"The Amityville Horror" is one of the definitive haunted house films, a classic tale about paranormal activity terrorizing a suburban family with swarming flies, mysterious voices, and sudden illness. Even the windows resemble ominous eyes peering down on the unsuspecting victims. The movie taps into the religious undertones popularized by other 1970s releases such as "The Exorcist" and "The Omen," suggesting there is a Satanic force at work that must be destroyed.
Eventually, the new owners George and Kathy Lutz discover the horrifying history of their new home: Ronald DeFeo Jr. murdered his entire family with a rifle one year prior, a Satanic worshipper named John Ketchum once lived on the land, and the house itself was built on a Shinnecock burial ground.
Despite receiving mixed reviews for elements like the cheesy portrayal of a possessed George, "The Amityville Horror" ended up having a significant impact on the horror genre.
Eventually, the new owners George and Kathy Lutz discover the horrifying history of their new home: Ronald DeFeo Jr. murdered his entire family with a rifle one year prior, a Satanic worshipper named John Ketchum once lived on the land, and the house itself was built on a Shinnecock burial ground.
Despite receiving mixed reviews for elements like the cheesy portrayal of a possessed George, "The Amityville Horror" ended up having a significant impact on the horror genre.
- 11/19/2023
- by Caroline Madden
- Slash Film
With his signature one-liner — “It’s good to be here, it’s good to be anywhere” — Keith Richards emerged onstage at the Hollywood Bowl on Sunday night to sing with Willie Nelson at the second of the country legend’s two 90th birthday concerts. Together onstage, Richards, 79, and Nelson, 90 plus a day, made their case as the ultimate survivors. They sang about it, too, capping a two-song performance with Billy Joe Shaver’s eternal “Live Forever.”
But first, they revisited “We Had It All,” which they performed back in 2004 at the Wiltern in L.
But first, they revisited “We Had It All,” which they performed back in 2004 at the Wiltern in L.
- 5/1/2023
- by Joseph Hudak
- Rollingstone.com
Los Angeles, Feb 19 (Ians) The top prize at the recently concluded Directors Guild of America awards – that of the Best Theatrical Feature was bagged by ‘The Daniels’ – Daniel Kwan and Daniel Scheinert, the duo behind the sci-fi comedy ‘Everything Everywhere All at Once’.
‘The Daniels’ became the third directing duo ever to win, reports ‘Variety’.
‘The Daniels’ beat out Steven Spielberg, who holds the record for the most nominations and wins, at 13 and three, respectively.
Spielberg was gunning for his fourth trophy, for the semi-autobiographical ‘The Fabelmans’.
“This has been an incredible year for our little film that somehow keeps going,” Kwan said, quoted by ‘Variety’.
This was the first DGA Award nomination for the filmmakers. The DGA boasts a voting body of around 19,000 members. Over its 75-year history, the DGA Awards has been the most reliable barometer for the Oscars’ best director prize.
Only eight DGA winners have failed...
‘The Daniels’ became the third directing duo ever to win, reports ‘Variety’.
‘The Daniels’ beat out Steven Spielberg, who holds the record for the most nominations and wins, at 13 and three, respectively.
Spielberg was gunning for his fourth trophy, for the semi-autobiographical ‘The Fabelmans’.
“This has been an incredible year for our little film that somehow keeps going,” Kwan said, quoted by ‘Variety’.
This was the first DGA Award nomination for the filmmakers. The DGA boasts a voting body of around 19,000 members. Over its 75-year history, the DGA Awards has been the most reliable barometer for the Oscars’ best director prize.
Only eight DGA winners have failed...
- 2/19/2023
- by News Bureau
- GlamSham
With 17 of the last 20 DGA Award winners going on to secure the Oscar for Best Director, the Director’s Guild of America plays a pivotal role in who wins an Academy Award. Momentum is key for film’s grueling winter awards circuit, and now we’ll wait and see if Dan Kwan and Daniel Scheinert have enough to make it 18 of the last 21.
In TV, there is no waiting — not this year. While the DGA Awards can certainly play their part in the Emmy race — having boosted future darlings like “Succession,” “Watchmen,” and “The Queen’s Gambit” — the 2023 winners already had their shot at Emmy glory. Nominations may still prove valuable to freshman series like “Wednesday” and “The Bear” (not to mention “Better Call Saul’s” last chance to win its first Emmy), but Saturday night’s ceremony will have little to no effect on what’s next.
Instead, refreshingly enough,...
In TV, there is no waiting — not this year. While the DGA Awards can certainly play their part in the Emmy race — having boosted future darlings like “Succession,” “Watchmen,” and “The Queen’s Gambit” — the 2023 winners already had their shot at Emmy glory. Nominations may still prove valuable to freshman series like “Wednesday” and “The Bear” (not to mention “Better Call Saul’s” last chance to win its first Emmy), but Saturday night’s ceremony will have little to no effect on what’s next.
Instead, refreshingly enough,...
- 2/19/2023
- by Ben Travers
- Indiewire
The 75th annual Directors Guild Awards have been handed out at the Beverly Hilton, and the night’s big award brought a bit of a surprise as Daniel Kwan & Daniel Scheinert, directors of Everything Everywhere All at Once, beat out Steven Spielberg for the top prize.
The DGA is a strong predictor of Oscar success historically, missing the eventual Best Director winner only eight times in 74 years. Last year, the guild awarded Jane Campion its top film prize for The Power of the Dog, which marked a big step on her path to winning Best Director at the Oscars.
After two consecutive years awarding female directors its top prize (Jane Campion and Chloé Zhao) and watching them go on to take the corresponding Oscar, the Director’s Guild of America nominated a slate of men this year. Despite strong work from Sarah Polley for Women Talking and Gina Prince-Bythewood for...
The DGA is a strong predictor of Oscar success historically, missing the eventual Best Director winner only eight times in 74 years. Last year, the guild awarded Jane Campion its top film prize for The Power of the Dog, which marked a big step on her path to winning Best Director at the Oscars.
After two consecutive years awarding female directors its top prize (Jane Campion and Chloé Zhao) and watching them go on to take the corresponding Oscar, the Director’s Guild of America nominated a slate of men this year. Despite strong work from Sarah Polley for Women Talking and Gina Prince-Bythewood for...
- 2/19/2023
- by Tom Tapp
- Deadline Film + TV
Daniel Kwan and Daniel Scheinert — a.k.a. the Daniels — the duo behind the sci-fi comedy “Everything Everywhere All at Once,” won the top prize at the Directors Guild of America’s DGA awards on Saturday night. They became the third directing duo ever to win.
The Daniels beat out Steven Spielberg, who holds the record for the most nominations and wins, at 13 and three, respectively. Spielberg was gunning for his fourth trophy, for the semi-autobiographical “The Fabelmans.”
“This has been an incredible year for our little film that somehow keeps going,” Kwan said. This was the first DGA Award nomination for the filmmakers.
The DGA boasts a voting body of around 19,000 members. Over its 75-year history, the DGA Awards has been the most reliable barometer for the Oscars’ best director prize. Only eight DGA winners have failed to walk away with the Academy Award, most recently Sam Mendes (“1917...
The Daniels beat out Steven Spielberg, who holds the record for the most nominations and wins, at 13 and three, respectively. Spielberg was gunning for his fourth trophy, for the semi-autobiographical “The Fabelmans.”
“This has been an incredible year for our little film that somehow keeps going,” Kwan said. This was the first DGA Award nomination for the filmmakers.
The DGA boasts a voting body of around 19,000 members. Over its 75-year history, the DGA Awards has been the most reliable barometer for the Oscars’ best director prize. Only eight DGA winners have failed to walk away with the Academy Award, most recently Sam Mendes (“1917...
- 2/19/2023
- by Michael Schneider
- Variety Film + TV
Miranda Lambert interprets Billy Joe Shaver’s “I’m Just an Old Chunk of Coal (But I’m Gonna Be a Diamond Someday)” as a barroom jam with tinkling piano, a swinging rhythm, and drawling vocals. The track is the latest release from the upcoming Live Forever: A Tribute to Billy Joe Shaver, due Nov. 11.
Shaver, a real-deal outlaw who allegedly once asked a man, “Where do you want it?” before shooting him in the face, died in October 2020 at 81. Along with the mouthful title that is “I’m Just...
Shaver, a real-deal outlaw who allegedly once asked a man, “Where do you want it?” before shooting him in the face, died in October 2020 at 81. Along with the mouthful title that is “I’m Just...
- 9/8/2022
- by Joseph Hudak
- Rollingstone.com
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