In Alice Rohrwacher’s La Chimera, the Italian writer-director’s fourth narrative feature film, the past melds with the present. Art is something to be dug up, to be discovered, regardless of its origins. A circus troupe does the digging, led by a quiet, discomforted British man named Arthur (Josh O’Connor), clad in his version of very penetrable armor, an all-white, stained suit. Arthur drifts back into town after a stint in prison, revisiting the home of his love, Beniamina (Yile Yara Vianello), who’s ever-present despite her lack of tangibility.
The art Arthur finds, via magic that has become a throughline in Rohrwacher’s work, fills him with despair and almost-bare riches. Who deserves to see the art buried with the dead? Rohrwacher meditates on Arthur and his troupe’s way of life, on the grasping at something physical, grasping at something to desperately hold onto. La Chimera can slip through one’s fingers.
The art Arthur finds, via magic that has become a throughline in Rohrwacher’s work, fills him with despair and almost-bare riches. Who deserves to see the art buried with the dead? Rohrwacher meditates on Arthur and his troupe’s way of life, on the grasping at something physical, grasping at something to desperately hold onto. La Chimera can slip through one’s fingers.
- 4/4/2024
- by Michael Frank
- The Film Stage
La chimera.Around 1655, a group of rural laborers were excavating a field in Norfolk, England, when they dug up a collection of ancient urns, small clay vessels filled with ashes, bones, and various grave goods: combs, tweezers, brass plates, and a blue opal, possibly once set into a ring. More than a thousand years before, this field had served as a cemetery, and if not for an agricultural accident, it would have remained unknown. The find so impressed the scholar, doctor, and writer Sir Thomas Browne that he began his 1658 Urne-Buriall with the following: “Nature hath furnished one part of the Earth, and man another. The treasures of time lie high, in Urnes, Coynes, and Monuments, scarce below the roots of some vegetables.” He marveled at the survival of these fragile vessels, which, though “in a yard underground, and thin walls of clay, [have] out-worn all the strong and specious buildings above it,...
- 3/29/2024
- MUBI
In ancient times, the Etruscan civilization built elaborate underground tombs not to please human eyes but those of the spirit world. A similar spirit of feeling unbound from the pressures of the present-day animates Italian filmmaker Alice Rohrwacher’s La Chimera, a 1980s-set adventure following a roving group of tomb raiders who attempt to excavate and pillage these secret sanctuaries. The director has always depicted time as layered rather than strictly linear. The present exists not ahead the past but on top of it, and the moments she depicts will one day be history for another era. This vision lends the sensation that she, like the ancient culture she depicts, is communicating with something beyond our perception.
Rohrwacher finds a perfect partner in her search for the sublime with Josh O’Connor. The English actor provides a human incarnation of the director’s restless attempt to collapse the contradictions of time.
Rohrwacher finds a perfect partner in her search for the sublime with Josh O’Connor. The English actor provides a human incarnation of the director’s restless attempt to collapse the contradictions of time.
- 3/28/2024
- by Marshall Shaffer
- Slant Magazine
Gian Piero Capretto, Ramona Fiorini, Melochiorre Pala, Josh O’Connor, Luca Gargiullo, Vincenzo Nemolato, and Lou Roy LecollinetPhoto: Neon
The past is so close you can almost touch it in Alice Rohrwacher’s romantic treasure hunt, La Chimera. Set in the liminal space between living and dying, better known as the Italian countryside,...
The past is so close you can almost touch it in Alice Rohrwacher’s romantic treasure hunt, La Chimera. Set in the liminal space between living and dying, better known as the Italian countryside,...
- 3/27/2024
- by Matt Schimkowitz
- avclub.com
Appointed with a warmth and plushness that is reminiscent of a Merchant Ivory production, Laura Luchetti’s adaptation of Cesare Pavesi’s The Beautiful Summer is handsomely turned out, which is fitting for a film which is partially set within the world of fine tailoring. Ginia (Yile Yara Vianello) and her brother Severino (Nichoas Maupas) are recent arrivals in Turin from the countryside; he is working and studying while she is showing talent as a seamstress in one of the city’s fashion houses.
Things begin to shift for inexperienced Ginia with the arrival of the glamorous and much more worldly Amelia (Deva Cassel) into her social circle. The captivated gaze of Diego Romero’s camera immediately makes it clear that Ginia is first attracted by the look and confidence of Amelia, but soon she is also finding herself swept up in the free-spirited young woman’s social circle.
There,...
Things begin to shift for inexperienced Ginia with the arrival of the glamorous and much more worldly Amelia (Deva Cassel) into her social circle. The captivated gaze of Diego Romero’s camera immediately makes it clear that Ginia is first attracted by the look and confidence of Amelia, but soon she is also finding herself swept up in the free-spirited young woman’s social circle.
There,...
- 8/7/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
The Beautiful Summer (La Bella Estate) lives up to its title: The screen is alive with the sensual glow of balmy days and nights — and, specifically, with the youthful giddiness that the warmest season rouses. In the uneven period drama, a country girl starts to make her way in the big city and is drawn into a bohemian circle, intrigued by the impetuous painters who turn out to be cads and especially by a free-spirited, sad-eyed model. The romance at the movie’s core doesn’t deliver the intended emotional impact, but there’s a tender, potent resonance to other aspects of the story.
“Freely inspired” by the 1940 novel of the same name by Cesare Pavese, the third feature from writer-director Laura Luchetti (Twin Flower) sometimes slides into cliché or loses momentum, but it also offers some sharp coming-of-age observations and a delectable physicality, and it’s anchored by the...
“Freely inspired” by the 1940 novel of the same name by Cesare Pavese, the third feature from writer-director Laura Luchetti (Twin Flower) sometimes slides into cliché or loses momentum, but it also offers some sharp coming-of-age observations and a delectable physicality, and it’s anchored by the...
- 8/4/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
Earlier this week Variety premiered the official trailer and leading up to 2023 Locarno Film Festival world premiere of The Beautiful Summer (August 4th) we’ve got your exclusive first look at the poster one-sheet featuring the film’s paired leads in Yile Yara Vianello and Deva Cassel. Filmmaker Laura Luchetti (part of our “Off Set series”) landed on our radar with the TIFF preemed 2018 Fipresci-winning Twin Flower and for her third feature film, she took on La bella estate – a loosely-based adaptation of Cesare Pavese’s award-winning and very much beloved 1949 novel. Currently filming one of the episodes for Netflix-backed “The Leopard,” Luchetti re-teamed with Cassel on this series currently in production.…...
- 8/1/2023
- by Eric Lavallée
- IONCINEMA.com
Starring Deva Cassel, Laura Luchetti’s “The Beautiful Summer” (“La Bella Estate”) has bowed sales and a trailer, ahead of its world premiere at this week’s Locarno Festival.
In a first deal to go down for sales agent True Colours, Palace Films has swooped on distribution rights to Australia and New Zealand. Xenix Filmdistribution will release in Switzerland “The Beautiful Summer,” which is loosely based on Cesare Pavese’s novel.
“His vision is so contemporary. He speaks about adolescence, the time in your life when everything is possible. It’s a story of a simple girl trying to make it in the big city, forced into becoming a woman. It’s a story of every girl,” Luchetti told Variety.
In the film, set in Turin in 1938, hard-working Ginia (Yile Yara Vianello) is looking for an adventure. She finds Amelia (Deva Cassel), who models for painters and introduces her to a whole different world.
In a first deal to go down for sales agent True Colours, Palace Films has swooped on distribution rights to Australia and New Zealand. Xenix Filmdistribution will release in Switzerland “The Beautiful Summer,” which is loosely based on Cesare Pavese’s novel.
“His vision is so contemporary. He speaks about adolescence, the time in your life when everything is possible. It’s a story of a simple girl trying to make it in the big city, forced into becoming a woman. It’s a story of every girl,” Luchetti told Variety.
In the film, set in Turin in 1938, hard-working Ginia (Yile Yara Vianello) is looking for an adventure. She finds Amelia (Deva Cassel), who models for painters and introduces her to a whole different world.
- 7/31/2023
- by Marta Balaga
- Variety Film + TV
Filming recently wrapped up on Laura Luchetti’s third feature film. Variety reports that Deva Cassel and Yile Yara Vianello toplined the The Beautiful Summer — the book to film adaptation of the 1950’s novel ’s “La Bella Estate” by Cesare Pavese. Luchetti moved into television directly after 2018’s TIFF preemed Twin Flower (where we met the filmmaker). Set in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II, this sees the 18-year-old uninhibited model Amelia (Cassel) who introduces her younger friend Ginia (Yile Yara Vianello) to a world of bohemian artists where she will fall in love for the first time.…...
- 11/2/2022
- by Eric Lavallée
- IONCINEMA.com
Top model Deva Cassell, who is Monica Bellucci and Vincent Cassel’s daughter, is making her acting debut as a wild and provocative artists’ model named Amelia in Italian director Laura Luchetti’s “The Beautiful Summer.” Italian sales company True Colours is launching sales on the drama at AFM.
True Colours has taken all rights outside Italy to the period piece set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II.
The coming-of-age drama is based on Italian author Cesare Pavese’s novel “La Bella Estate,” which won Italy’s prestigious Premio Strega literary prize in 1950 and has been widely translated.
“Beautiful Summer” sees the 18-year-old Cassell (pictured above right in the first look image above) who models regularly for Dolce & Gabbana, as the uninhibited model Amelia. She introduces her younger friend Ginia, played by Yile Yara Vianello...
True Colours has taken all rights outside Italy to the period piece set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II.
The coming-of-age drama is based on Italian author Cesare Pavese’s novel “La Bella Estate,” which won Italy’s prestigious Premio Strega literary prize in 1950 and has been widely translated.
“Beautiful Summer” sees the 18-year-old Cassell (pictured above right in the first look image above) who models regularly for Dolce & Gabbana, as the uninhibited model Amelia. She introduces her younger friend Ginia, played by Yile Yara Vianello...
- 11/2/2022
- by Nick Vivarelli
- Variety Film + TV
Some creatures waste away when they’re domesticated, pining for the freedom of the outdoors. That seems to be the case not only for the immensely improbable, leadenly symbolic peacock at the center of Laura Bispuri’s “The Peacock’s Paradise,” but also for Bispuri’s flair for characterization and absorbingly grounded melodrama, which comes tamely indoors after the vibrant, windblown elementalism of “Sworn Virgin” and “Daughter of Mine,” and vanishes.
In the stultifying environment of a small coastal apartment, “The Peacock’s Paradise” follows a family of unbearably self-involved secret-keepers at a reunion that precipitates an entire telenovela’s worth of soapy revelation in the space of a single afternoon. Long-term same-sex affairs are discovered; dormant passions are reawakened; new lovers are betrayed; a history of institutionalization is dredged up; financial petitions are broached; and a clinically mute character speaks, delivering one single, loaded comment that scriptwriters Bispuri and...
In the stultifying environment of a small coastal apartment, “The Peacock’s Paradise” follows a family of unbearably self-involved secret-keepers at a reunion that precipitates an entire telenovela’s worth of soapy revelation in the space of a single afternoon. Long-term same-sex affairs are discovered; dormant passions are reawakened; new lovers are betrayed; a history of institutionalization is dredged up; financial petitions are broached; and a clinically mute character speaks, delivering one single, loaded comment that scriptwriters Bispuri and...
- 10/29/2021
- by Jessica Kiang
- Variety Film + TV
★★★★☆ Italian director Alice Rohrwacher's debut feature Corpo Celeste (2011) is a gently confident story of a young girl, attempting to survive her adolescence and understand her faith against the backdrop of an alien Italian community. Thirteen-year-old Marta (Yle Vianello) returns to southern Italy with her mother and older sister after spending her childhood in Switzerland. As she struggles to readjust to her new life, she begins to take catechism in preparation for her Confirmation and also in order to find new friends.
Read more »...
Read more »...
- 9/11/2012
- by CineVue UK
- CineVue
The Pirates! In An Adventure With Scientists (U)
(Peter Lord, Jeff Newitt, 2012, UK/Us) Hugh Grant, Martin Freeman, David Tennant, Imelda Staunton. 88 mins
Aardman sets sail on seas of clay, in what feels more like an animated Blackadder than Pirates Of The Caribbean. Grant's inept rogue is good company, falling foul (or rather fowl) of Queen Victoria and Charles Darwin in a nonsensical, if inconsequential, romp that's lifted, as usual, by Aardman's eccentric details and fine craftsmanship.
Into The Abyss (12A)
(Werner Herzog, 2011, Us/UK/Ger) 107 mins
Herzog studies a Texas homicide from all angles, building less a polemic against the death penalty than a humane survey of death and loss.
This Is Not A Film (U)
(Mojtaba Mirtahmasb, Jafar Panahi, 2010, Ira) 75 mins
Panahi boldly defies his own house arrest by "not making" a film within his apartment, the confinement provoking a profound questioning of cinema itself.
Wrath Of The Titans (12A)
(Jonathan Liebesman,...
(Peter Lord, Jeff Newitt, 2012, UK/Us) Hugh Grant, Martin Freeman, David Tennant, Imelda Staunton. 88 mins
Aardman sets sail on seas of clay, in what feels more like an animated Blackadder than Pirates Of The Caribbean. Grant's inept rogue is good company, falling foul (or rather fowl) of Queen Victoria and Charles Darwin in a nonsensical, if inconsequential, romp that's lifted, as usual, by Aardman's eccentric details and fine craftsmanship.
Into The Abyss (12A)
(Werner Herzog, 2011, Us/UK/Ger) 107 mins
Herzog studies a Texas homicide from all angles, building less a polemic against the death penalty than a humane survey of death and loss.
This Is Not A Film (U)
(Mojtaba Mirtahmasb, Jafar Panahi, 2010, Ira) 75 mins
Panahi boldly defies his own house arrest by "not making" a film within his apartment, the confinement provoking a profound questioning of cinema itself.
Wrath Of The Titans (12A)
(Jonathan Liebesman,...
- 3/30/2012
- by Steve Rose
- The Guardian - Film News
★★★★☆ Italian writer/director Alice Rohrwacher's debut feature Corpo Celeste (2011) is a hugely confident examination of faith and rebellious youth with an assured central performance from relative newcomer Yle Vianello. She stars as the 13-year-old Marta, whose impending confirmation clashes with her own physical passage into womanhood and forces her to question and consider all she has previously accepted.
Read more »...
Read more »...
- 3/29/2012
- by CineVue
- CineVue
Feature from Italian director Alice Rohrwacher shows a young heroine exploring the boundaries of a new town and her Catholic faith
In a dismal urban landscape, at the bottom of what looks like a dried-up canal, a congregation of the faithful has gathered to honour the Madonna. The scene is contemporary Italy, apparent in the cheap clothes worn by the crowd, the frightful music spewing from the loudspeakers and the digital picture. Corpo Celeste is the first full-length film by Alice Rohrwacher and it takes some time to extricate itself from this wretched shell. The story of Marta gradually unfolds, a teenager struggling to come to grips with her body and religion, with her family and the church, but ultimately this beautiful child becomes a real cinema heroine.
Marta (played by Yle Vianello) has just returned from Switzerland, where she grew up, with her mother, little brother and elder sister,...
In a dismal urban landscape, at the bottom of what looks like a dried-up canal, a congregation of the faithful has gathered to honour the Madonna. The scene is contemporary Italy, apparent in the cheap clothes worn by the crowd, the frightful music spewing from the loudspeakers and the digital picture. Corpo Celeste is the first full-length film by Alice Rohrwacher and it takes some time to extricate itself from this wretched shell. The story of Marta gradually unfolds, a teenager struggling to come to grips with her body and religion, with her family and the church, but ultimately this beautiful child becomes a real cinema heroine.
Marta (played by Yle Vianello) has just returned from Switzerland, where she grew up, with her mother, little brother and elder sister,...
- 1/10/2012
- by Thomas Sotinel
- The Guardian - Film News
Following up their initial competition announcement the folks at the Sundance Film Festival have released the names of thirty additional 2012 selections, in the Spotlight, Park City at Midnight, Next, and New Frontiers sections.
Although these sections tend to focus more on young and up-and-coming filmmakers (particularly the Next sidebar, which was created just a few years ago with that specific mandate), you might find a few names you recognize in the full list of invited films below. Next is where you'll find the new film from "Great World of Sound" director Craig Zobel; it's called "Compliance" and it's described as the (based-on-a-)true story of what happens "when a prank caller convinces a fast food restaurant manager to interrogate an innocent young employee." Lynn Shelton, director of "Humpday," will premiere "Your Sister's Sister" starring Emily Blunt, Rosemarie DeWitt and "Humpday"s Mark Duplass. Duplass also wrote his wife Katie Aselton...
Although these sections tend to focus more on young and up-and-coming filmmakers (particularly the Next sidebar, which was created just a few years ago with that specific mandate), you might find a few names you recognize in the full list of invited films below. Next is where you'll find the new film from "Great World of Sound" director Craig Zobel; it's called "Compliance" and it's described as the (based-on-a-)true story of what happens "when a prank caller convinces a fast food restaurant manager to interrogate an innocent young employee." Lynn Shelton, director of "Humpday," will premiere "Your Sister's Sister" starring Emily Blunt, Rosemarie DeWitt and "Humpday"s Mark Duplass. Duplass also wrote his wife Katie Aselton...
- 12/2/2011
- by Matt Singer
- ifc.com
Sundance continues to announce their lineups for each program and now we have the list of movies featured in the Spotlight section – the non-competition section where the festival screens some of their favourite films from other fests. Here is the lineup for 2012.
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere.
Declaration Of War / Belgium (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A young couple embark upon a painful, enlightening journey when they discover that their newborn child is very ill. Cast: Valérie Donzelli, Jérémie Elkaïm, César Desseix. North American Premiere.
Elena / Russia (Director: Andrei Zvyagintsev, Screenwriter: Oleg Negin) — A meditative, modern-noir tale about an older woman,...
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere.
Declaration Of War / Belgium (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A young couple embark upon a painful, enlightening journey when they discover that their newborn child is very ill. Cast: Valérie Donzelli, Jérémie Elkaïm, César Desseix. North American Premiere.
Elena / Russia (Director: Andrei Zvyagintsev, Screenwriter: Oleg Negin) — A meditative, modern-noir tale about an older woman,...
- 12/2/2011
- by Kyle Reese
- SoundOnSight
Yesterday Sundance released their films up for competition for the 2012 festival. But that was only one half of the festival slate. Now Sundance has released the second half of films that will be released as part of the festivities. Films in competition are just as interesting as those not in competition and with titles The Raid and Wuthering Heights are all on the list, it will be a fun watch this year.
Check out the list for the Out of Competition film that can be seen at the Sundance Film Festival 2012 below.
Spotlight
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church.Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere.
Declaration Of War / Belgium (Director: Valérie Donzelli,...
Check out the list for the Out of Competition film that can be seen at the Sundance Film Festival 2012 below.
Spotlight
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church.Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere.
Declaration Of War / Belgium (Director: Valérie Donzelli,...
- 12/1/2011
- by Mike Lee
- FusedFilm
Yesterday The Sundance Film Festival released their list of In-Competition films, today they have released their line-up of Non-Competition films. I've had a blast every year that I've attended The Sundance Film Festival, it's always a surprise! You never know what movie you are going to see until you see it. If you ever get a chance to go I highly recommend that you do. Each film on the list has a little description next to it. The festival will take place January 19th to the 29th.
Check out the list of movies below and let us know of any that you are interested in watching or hearing about so that we can get it covered for you. Some of the films might look familiar to you such as The Raid, Grabbers and Tim and Eric’s Billion Dollar Movie, and Wuthering Heights. The Raid is at the top of...
Check out the list of movies below and let us know of any that you are interested in watching or hearing about so that we can get it covered for you. Some of the films might look familiar to you such as The Raid, Grabbers and Tim and Eric’s Billion Dollar Movie, and Wuthering Heights. The Raid is at the top of...
- 12/1/2011
- by Venkman
- GeekTyrant
Welcome to Day Two of Kate Christmas. Yesterday, the 2012 Sundance Film Festival announced their first wave of programming, featuring twenty-six titles that will be screening in competition. While the arrival of those titles was enough to send me into a tizzy I have still not recovered from, today the festival has only piled on the pre-holiday goodies with the announcement of their Spotlight, Next, Park City at Midnight, and New Frontiers films. A few titles of note to get your juices flowing - Gareth Evans‘ The Raid (also known round these parts as “oh, hell yeah”), Andrea Arnold‘s take on Wuthering Heights, Katie Aselton‘s second directorial outing Black Rock (scripted by her husband Mark Duplass), Tim and Eric’s Billion Dollar Movie, Mike Birbiglia and Seth Barrish‘s Sleepwalk With Me (based on Birbiglia’s hilarious book), and Lynn Shelton‘s Your Sister’s Sister. Again, that’s just a taste, so...
- 12/1/2011
- by Kate Erbland
- FilmSchoolRejects.com
Yesterday the Sundance Film Festival announced the core lineup of films [1] that will be spotlit in the Competition slates at the 2012 festival. Now we've got a lineup of films that will play out of competition in the Spotlight, Park City at Midnight, Next <=> and New Frontier schedules. There are a few films in here with which you might be nominally familiar, like The Raid, Grabbers and Tim and Eric's Billion Dollar Movie, not to mention Andrea Arnold's new version of Wuthering Heights. But many are new announcements. While the competition lineups are always a good place to look for some of the films that will be the most talked-about in the year following each Sundance fest, these schedules are where some of the more unique and provocative films live. There are still some big premieres to be announced next week, but if I was making a big Sundance wishlist,...
- 12/1/2011
- by Russ Fischer
- Slash Film
Sundance continues to roll out the lineup announcements with the Spotlight section. The non-competition section where the festival screens favorites from other festivals around the world this is a great way to catch up on the best of what you may have missed elsewhere:Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) -- After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere. Declaration Of War / Belgium (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) -- A young couple embark upon a painful, enlightening journey when they discover that their...
- 12/1/2011
- Screen Anarchy
Getty Images The marquee of the Egyptian Theater announces the Sundance Film Festival
Yesterday, the Sundance Institute announced its in-competition narrative and documentary films for the 2012 Sundance Film Festival. Today, they announced their out-of-competition film in the Spotlight, Midnight, Next and New Frontier sections. The full list is below:
Spotlight
Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love.
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After...
Yesterday, the Sundance Institute announced its in-competition narrative and documentary films for the 2012 Sundance Film Festival. Today, they announced their out-of-competition film in the Spotlight, Midnight, Next and New Frontier sections. The full list is below:
Spotlight
Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love.
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After...
- 12/1/2011
- by Michelle Kung
- Speakeasy/Wall Street Journal
Following yesterday's announcement of the titles lined up for the four programs of the Competition, the Sundance Film Festival has unveiled the lineups of its out-of-competition sections: Spotlight, Park City at Midnight, Next <=> and New Frontier. This time, I'm going to go ahead and copy-n-paste the release nearly in full because, well, these are, potentially at least, the more interesting batches.
We'll cut in just as Trevor Groth, Director of Programming for the Sundance Film Festival, is saying, “In many ways, the extremes of the Festival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices springing up from around the country and the world. We hope audiences experiment with their film selections to an equal degree as these filmmakers have experimented with their storytelling.”
Spotlight
Regardless of where these films have played throughout the world,...
We'll cut in just as Trevor Groth, Director of Programming for the Sundance Film Festival, is saying, “In many ways, the extremes of the Festival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices springing up from around the country and the world. We hope audiences experiment with their film selections to an equal degree as these filmmakers have experimented with their storytelling.”
Spotlight
Regardless of where these films have played throughout the world,...
- 12/1/2011
- MUBI
It'll be a Tiff does Sundance this year in the Spotlight Program as the majority of the films programmed in the section (which staffers state, "regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love") are films that moved from Cannes to Tiff en route to Sundance or had their world premieres at Tiff and are moving into Park City. Among the highlights we have have several Foreign Oscar submissions in Declaration Of War (France), Monsieur Lazhar (Canada) and Where Do We Go Now? (Lebanon), we have heavyweight audience favorites from Tiff in Lynn Shelton's Your Sister's Sister and Gareth Evans' The Raid and Andrea Arnold will have her U.S premiere for Wuthering Heights in Park City. Among the "must see" titles in the batch of nine is Andrei Zvyagintsev's Elena - (see pic above...
- 12/1/2011
- IONCINEMA.com
Following yesterday’s announcement of competition titles, Sundance Film Festival 2012 have announced the line-up for a few more sections today. In their Spotlight section we have a few of my favorite Tiff titles, including Wuthering Heights (pictured above), Your Sister’s Sister, as well as audience-winners The Raid and Where Do We Go Now? We also get the insane-looking Tim and Eric’s Billion Dollar Movie in the midnight section. Check out the list below.
Park City, Ut — Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, Next <=> and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Trevor Groth, Director of Programming for the Sundance Film Festival, said, “In many ways, the extremes of the...
Park City, Ut — Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, Next <=> and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Trevor Groth, Director of Programming for the Sundance Film Festival, said, “In many ways, the extremes of the...
- 12/1/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
2012 Sundance Film Festival Sets Competition Slate The Sundance Institute has added to the 2012 Sundance Film Festival program by announcing the films for its out-of-competition sections Spotlight, Midnight, Next and New Frontier categories. There are surely more films to come — rumors are that titles including the Stephen Frears-directed Lay The Favorite are expected to premiere in Park City. The festival program is shaping up nicely, with a ton of films that don’t have distribution deals and have a decidedly independent flavor. “In many ways, the extremes of thefFestival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices spring up from around the country and the world,” said festival programming director Trevor Groth. Here are the program additions: Spotlight Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy...
- 12/1/2011
- by MIKE FLEMING
- Deadline
Today the out-of-competition films were announced for the 2012 Sundance Film Festival.
The complete list of titles are below. See the films in competition here.
Some of the highlights here include the U.S. premiere of Lynn Shelton‘s Your Sister’s Sister, which received a lot of buzz at Toronto; Katie Aselton‘s thriller Black Rock starring Lake Bell and Kate Bosworth; found footage horror V/H/S directed by Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg and Radio Silence; and Craig Zobel‘s follow-up to The Great World of Sound, Compliance and Tim and Eric’s Billion Dollar Movie (no further description needed).
Films in the Premieres sections will be announced Dec. 5. The 2012 Sundance Film Festival takes place Jan. 19-29.
Spotlight
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place,...
The complete list of titles are below. See the films in competition here.
Some of the highlights here include the U.S. premiere of Lynn Shelton‘s Your Sister’s Sister, which received a lot of buzz at Toronto; Katie Aselton‘s thriller Black Rock starring Lake Bell and Kate Bosworth; found footage horror V/H/S directed by Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg and Radio Silence; and Craig Zobel‘s follow-up to The Great World of Sound, Compliance and Tim and Eric’s Billion Dollar Movie (no further description needed).
Films in the Premieres sections will be announced Dec. 5. The 2012 Sundance Film Festival takes place Jan. 19-29.
Spotlight
Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place,...
- 12/1/2011
- by Jason Guerrasio
- Filmmaker Magazine - Blog
L Caldoran at Cinespect on Alice Rohrwacher's debut feature: "Corpo Celeste's heroine, 13-year-old Marta (Yle Vianello), grew up in secular Switzerland and has recently moved to a heavily Catholic town in Italy: naturally, she has difficulty adjusting thanks to the resultant culture clash. Though she enjoys a close bond with her overworked single mom, she also endures the constant haranguing of her older sister while at home. Already a quiet, shy girl, she's often little more than a silent observer in her new community: her inner life is closely guarded, frequently even from the viewer."
"But the film breezes past standard short-story-isms to focus on a non-hysterical portrait of people dealing with the widening gap between their attachment to religion as a social anchor and increasing skepticism about its value or relevance," writes Vadim Rizov at GreenCine Daily. "Twitchily shot by director Alice Rohrwacher and veteran Dp Hélène Louvart,...
"But the film breezes past standard short-story-isms to focus on a non-hysterical portrait of people dealing with the widening gap between their attachment to religion as a social anchor and increasing skepticism about its value or relevance," writes Vadim Rizov at GreenCine Daily. "Twitchily shot by director Alice Rohrwacher and veteran Dp Hélène Louvart,...
- 10/4/2011
- MUBI
The subtle, affecting “Corpo Celeste” is the story of Marta (Yle Vianello), a 13-year-old Italian girl who has spent the last decade growing up in Switzerland. She returns to Calabria (an act that’s described in the press materials as a “return emigration”), in southern Italy, to be bombarded with family and thrust into the rites of Catholic confirmation. She doesn’t stumble across a conspiracy or gain a magic key that transports her to another dimension but you hang on her every move, action, and glance, just the same. There isn’t a whole lot that happens in “Corpo Celeste,” at least…...
- 10/3/2011
- The Playlist
Corpo Celeste
Directed by Alice Rohrwacher
Screenplay by Alice Rohrwacher
Italy, 2011
Wrapping up the first day of our excursion to the Lincoln Center is the Italian drama, Corpo Celeste, a story of thirteen year old Marta who is struggling to resettle in a Calabria Catholic school from her native Switzerland. While undergoing her rite of confirmation, she soon finds hypocrisy of a status-hungry priest and confronts morality of the local parishioners. A small yet powerful portrayal of a coming-of-age tale about the recognition of life’s dishonesties, Corpo Celeste is sure to be a fine watch. Directed by Anna Maria Ortese and heading to the Munich International Film Festival, Corpo Celeste will be screening at the New York Film Festival Monday October 3rd. To find out more details, check out the official synopsis and trailer below, or visit the film’s page at the New York Film Festival’s website.
Directed by Alice Rohrwacher
Screenplay by Alice Rohrwacher
Italy, 2011
Wrapping up the first day of our excursion to the Lincoln Center is the Italian drama, Corpo Celeste, a story of thirteen year old Marta who is struggling to resettle in a Calabria Catholic school from her native Switzerland. While undergoing her rite of confirmation, she soon finds hypocrisy of a status-hungry priest and confronts morality of the local parishioners. A small yet powerful portrayal of a coming-of-age tale about the recognition of life’s dishonesties, Corpo Celeste is sure to be a fine watch. Directed by Anna Maria Ortese and heading to the Munich International Film Festival, Corpo Celeste will be screening at the New York Film Festival Monday October 3rd. To find out more details, check out the official synopsis and trailer below, or visit the film’s page at the New York Film Festival’s website.
- 9/22/2011
- by Christopher Clemente
- SoundOnSight
The 49th New York Film Festival has announced their main slate which takes place September 30th thru October 16th at Lincoln Center. The closing night selection is Alexander Payne’s The Descendants which joins the gala screenings of opening night’s Roman Polanski’s Carnage, David Cronenberg’s A Dangerous Method, and the Almodóvar/Banderas reunion The Skin I Live In. Check out the lineup below along with a synopsis of each film:
Opening Night Gala Selection
Carnage
Director: Roman Polanski
Country: France/Germany/Poland
Centerpiece Gala Selection
My Week With Marilyn
Director: Simon Curtis
Country: UK
Special Gala Presentations
A Dangerous Method
Director: David Cronenberg
Country: UK/Canada/Germany
The Skin I Live In
Director: Pedro Almodóvar
Country: Spain
Closing Night Gala Selection
The Descendants
Director: Alexander Payne
Country: USA
Main Slate Selection
4:44: Last Day On Earth
Director: Abel Ferrara
Country: USA
The Artist
Director: Michel Hazanavicius...
Opening Night Gala Selection
Carnage
Director: Roman Polanski
Country: France/Germany/Poland
Centerpiece Gala Selection
My Week With Marilyn
Director: Simon Curtis
Country: UK
Special Gala Presentations
A Dangerous Method
Director: David Cronenberg
Country: UK/Canada/Germany
The Skin I Live In
Director: Pedro Almodóvar
Country: Spain
Closing Night Gala Selection
The Descendants
Director: Alexander Payne
Country: USA
Main Slate Selection
4:44: Last Day On Earth
Director: Abel Ferrara
Country: USA
The Artist
Director: Michel Hazanavicius...
- 8/19/2011
- by Christopher Clemente
- SoundOnSight
Press Release:
New York, August 17, 2011 -The Film Society of Lincoln Center announced today that Alexander Payne.s The Descendants will be the Closing Night Gala selection for the 49th New York Film Festival (September 30-October 16). Nyff.s main slate of 27 feature films was also announced as well as a return to the festival stage of audience favorite, On Cinema (previously titled The Cinema Inside Me), featuring an in-depth, illustrated conversation with Alexander Payne.
The 2011 edition of Nyff will also feature a unique blend of programming to complement the main-slate of films, including: the Masterworks programs, additional titles added to the previously announced Ben-hur, Nicholas Ray.s We Can.T Go Home Again and Velvet Bullets and Steel Kisses: Celebrating the Nikkatsu Centennial, as well as Views from the Avant-Garde, and several special event screenings, all of which will be announced in more detail shortly.
.In many of the films in this year.s Festival,...
New York, August 17, 2011 -The Film Society of Lincoln Center announced today that Alexander Payne.s The Descendants will be the Closing Night Gala selection for the 49th New York Film Festival (September 30-October 16). Nyff.s main slate of 27 feature films was also announced as well as a return to the festival stage of audience favorite, On Cinema (previously titled The Cinema Inside Me), featuring an in-depth, illustrated conversation with Alexander Payne.
The 2011 edition of Nyff will also feature a unique blend of programming to complement the main-slate of films, including: the Masterworks programs, additional titles added to the previously announced Ben-hur, Nicholas Ray.s We Can.T Go Home Again and Velvet Bullets and Steel Kisses: Celebrating the Nikkatsu Centennial, as well as Views from the Avant-Garde, and several special event screenings, all of which will be announced in more detail shortly.
.In many of the films in this year.s Festival,...
- 8/17/2011
- by Michelle McCue
- WeAreMovieGeeks.com
The New York Film Festival have officially announced their main slate, including the closing night film. The latter will be Alexander Payne‘s The Descendants starring George Clooney, which will also bow at Toronto. Their line-up includes a lot of Cannes holdovers including new films from the Dardenne brothers, Lars von Trier, Wim Wenders, Jafar Panahi and Mojtaba Mirtahmasb, Joseph Cedar, as well as buzzed-about hits like The Artist, Le Havre, Once Upon a Time in Antatolia and Miss Bala. Out of the new films, we’ll be getting Martin Scorsese‘s George Harrison doc, Steve McQueen‘s Hunger follow-up Shame, as well as Abel Ferrara and Béla Tarr and Agnes Hranitzky films. I was also glad to see Sean Durkin‘s utterly excellent Martha Marcy May Marlene as part of the slate. Check out the full line-up below.
4:44: Last Day On Earth
Abel Ferrara, 2011, USA, 82min
How...
4:44: Last Day On Earth
Abel Ferrara, 2011, USA, 82min
How...
- 8/17/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
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