John Patrick Shanley, who created the classic, Moonstruck, brings his sweeping romantic vision to Ireland with Wild Mountain Thyme. The headstrong farmer Rosemary Muldoon (Emily Blunt) has her heart set on winning her neighbor Anthony Reilly’s love. The problem is Anthony (Jamie Dornan) seems to have inherited a family curse, and remains oblivious to his beautiful admirer. Stung by his father Tony Reilly’s (Christopher Walken) plans to sell the family farm to his American nephew (Jon Hamm), Anthony is jolted into pursuing his dreams in this comedic, moving and wildly romantic tale.
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Wild Mountain Thyme...
With the purchase of Wild Mountain Thyme on disc or digital, fans are eligible to earn points towards special rewards via the Universal All-Access Rewards program. Members can redeem their points for digital movies, signed collectables, box sets, win exclusive prizes and more! For Free registration and details please visit www.MyUniversalRewards.com.
Wild Mountain Thyme...
- 1/29/2021
- by Tom Stockman
- WeAreMovieGeeks.com
We all enjoy movies that, if we had to write a review, we’d pan. Mine range from ’60s musical “Bye Bye Birdie” to Richard Curtis’ “Love Actually,” which has become a family Christmas staple. (That scene between Laura Linney and Rodrigo Santoro? Awful.)
During my ’80s stint at Film Comment Magazine, we published several directors’ guilty pleasures, from Michael Powell to Stephen King, as well as John Waters’ list of high-end art films, which included both Pier Paolo Pasolini’s “Teorema” and Woody Allen’s “Interiors.”
The latest entry to my guilty pleasures list is Bronx-born playwright John Patrick Shanley’s “Wild Mountain Thyme,” a sublimely over-the-top, candy-cane romance that makes no sense whatsoever. It’s possible to imagine that a canny mainstream Hollywood director like Norman Jewison could have transformed Shanley’s adaptation of his 2014 Tony-nominated play “Outside Mullingar” (written after he turned 60 and inspired by his family...
During my ’80s stint at Film Comment Magazine, we published several directors’ guilty pleasures, from Michael Powell to Stephen King, as well as John Waters’ list of high-end art films, which included both Pier Paolo Pasolini’s “Teorema” and Woody Allen’s “Interiors.”
The latest entry to my guilty pleasures list is Bronx-born playwright John Patrick Shanley’s “Wild Mountain Thyme,” a sublimely over-the-top, candy-cane romance that makes no sense whatsoever. It’s possible to imagine that a canny mainstream Hollywood director like Norman Jewison could have transformed Shanley’s adaptation of his 2014 Tony-nominated play “Outside Mullingar” (written after he turned 60 and inspired by his family...
- 12/13/2020
- by Anne Thompson
- Thompson on Hollywood
We all enjoy movies that, if we had to write a review, we’d pan. Mine range from ’60s musical “Bye Bye Birdie” to Richard Curtis’ “Love Actually,” which has become a family Christmas staple. (That scene between Laura Linney and Rodrigo Santoro? Awful.)
During my ’80s stint at Film Comment Magazine, we published several directors’ guilty pleasures, from Michael Powell to Stephen King, as well as John Waters’ list of high-end art films, which included both Pier Paolo Pasolini’s “Teorema” and Woody Allen’s “Interiors.”
The latest entry to my guilty pleasures list is Bronx-born playwright John Patrick Shanley’s “Wild Mountain Thyme,” a sublimely over-the-top, candy-cane romance that makes no sense whatsoever. It’s possible to imagine that a canny mainstream Hollywood director like Norman Jewison could have transformed Shanley’s adaptation of his 2014 Tony-nominated play “Outside Mullingar” (written after he turned 60 and inspired by his family...
During my ’80s stint at Film Comment Magazine, we published several directors’ guilty pleasures, from Michael Powell to Stephen King, as well as John Waters’ list of high-end art films, which included both Pier Paolo Pasolini’s “Teorema” and Woody Allen’s “Interiors.”
The latest entry to my guilty pleasures list is Bronx-born playwright John Patrick Shanley’s “Wild Mountain Thyme,” a sublimely over-the-top, candy-cane romance that makes no sense whatsoever. It’s possible to imagine that a canny mainstream Hollywood director like Norman Jewison could have transformed Shanley’s adaptation of his 2014 Tony-nominated play “Outside Mullingar” (written after he turned 60 and inspired by his family...
- 12/13/2020
- by Anne Thompson
- Indiewire
Oh boy. I have so many questions for John Patrick Shanley. One of which is simply, why? Why was this the story you wanted to tell. Remember, Shanley has previously given us a classic romantic comedy in Moonstruck, penning that screenplay, as well as writing and directing a stirring drama in Doubt. He’s a talented man, no doubt. His return to rom coms, however, in Wild Mountain Thyme, makes his other directorial outing, Joe Versus the Volcano, seem perfectly normal by comparison. This is the weirdest film of the year, almost defying any real definition or verdict. It kind of has to be seen in order to be believed. Make of that what you will. The movie is a romantic comedy, though describing this one is going to be tough. In short, it’s a tale of Irish star-crossed lovers. Rosemary Muldoon (Emily Blunt) is a feisty snd opinionated...
- 12/12/2020
- by Joey Magidson
- Hollywoodnews.com
There are people who will tell you that John Patrick Shanley’s “Wild Mountain Thyme” traffics in bumper-to-bumper Irish stereotypes, but those people will be a bit off the mark — “stereotypes” is a wildly inadequate word for how this fable-esque romantic comedy renders the quirks and customs of life in the verdant farmlands of Ireland’s County Mayo. This sometimes enchanting (but always demented) soda farl of banter and blarney couldn’t be a broader caricature of Irish culture if it were written by the Keebler elves and directed by a pint of Guinness.
We’re talking about a movie so in love with its own lucky charms that it makes “Waking Ned Devine” feel like “In the Name of the Father” by comparison. Think that’s overstating the case? The National Leprechaun Museum of Ireland responded to the trailer by tweeting “Even we think this is a bit much.
We’re talking about a movie so in love with its own lucky charms that it makes “Waking Ned Devine” feel like “In the Name of the Father” by comparison. Think that’s overstating the case? The National Leprechaun Museum of Ireland responded to the trailer by tweeting “Even we think this is a bit much.
- 12/9/2020
- by David Ehrlich
- Indiewire
"Has your dream made you happy, or miserable?" Bleecker Street Media + Lionsgate UK has debuted the first official trailer for an "epic love story" set in Ireland called Wild Mountain Thyme, which is such a lovely herb I can smell it right now just thinking about it. Writer / director John Patrick Shanley, who created the classic Moonstruck, brings his sweeping romantic vision to Ireland with this film. Headstrong farmer Rosemary Muldoon (Emily Blunt) has her heart set on winning her neighbor Anthony Reilly's love. The problem is Anthony (Jamie Dornan) seems to have inherited a family curse, and remains oblivious to his beautiful admirer. Stung by his father Tony Reilly's (Christopher Walken) plans to sell their family farm to his American nephew (Jon Hamm), Anthony is suddenly jolted into pursing his dreams in this comedic, moving and wildly romantic tale. Also starring Jon Tenney, Dearbhla Molloy, Danielle Ryan,...
- 11/10/2020
- by Alex Billington
- firstshowing.net
Isolation can breed a certain kind of personality, but when coupled with loss, those combined forces can be unmooring. That sensation will be felt in the upcoming "Neptune," slated to premiere at the Slamdance Film Festival, and today we have an exclusive clip. Read More: Slamdance Film Festival Rounds Out Its 2016 Lineup Starring Jane Ackermann, Tony Reilly, William McDonough III, Dylan Chestnutt, and Christine Marshall, and directed by Derek Kimball, the story revolves around a young woman whose life changes after a classmate disappears. Here's the official synopsis: Growing up on a secluded island off the coast of Maine and raised by the island’s insular priest, Hannah Newcombe has led a sheltered life. She has plans to attend a prestigious boarding school on the mainland at the summer’s end but finds her world upended with the sudden disappearance of a classmate, swallowed by the sea. Hannah’s quiet...
- 1/15/2016
- by Kevin Jagernauth
- The Playlist
Festival top brass announced on Monday the 12 Narrative and eight Documentary Feature Film Competition films in 22nd edition, set to run in Park City from January 22-28, 2016.
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
All synopses provided by the festival.
Narrative Features...
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
All synopses provided by the festival.
Narrative Features...
- 11/30/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Festival top brass announced on Monday the 12 Narrative and eight Documentary Feature Film Competition films in 22nd edition, set to run in Park City from January 22-28, 2016.
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
Al synopses provided by the festival.
Narrative Features...
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
Al synopses provided by the festival.
Narrative Features...
- 11/30/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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