Tfl Meeting, a TorinoFilmLab-organized initiative, has awarded 18 cash prizes, worth a total of €315,000, to support the development and production of feature-length projects.
Of the 30 projects presented during the program’s 15th edition, 20 were part of the ScriptLab program, and 10 were showcased in the FeatureLab program. The participants presented them to an audience of 260 professionals, attending over 600 meetings with potential partners and co-producers.
This year’s FeatureLab jury, which included Florence Almozini, Dyveke Bjørkly Graver, Philippe Bober and Donsaron Kovitvanitcha, awarded four debut projects with a grant of €40,000 each.
The first is Inbar Horesh’s “Birth Right.” Staged by Alona Refua, of Tel Aviv-based Green Productions, the picture aims to capture “the point of view of young tourists experiencing Israel for the first time.” The plot centers on Nieszka who, after mourning her father’s death, joins a tour to Israel that turns out to be a sex-filled Zionist propaganda trip.
Of the 30 projects presented during the program’s 15th edition, 20 were part of the ScriptLab program, and 10 were showcased in the FeatureLab program. The participants presented them to an audience of 260 professionals, attending over 600 meetings with potential partners and co-producers.
This year’s FeatureLab jury, which included Florence Almozini, Dyveke Bjørkly Graver, Philippe Bober and Donsaron Kovitvanitcha, awarded four debut projects with a grant of €40,000 each.
The first is Inbar Horesh’s “Birth Right.” Staged by Alona Refua, of Tel Aviv-based Green Productions, the picture aims to capture “the point of view of young tourists experiencing Israel for the first time.” The plot centers on Nieszka who, after mourning her father’s death, joins a tour to Israel that turns out to be a sex-filled Zionist propaganda trip.
- 11/28/2022
- by Davide Abbatescianni
- Variety Film + TV
€315,000 in prizes awarded at Tfl Meeting Event.
Co-production market Tfl Meeting Event has awarded prizes worth €315,000 to projects that took part in TorinoFilmLab’s annual ScriptLab and FeatureLab programmes.
30 projects were pitched over two days at the Tfl Meeting Event in Turin - 20 titles from Tfl’s nine-month scriptwriting programme ScriptLab and another 10 from its FeatureLab strand for films at a more advanced stage.
Four FeatureLab projects were selected by an international jury as winners of the Tfl Production Awards, sharing a total of €160,000: Inbar Horesh’s Birth Right, Prantik Basu’s Dengue, Konstantinos Antonopoulos’ Glory B and Sara Fgaier’s Weightless.
Co-production market Tfl Meeting Event has awarded prizes worth €315,000 to projects that took part in TorinoFilmLab’s annual ScriptLab and FeatureLab programmes.
30 projects were pitched over two days at the Tfl Meeting Event in Turin - 20 titles from Tfl’s nine-month scriptwriting programme ScriptLab and another 10 from its FeatureLab strand for films at a more advanced stage.
Four FeatureLab projects were selected by an international jury as winners of the Tfl Production Awards, sharing a total of €160,000: Inbar Horesh’s Birth Right, Prantik Basu’s Dengue, Konstantinos Antonopoulos’ Glory B and Sara Fgaier’s Weightless.
- 11/28/2022
- by Tim Dams
- ScreenDaily
Tfl has also unveiled the 10 writers picked for the inaugural edition of its SeriesLab – Talents scheme.
The TorinoFilmLab (Tfl) has unveiled the 20 new projects selected for its 2022 ScriptLab, and the 10 writers picked for the inaugural edition of its SeriesLab – Talents scheme.
The ScriptLab is a nine-month scriptwriting programme involving feature films at an early stage of development. This year’s iteration focused on comedies, with eight of the 20 projects written by women.
Composed of two week-long residential workshops, one in Turin and one in Finland, as well as three online modules, the ScriptLab also feeds in to TorinoFilmLab annual industry event the Tfl Meeting.
The TorinoFilmLab (Tfl) has unveiled the 20 new projects selected for its 2022 ScriptLab, and the 10 writers picked for the inaugural edition of its SeriesLab – Talents scheme.
The ScriptLab is a nine-month scriptwriting programme involving feature films at an early stage of development. This year’s iteration focused on comedies, with eight of the 20 projects written by women.
Composed of two week-long residential workshops, one in Turin and one in Finland, as well as three online modules, the ScriptLab also feeds in to TorinoFilmLab annual industry event the Tfl Meeting.
- 3/10/2022
- by Gabriele Niola
- ScreenDaily
Dreaming of the sea takes on weightier significance when the dreamer lives in a landlocked country. It’s not just an idle fantasy of beach holidays and salt-rimmed cocktails — though Vera (Teuta Ajdini Jegeni) would like that too — but as Kaltrina Krasniqi’s taut, sorrowful narrative feature debut “Vera Dreams of the Sea” proves, the vision of a vast blue expanse stretching out to a far horizon can also become tacitly political for a widow who suddenly feels the weight of Kosovan patriarchy bearing down on her already burdened shoulders.
Under the high-tension whines and see-sawing violins of Petrit Çeku and Genc Salihu’s sinister, interior-monologue score, we’re introduced to Vera, a middle-aged interpreter for the deaf. As frankly and fearlessly embodied by a terrific Jegeni, Vera is onscreen almost every moment, which is already a coup given that few are the films that take a woman of this...
Under the high-tension whines and see-sawing violins of Petrit Çeku and Genc Salihu’s sinister, interior-monologue score, we’re introduced to Vera, a middle-aged interpreter for the deaf. As frankly and fearlessly embodied by a terrific Jegeni, Vera is onscreen almost every moment, which is already a coup given that few are the films that take a woman of this...
- 11/23/2021
- by Jessica Kiang
- Variety Film + TV
Amidst all the horrors of a war-torn decade that she would largely like to forget, one memory stands out for Kosovar filmmaker Kaltrina Krasniqi: the day her mother surprised the family with a VHS player. “We were so, so excited,” she tells Variety. “We really didn’t believe until she opened it that it was true.”
Beginning with the break-up of the former Yugoslavia in 1991 and ending with the conclusion of the bloody Kosovo War in 1999, Krasniqi and her family spent much of the ‘90s holed up in their apartment, occasionally venturing out to the 007 video club across the street to rent movies. “It wasn’t really safe to be out,” she says. “We spent the entire decade using that VHS player to watch films.”
It was the start of the director’s love affair with cinema, and the first step on a journey that this week takes her...
Beginning with the break-up of the former Yugoslavia in 1991 and ending with the conclusion of the bloody Kosovo War in 1999, Krasniqi and her family spent much of the ‘90s holed up in their apartment, occasionally venturing out to the 007 video club across the street to rent movies. “It wasn’t really safe to be out,” she says. “We spent the entire decade using that VHS player to watch films.”
It was the start of the director’s love affair with cinema, and the first step on a journey that this week takes her...
- 9/3/2021
- by Christopher Vourlias
- Variety Film + TV
Heretic Takes World Rights to Venice-Bound ‘Vera Dreams of the Sea,’ Drops First Trailer (Exclusive)
Heretic, the Athens-based boutique production company and sales agent, has acquired world sales rights for “Vera Dreams of the Sea,” the feature-length debut of Kosovan director Kaltrina Krasniqi, which will have its world premiere in the Horizons sidebar of the Venice Film Festival. Variety has also been given exclusive access to the film’s trailer.
Set in modern Kosovo, “Vera Dreams of the Sea” centers on Vera, a sign-language interpreter for a local news station, who is confronted with an unwelcome and stark reality after the suicide of her husband, a newly retired and revered judge. As Vera begins to untangle the messy aftermath, she has to fight a Kosovo patriarchy steeped in centuries-old male traditions in order to secure a future for her daughter.
Written by Doruntina Basha and produced by Shkumbin Istrefi and Krasniqi, the film, which was lensed in Kosovo and Albania, echoes the experiences of the...
Set in modern Kosovo, “Vera Dreams of the Sea” centers on Vera, a sign-language interpreter for a local news station, who is confronted with an unwelcome and stark reality after the suicide of her husband, a newly retired and revered judge. As Vera begins to untangle the messy aftermath, she has to fight a Kosovo patriarchy steeped in centuries-old male traditions in order to secure a future for her daughter.
Written by Doruntina Basha and produced by Shkumbin Istrefi and Krasniqi, the film, which was lensed in Kosovo and Albania, echoes the experiences of the...
- 8/26/2021
- by Christopher Vourlias
- Variety Film + TV
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