Disney+ has ordered “Tout va bien,” a new French original series which will be co-directed and co-produced by ‘The Bureau’ creator and showrunner Eric Rochant. The anticipated series will also be directed by Xavier Legrand (“Custody”), Cathy Verney (“Vernon Subutex”) and Audrey Estrougo (“Supremes”).
Slated to start shooting in Paris soon, “Tout va bien” is created by Camille de Castelnau, a rising talent whose screenwriting credits include episodes of “The Bureau,” “Call My Agent” and “Standing Up.”
“Tout va bien” will be headlined by Virginie Efira (pictured) who stars in Rebecca Zlotowski’s upcoming Venice competition title “Les enfants des autres,” and Nicole Garcia (“Lupin”), among others.
The series, which will launch on Disney+ around the world in 2023, revolves around an dysfunctional Parisian family confronted to the tragic illness of one their children.
The cast also includes Sara Giraudeau, Aliocha Schneider, Bernard Le Coq, Eduardo Noriega, Yannik Landrein, Mehdi Nebbou and Angèle Mièle.
Slated to start shooting in Paris soon, “Tout va bien” is created by Camille de Castelnau, a rising talent whose screenwriting credits include episodes of “The Bureau,” “Call My Agent” and “Standing Up.”
“Tout va bien” will be headlined by Virginie Efira (pictured) who stars in Rebecca Zlotowski’s upcoming Venice competition title “Les enfants des autres,” and Nicole Garcia (“Lupin”), among others.
The series, which will launch on Disney+ around the world in 2023, revolves around an dysfunctional Parisian family confronted to the tragic illness of one their children.
The cast also includes Sara Giraudeau, Aliocha Schneider, Bernard Le Coq, Eduardo Noriega, Yannik Landrein, Mehdi Nebbou and Angèle Mièle.
- 8/26/2022
- by Elsa Keslassy
- Variety Film + TV
I don't throw around the term "sexcellent" willy-nilly — I'm more of a "fucktastic" man — but I apply it without reservation to the John Malkovich–directed Les Liaisons Dangereuses, presented by the thrilling young Parisian company Théâtre de l'Atelier. Here's the familiar eighteenth-century story of carnal assassination and cardio-decadence, familiar to most American audiences via the 1988 film starring Malkovich himself, given a fortifying shot of theatrical B-12 right in its ample apple bottom.Forget the showy, silly smartphones and tablets, the lamest of the "updates" Malkovich has persuaded playwright Christopher Hampton to accept: The joy of this delectable poison-pastille of a production — set in a rehearsal-room meta-space and featuring meta-period costumes (corsets and jeans) that self-deconstruct — is sex. Yannik Landrein's Valmont is wholly different than Malkovich's, more of a devious, callow man-boy, but with a tragic streak clearly visible from the jump, an aging hipster's goofy vulnerability squirming...
- 7/12/2013
- by Scott Brown
- Vulture
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