner and recent BFI London Film Festival and Busan selection Red Rooms has continued to attract buyers, with Montreal-based h264 reporting more than 25 territory sales including to the UK, and Eastern Europe.
Vertigo Releasing has acquired the cyber thriller for the UK, HBO will distribute in Eastern Europe, and Rwv Studio will release in Cis and the Baltics.
As previously announced, Utopia holds US rights, La Aventura will distribute in Spain, Hooray Films in Taiwan, and Njuta in Scandinavia except Norway,...
- 10/23/2023
- by Jeremy Kay
- ScreenDaily
‘Red Rooms’ Review: A Disturbingly Brilliant Psychological Horror – Karlovy Vary Int’l Film Festival
The unseen and the obscene are the subject of Pascal Plante’s disturbingly brilliant psychological horror Red Rooms, which takes an overused genre — the serial killer movie — and an often-misused technique — dark Lynchian surrealism — and somehow alchemizes the two into something new and original. It’s strong meat for sure, but word-of-mouth cult status beckons and a healthy nightlife on the genre circuit is assured.
Much of the plot has already happened by the time the film starts. As the crimson opening credits roll over Vincent Biron’s stark, steely blue lensing, a young woman named Kelly-Anne (Juliette Gariépy) wakes up and takes a bus to a tall, sterile building. Inside, the frame becomes alive with color as Kelly-Anne passes through security and takes her seat in a bright, white, fluorescent-lit courtroom. On trial is Ludovic...
Much of the plot has already happened by the time the film starts. As the crimson opening credits roll over Vincent Biron’s stark, steely blue lensing, a young woman named Kelly-Anne (Juliette Gariépy) wakes up and takes a bus to a tall, sterile building. Inside, the frame becomes alive with color as Kelly-Anne passes through security and takes her seat in a bright, white, fluorescent-lit courtroom. On trial is Ludovic...
- 7/4/2023
- by Damon Wise
- Deadline Film + TV
French-language film is from the Canadian director of Nadia Butterfly
Screen can unveil the first trailer for Pascal Plante’s Red Rooms, which is set to receive its world premiere in competition at the Karlovy Vary International Film Festival (June 30-July 8).
The French-language thriller centres on a woman’s obsession with a high-profile case of a serial killer. When reality blurs with her morbid fantasies, she goes down a dark path to seek the final piece of the puzzle: the missing video of a murdered 13-year-old girl.
Canadian filmmaker Plante previously directed Nadia Butterfly, which was in Cannes’ Official Selection in 2020, and Fake Tattoos,...
Screen can unveil the first trailer for Pascal Plante’s Red Rooms, which is set to receive its world premiere in competition at the Karlovy Vary International Film Festival (June 30-July 8).
The French-language thriller centres on a woman’s obsession with a high-profile case of a serial killer. When reality blurs with her morbid fantasies, she goes down a dark path to seek the final piece of the puzzle: the missing video of a murdered 13-year-old girl.
Canadian filmmaker Plante previously directed Nadia Butterfly, which was in Cannes’ Official Selection in 2020, and Fake Tattoos,...
- 5/30/2023
- by Tim Dams
- ScreenDaily
Montreal-based company represents worldwide rights excluding Canada on both titles.
Montreal-based Sphere Films has added two completed features to its Cannes line-up and will launch sales on the Croisette later this month on Queen Tut and Red Rooms.
Reem Morsi (The Last Mark) directed Queen Tut, which stars Alexandra Billings from Transparent in the story of an Egyptian teenager who leaves Cairo when his mother dies and lands in the underground queer nightlife scene in Toronto where he confronts his mother’s death by becoming a drag artist – much to his father’s disapproval.
The Canadian drama is in English...
Montreal-based Sphere Films has added two completed features to its Cannes line-up and will launch sales on the Croisette later this month on Queen Tut and Red Rooms.
Reem Morsi (The Last Mark) directed Queen Tut, which stars Alexandra Billings from Transparent in the story of an Egyptian teenager who leaves Cairo when his mother dies and lands in the underground queer nightlife scene in Toronto where he confronts his mother’s death by becoming a drag artist – much to his father’s disapproval.
The Canadian drama is in English...
- 5/3/2023
- by Jeremy Kay
- ScreenDaily
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