Joanna Kulig in Cold War
Pawel Pawlikowski's Cold War was the big winner at the second East-West. Golden Arch awards in Moscow last night. The film, which tells the tempestuous love story of the writer/director's late parents, won four awards, including Best Film and Best Director.
Murat Cemcir with his award for Best Supporting Actor Photo: Anna Temerina It's star Joanna Kulig was named Best Actress, while Pawlikowski's cinematographer Lukas Zal shared the Best Cinematography award with Kaloyan Bozhilov, who was celebrated for his work on his tale of an elderly couple whose traditions are dying in Milko Lazarov's Ága.
Evgeniy Tsiganov was named Best Actor for his powerful portrayal of a man who tries to trick death by taking on the guise of a woman in The Man Who Surprised Everyone, which also saw his co-star Natalya Kudryashowa named Best Supporting Actress. The Russian film's co-writers...
Pawel Pawlikowski's Cold War was the big winner at the second East-West. Golden Arch awards in Moscow last night. The film, which tells the tempestuous love story of the writer/director's late parents, won four awards, including Best Film and Best Director.
Murat Cemcir with his award for Best Supporting Actor Photo: Anna Temerina It's star Joanna Kulig was named Best Actress, while Pawlikowski's cinematographer Lukas Zal shared the Best Cinematography award with Kaloyan Bozhilov, who was celebrated for his work on his tale of an elderly couple whose traditions are dying in Milko Lazarov's Ága.
Evgeniy Tsiganov was named Best Actor for his powerful portrayal of a man who tries to trick death by taking on the guise of a woman in The Man Who Surprised Everyone, which also saw his co-star Natalya Kudryashowa named Best Supporting Actress. The Russian film's co-writers...
- 4/15/2019
- by Amber Wilkinson
- eyeforfilm.co.uk
Charlotte Rampling (45 Years) will receive an Honorary Golden Bear at the 2019 Berlin International Film Festival. The festival will also present a homage to the feted British actress’s career: movies will include The Damned, The Night Porter, The Verdict, Swimming Pool and Stardust Memories. Rampling presided over the festival’s jury in in 2006 and in 2015 she won the Silver Bear for Best Actress for 45 Years, for which she was also Oscar-nominated. “I’m very happy that this year’s Homage is dedicated to the sublime actress Charlotte Rampling,” said Berlinale Director Dieter Kosslick. “She is an icon of unconventional and exciting cinema.” The prolific Rampling, whose career spans six decades, has recently played in Red Sparrow, The Little Stranger and Michel Blanc’s Kiss & Tell. She will next be seen in Paul Verhoeven’s film Benedetta, scheduled for release in 2019.
The third International Film Festival and Awards Macao handed...
The third International Film Festival and Awards Macao handed...
- 12/17/2018
- by Andreas Wiseman
- Deadline Film + TV
ustThe Competition line-up included 11 features from first- and second-time filmmakers.
The 3rd International Film Festival & Awards Macao (Iffam) unveiled its winners today (December 14), with Kwon Man-Ki’s redemption drama Clean Up receiving the best film prize.
The award, presented by filmmaker and Iffam jury president Chen Kaige, follows the film’s shared victory in the New Currents awards at Busan International Film Festival, where it premiered in October.
The Iffam jury awarded the jury prize to Barbara Sarasola-Day’s South America drug-trafficking story White Blood.
Gustav Möller’s Sundance 2018 hit The Guilty – Denmark’s foreign-language Oscar entry – won two awards:...
The 3rd International Film Festival & Awards Macao (Iffam) unveiled its winners today (December 14), with Kwon Man-Ki’s redemption drama Clean Up receiving the best film prize.
The award, presented by filmmaker and Iffam jury president Chen Kaige, follows the film’s shared victory in the New Currents awards at Busan International Film Festival, where it premiered in October.
The Iffam jury awarded the jury prize to Barbara Sarasola-Day’s South America drug-trafficking story White Blood.
Gustav Möller’s Sundance 2018 hit The Guilty – Denmark’s foreign-language Oscar entry – won two awards:...
- 12/14/2018
- by Ben Dalton
- ScreenDaily
Korean drama movie, “Clean Up” took the best film prize on Friday night at the closing ceremony of the International Film Festival and Awards Macao.
The jury, which comprised Chen Kaige, Danis Tanovic, Mabel Cheung, Paul Currie, and Tillotama Shome, said: “’Clean Up’ is a powerful, visceral film which is symbolic and naturalistic at the same time… The director unfolds a psychological drama with simmering intensity, and humanists the criminal without condoning the heinous crime in any way.”
The festival, completing its third edition, wrapped up with another breezy and efficient closing ceremony, kept largely on schedule thanks to its local live broadcast.
Celebrities on the red carpet included Phillip Noyce, Aaron Kwok and Ben Wheatley. Industry executives in attendance included Ellen Eliasoph, Michael J. Werner and Shekhar Kapur.
The closing ceremony was also the occasion for Variety and the festival to present awards to Asia’s next wave of talent.
The jury, which comprised Chen Kaige, Danis Tanovic, Mabel Cheung, Paul Currie, and Tillotama Shome, said: “’Clean Up’ is a powerful, visceral film which is symbolic and naturalistic at the same time… The director unfolds a psychological drama with simmering intensity, and humanists the criminal without condoning the heinous crime in any way.”
The festival, completing its third edition, wrapped up with another breezy and efficient closing ceremony, kept largely on schedule thanks to its local live broadcast.
Celebrities on the red carpet included Phillip Noyce, Aaron Kwok and Ben Wheatley. Industry executives in attendance included Ellen Eliasoph, Michael J. Werner and Shekhar Kapur.
The closing ceremony was also the occasion for Variety and the festival to present awards to Asia’s next wave of talent.
- 12/14/2018
- by Patrick Frater
- Variety Film + TV
“Spring is coming earlier and earlier each year.”
A vast icy field somewhere in Siberia reveals itself to the viewers’ eyes, with only the faint line of the horizon marking a border, a change somehow in this landscape before the white is disturbed by a small figure and a sleigh. Making his way towards a yet unknown destination somewhere ahead of him is Nanook (Mikhail Aprosimov), a man who lives in this region with his wife Sedna (Feodosia Ivanova). He is looking for food, for some prey caught up in the traps he has laid the day before, and finally to dig a hole in the ground to catch some fish.
Even though “Ága” is supposed to be set in our time and age, the way of life Sedna and Nanook live is archaic, to the point you might think you have entered a time machine. Only a few interventions...
A vast icy field somewhere in Siberia reveals itself to the viewers’ eyes, with only the faint line of the horizon marking a border, a change somehow in this landscape before the white is disturbed by a small figure and a sleigh. Making his way towards a yet unknown destination somewhere ahead of him is Nanook (Mikhail Aprosimov), a man who lives in this region with his wife Sedna (Feodosia Ivanova). He is looking for food, for some prey caught up in the traps he has laid the day before, and finally to dig a hole in the ground to catch some fish.
Even though “Ága” is supposed to be set in our time and age, the way of life Sedna and Nanook live is archaic, to the point you might think you have entered a time machine. Only a few interventions...
- 11/4/2018
- by Rouven Linnarz
- AsianMoviePulse
Some films only really work if projected on the biggest screens available, and Milko Lazarov's Berlinale closer Aga falls emphatically into that category. A narratively simple story about an elderly Yakut couple living in a yurt amid the frozen expanses of north-eastern Siberia, its impact relies very heavily on Kaloyan Bozhilov's majestic widescreen cinematography. One-off engagements in suitably huge spaces — including outdoor venues — could see this Bulgarian-German-French co-production carve a nice little niche beyond the festival circuit.
Following up his 2013 debut Alienation, which parlayed a prize-winning debut at Venice into a respectable festival run, director/co-writer...
Following up his 2013 debut Alienation, which parlayed a prize-winning debut at Venice into a respectable festival run, director/co-writer...
- 2/27/2018
- by Neil Young
- The Hollywood Reporter - Movie News
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