April 24
8:00 p.m.
Videofag
187 Augusta Avenue
Toronto, On M5T, Canada
Hosted by: Regional Support Network and Videofag
Toronto will get a little taste of the Portland, Oregon underground film scene courtesy of Regional Support Network, the screening series run by Clint Enns and Leslie Supnet. A night of short films all by Portland indie filmmakers will screen at the Videofag screening room. The lineup has been curated by animator/filmmaker Ben Popp and is listed in full below.
Included in the program are several films by Popp, including his classic Lázsló Lassu, plus work by living legend Bob Moricz, experimental film/video documentarian Julie Perini, Hannah Piper Burns, Orland Nutt, Karl Lind and many more.
Official Lineup:
Torn, dir. Qathi Hart
Entrance, dir. Stephen Slappe
Counter’s Edge, dir. Dylan McDaniel
Rocky’s Moves From The Fight Scene In Rocky, dir. Chris Freeman
Dear Peter: Yaks, dir. Orland Nutt
Dear Peter: Goats,...
8:00 p.m.
Videofag
187 Augusta Avenue
Toronto, On M5T, Canada
Hosted by: Regional Support Network and Videofag
Toronto will get a little taste of the Portland, Oregon underground film scene courtesy of Regional Support Network, the screening series run by Clint Enns and Leslie Supnet. A night of short films all by Portland indie filmmakers will screen at the Videofag screening room. The lineup has been curated by animator/filmmaker Ben Popp and is listed in full below.
Included in the program are several films by Popp, including his classic Lázsló Lassu, plus work by living legend Bob Moricz, experimental film/video documentarian Julie Perini, Hannah Piper Burns, Orland Nutt, Karl Lind and many more.
Official Lineup:
Torn, dir. Qathi Hart
Entrance, dir. Stephen Slappe
Counter’s Edge, dir. Dylan McDaniel
Rocky’s Moves From The Fight Scene In Rocky, dir. Chris Freeman
Dear Peter: Yaks, dir. Orland Nutt
Dear Peter: Goats,...
- 4/17/2014
- by Mike Everleth
- Underground Film Journal
Clint Enns says:
Mia and myself hanging out in our house!
!!!
Underground Film Journal says:
Clint Enns may be a man of few words — at least when he sent in his cat photo — but he is not a man of few filmmaking talents. Originally from Winnipeg and currently based in Toronto, Clint is an incredibly prolific and gifted filmmaker. He is as talented as his filmography is long, creating remixed media like Spider-Man vs. Macrovision; original live action shorts like Back + Forth; and highly innovative experimental pieces such as The Death of Natural Language.
He’s also a wonderful still photographer.
More Cats: View our entire gallery of Filmmakers and Their Cats!
Submit: If you’re a filmmaker and you love your cat companion, please send us a photo of you with your kitty.
Mia and myself hanging out in our house!
!!!
Underground Film Journal says:
Clint Enns may be a man of few words — at least when he sent in his cat photo — but he is not a man of few filmmaking talents. Originally from Winnipeg and currently based in Toronto, Clint is an incredibly prolific and gifted filmmaker. He is as talented as his filmography is long, creating remixed media like Spider-Man vs. Macrovision; original live action shorts like Back + Forth; and highly innovative experimental pieces such as The Death of Natural Language.
He’s also a wonderful still photographer.
More Cats: View our entire gallery of Filmmakers and Their Cats!
Submit: If you’re a filmmaker and you love your cat companion, please send us a photo of you with your kitty.
- 3/27/2014
- by Mike Everleth
- Underground Film Journal
The 3rd annual Strange Beauty Film Festival unspools on Feb. 16-18 with three nights, and one afternoon, of great underground short films from all over the world. The fest screens at the Man Bites Dog Theater in Durham, Nc.
First, Strange Beauty’s home state of North Carolina is properly represented with several short films, such as Jim Kellough’s Red Rocks, Josh Gibson’s Kudzu Vine, Heather D. Freeman’s Pennipotens, Charlotte Taylor’s The Edge of Summer and several more.
Plus, Winnipeg, Manitoba, Canada is heavily represented by Leslie Supnet‘s Spectroscopy, Kevin Kelly’s 367 Years in Montreal, Aaron Zegher has two films in the fest: I See a Light and The Story of Thomas Edison; and Winnipeg expat Clint Enns will screen Connecting With Nature. However, most exciting on the Winnipeg front is a screening of Jaimz Asmundson‘s thoroughly amazing The Magus, which was the 2nd...
First, Strange Beauty’s home state of North Carolina is properly represented with several short films, such as Jim Kellough’s Red Rocks, Josh Gibson’s Kudzu Vine, Heather D. Freeman’s Pennipotens, Charlotte Taylor’s The Edge of Summer and several more.
Plus, Winnipeg, Manitoba, Canada is heavily represented by Leslie Supnet‘s Spectroscopy, Kevin Kelly’s 367 Years in Montreal, Aaron Zegher has two films in the fest: I See a Light and The Story of Thomas Edison; and Winnipeg expat Clint Enns will screen Connecting With Nature. However, most exciting on the Winnipeg front is a screening of Jaimz Asmundson‘s thoroughly amazing The Magus, which was the 2nd...
- 1/24/2012
- by Mike Everleth
- Underground Film Journal
The 14th annual Antimatter Film Festival in Vancouver, BC, Canada is an epic 9-day event of expanded cinema performances, feature-length documentaries an a ton of experimental short films and festivals.
There are seven feature documentaries screening including Marie Losier‘s hit The Ballad of Genesis & Lady Jaye, a profile of the pandrogenous entity, Breyer P-Orridge; and Chris Metzler & Lev Kalman’s popular Everyday Sunshine: The Story of Fishbone, about the legendary ska punk band. Plus, there’s Adele Horne’s And Again and more.
On the expanded cinema front, Antimatter welcomes retrospectives of Kerry Laitala, who will be presenting a selection of her 3D light and motion experiments; and Roger Beebe will screen a series of multi-projector performances.
As for the short films, the real highlight of the fest is a screening of Jaimz Asmundson‘s trippy and powerful The Magus, a fictional/documentary hybrid of his father’s Satanic painting process.
There are seven feature documentaries screening including Marie Losier‘s hit The Ballad of Genesis & Lady Jaye, a profile of the pandrogenous entity, Breyer P-Orridge; and Chris Metzler & Lev Kalman’s popular Everyday Sunshine: The Story of Fishbone, about the legendary ska punk band. Plus, there’s Adele Horne’s And Again and more.
On the expanded cinema front, Antimatter welcomes retrospectives of Kerry Laitala, who will be presenting a selection of her 3D light and motion experiments; and Roger Beebe will screen a series of multi-projector performances.
As for the short films, the real highlight of the fest is a screening of Jaimz Asmundson‘s trippy and powerful The Magus, a fictional/documentary hybrid of his father’s Satanic painting process.
- 10/12/2011
- by Mike Everleth
- Underground Film Journal
Usama Alshaibi’s Profane debuted in Berlin last week and the film already garnered a review by Ceven Knowles. To be honest, I haven’t read it yet because I’m waiting to see the film first without preconceptions. But, I think it’s a positive write-up.Actually, there are lots of write-ups coming from the Berlinale. On Electric Sheep, Pamela Jahn and Alison Frank review films Road to Nowhere, The Devil’s Double, Tomboy and Dance Town.Robert Koehler has several write-ups. First, he says Miranda July’s The Future isn’t good, but Marie Losier’s The Ballad of Genesis and Lady Jaye is excellent. Then, this round-up of several films makes the fest sound pretty dismal overall.Kinemastik reviews some Berlinale short films.Clint Enns has a completely excellent review of Jaimz Asmundson’s phenomenal short film The Magus, cluing us in on many of the fine...
- 2/20/2011
- by Mike Everleth
- Underground Film Journal
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