Imagine this scenario. What if Nightcrawler presented the ideas of unethical journalism not in a thriller setting, but through horror tropes? What if Jake Gyllenhaal's stringer had found himself in a creepy situation that involved not insane crimes, but incomprehensible horror coursing through his entire body? What if the movie had taken a much darker mystical body horror turn, combining the creepy psychology of Jacob's Ladder with the mysticism of John Carpenter's films?
Well, the result would have been one of the scariest movies ever made in the history of the horror genre. And in fact, such a movie has recently been produced: not long ago, the Netflix library was enriched with a Mexican horror thriller that provides one of the wildest cinematic experiences, playing the moral underpinnings of unscrupulous journalism as effectively as Nightcrawler.
The movie has a perfect 100% on Rotten Tomatoes, and it's one of the...
Well, the result would have been one of the scariest movies ever made in the history of the horror genre. And in fact, such a movie has recently been produced: not long ago, the Netflix library was enriched with a Mexican horror thriller that provides one of the wildest cinematic experiences, playing the moral underpinnings of unscrupulous journalism as effectively as Nightcrawler.
The movie has a perfect 100% on Rotten Tomatoes, and it's one of the...
- 4/30/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
Stars: Harold Torres, Tete Espinoza, Norma Reyna | Written by Luis Javier Henaine, Ricardo Aguado-Fentanes | Directed by Luis Javier Henaine
Photography converts the whole world into a cemetery. Photographers, connoisseurs of beauty, are also – wittingly or unwittingly – the recording-angels of death.
– Susan Sontag
Those words appear at the beginning of Disappear Completely (Desaparecer Por Completo), and seem perfectly appropriate as we see Santiago sitting in his car listening to the police radio. He’s a photographer, and he’s waiting to hear what he’ll be covering next. He doesn’t have long to wait before he’s busy shooting pictures of a cuffed suspect, sobbing victims in an ambulance, and, with the help of a bribe, a woman’s corpse.
Santiago works for a Mexican tabloid, one that very firmly believes the old adage, “If it bleeds, it leads”. And he’s excellent at capturing that bleeding on film, regardless of the cost.
Photography converts the whole world into a cemetery. Photographers, connoisseurs of beauty, are also – wittingly or unwittingly – the recording-angels of death.
– Susan Sontag
Those words appear at the beginning of Disappear Completely (Desaparecer Por Completo), and seem perfectly appropriate as we see Santiago sitting in his car listening to the police radio. He’s a photographer, and he’s waiting to hear what he’ll be covering next. He doesn’t have long to wait before he’s busy shooting pictures of a cuffed suspect, sobbing victims in an ambulance, and, with the help of a bribe, a woman’s corpse.
Santiago works for a Mexican tabloid, one that very firmly believes the old adage, “If it bleeds, it leads”. And he’s excellent at capturing that bleeding on film, regardless of the cost.
- 4/16/2024
- by Jim Morazzini
- Nerdly
“Disappear Completely” may suffer from diminishing returns, but there’s an ironic pleasure in a movie about a cursed man losing his five senses one at a time that gets gradually worse as you watch it.
Caught somewhere between Dan Gilroy’s “Nightcrawler” and Sam Raimi’s “Drag Me to Hell,” director Luis Javier Henain’s Spanish-language horror won the attention of genre fans out of Fantastic Fest 2022 but just started streaming in the U.S. on Netflix Friday, April 12. The supernatural tale of intensifying torture recounts the fate of Santiago (the unflappable Harold Torres), a tabloid photographer whose primary job seems to be hunting down crime scenes so he can snag candid shots of corpses.
We meet our nauseating anti-hero at the scene of a picturesque accident; crushed by a light pole, a young woman in yellow bleeds beautifully. She’s evocative of Evelyn McHale (look it up!) and...
Caught somewhere between Dan Gilroy’s “Nightcrawler” and Sam Raimi’s “Drag Me to Hell,” director Luis Javier Henain’s Spanish-language horror won the attention of genre fans out of Fantastic Fest 2022 but just started streaming in the U.S. on Netflix Friday, April 12. The supernatural tale of intensifying torture recounts the fate of Santiago (the unflappable Harold Torres), a tabloid photographer whose primary job seems to be hunting down crime scenes so he can snag candid shots of corpses.
We meet our nauseating anti-hero at the scene of a picturesque accident; crushed by a light pole, a young woman in yellow bleeds beautifully. She’s evocative of Evelyn McHale (look it up!) and...
- 4/15/2024
- by Alison Foreman
- Indiewire
Exclusive: In a tantalising development to emerge from the Bam market in Colombia this week, the studio is in discussions on the period comedy with the team behind Mexican smash The Noble Family.
Producer Leonardo Zimbron of Traziende Films will reunite with the hit comedy’s director Gaz Alazraki, who is adapting William Sutcliffe’s original screenplay The Brothers Hufffington Fffyne.
Los Hermanos Marquez Castillo centres on two brothers who fight for their father’s inheritance and will mark the second feature from Alazraki, who will produce alongside Zimbron, Avelino Rodriguez, Marco Polo Constandse and Mexico’s Filmadora.
The Noble Family (Nosotros Los Nobles, pictured) grossed close to $30m in Mexico via Warner Bros in 2013 and generated 7.1million admissions to rank as Mexico’s second biggest box office hit behind No Instructions Included.
“We’re intending to shoot [the film] in Mexico next year, and are hoping for a top-line cast,” Zimbron told Screendaily at the Bam Bogota Audiovisual...
Producer Leonardo Zimbron of Traziende Films will reunite with the hit comedy’s director Gaz Alazraki, who is adapting William Sutcliffe’s original screenplay The Brothers Hufffington Fffyne.
Los Hermanos Marquez Castillo centres on two brothers who fight for their father’s inheritance and will mark the second feature from Alazraki, who will produce alongside Zimbron, Avelino Rodriguez, Marco Polo Constandse and Mexico’s Filmadora.
The Noble Family (Nosotros Los Nobles, pictured) grossed close to $30m in Mexico via Warner Bros in 2013 and generated 7.1million admissions to rank as Mexico’s second biggest box office hit behind No Instructions Included.
“We’re intending to shoot [the film] in Mexico next year, and are hoping for a top-line cast,” Zimbron told Screendaily at the Bam Bogota Audiovisual...
- 7/14/2015
- by chrisevans78@hotmail.co.uk (Chris Evans)
- ScreenDaily
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