With the jury winners announced this past weekend (see at the bottom), the 73rd Venice International Film Festival has now come to an end. As always, it was a strong kick-off to the fall festivals, with some premieres of dramas that we’ll see over the next few months, as well as a great many that won’t arrive until next year (or perhaps later, pending distribution). We’ve wrapped up the festival by selecting our 9 favorite films, followed by our complete coverage. Check out everything below and let us know what you’re most looking forward to.
Austerlitz (Sergei Loznitsa)
Having experimented with feature-length fiction films, shorts, and archival-footage documentaries in the course of his career, Sergei Loznitsa’s output since his 2014 Ukrainian crisis documentary Maidan has both garnered him greater acclaim than before and zeroed in on cinema as a collectively generated form. – Tommaso T. (full review)
Hacksaw Ridge...
Austerlitz (Sergei Loznitsa)
Having experimented with feature-length fiction films, shorts, and archival-footage documentaries in the course of his career, Sergei Loznitsa’s output since his 2014 Ukrainian crisis documentary Maidan has both garnered him greater acclaim than before and zeroed in on cinema as a collectively generated form. – Tommaso T. (full review)
Hacksaw Ridge...
- 9/12/2016
- by The Film Stage
- The Film Stage
Lav Diaz’s The Woman Who Left from the Philippines won the Golden Lion at the 73rd Venice Film festival on Saturday while Emma Stone claimed the Coppa Volpi best actress prize for La La Land and Oscar Martínez took actor honours for El Ciudadano Ilustre.
The Silver Lion – grand jury prize went to Tom Ford’s Nocturnal Animals and the Silver Lion award for best director was a tie between Andrei Konchalovsky for Paradise and Amat Escalante for The Untamed.
Noah Oppenheim prevailed in the screenplay category for Jackie, while Ana Lily Amirpour earned a special jury prize for The Bad Batch.
Venice Winners In Full
Golden Lion for best film
The Woman Who Left (Ang Babaeng Humayo; Philippines) by Lav Diaz
Silver Lion – grand jury prize
Nocturnal Animals (USA) by Tom Ford
Silver Lion award for best director (tie)
Andrei Konchalovsky, Paradise (Cis)
Amat Escalante, The Untamed (La Región Salvaje, Mexico-Denmark-France-Germany- Norway-Switzerland...
The Silver Lion – grand jury prize went to Tom Ford’s Nocturnal Animals and the Silver Lion award for best director was a tie between Andrei Konchalovsky for Paradise and Amat Escalante for The Untamed.
Noah Oppenheim prevailed in the screenplay category for Jackie, while Ana Lily Amirpour earned a special jury prize for The Bad Batch.
Venice Winners In Full
Golden Lion for best film
The Woman Who Left (Ang Babaeng Humayo; Philippines) by Lav Diaz
Silver Lion – grand jury prize
Nocturnal Animals (USA) by Tom Ford
Silver Lion award for best director (tie)
Andrei Konchalovsky, Paradise (Cis)
Amat Escalante, The Untamed (La Región Salvaje, Mexico-Denmark-France-Germany- Norway-Switzerland...
- 9/10/2016
- ScreenDaily
Receiving its North American premiere last spring at the 2014 Tribeca Film Festival, where it snagged a Best Actress award for Valeria Bruni-Tedeschi, Paolo Virzi’s Human Capital was Italy’s submission for this year’s Best Foreign Language contender. Ultimately it wasn’t selected for a nomination, even though its considerable critical acclaim made it a wise choice (in 2014, Paolo Sorrentino’s sublime The Great Beauty took home the award, but Virzi beat out Sorrentino for Best Film on home turf), as Virzi’s familial drama is an expertly paced dramatic thriller crafted around what could easily been a generic narrative. Meanwhile, the momentum behind the film has instigated a reunion of Virzi with Bruni-Tedeschi for his next feature, even if its box office success wasn’t replicated after it reached Us theaters. A well-paced and engaging thriller, Virzi’s film is a triptych of perspective-based characterizations coalescing into an...
- 7/14/2015
- by Nicholas Bell
- IONCINEMA.com
For What It’s Worth: Virzi’s Leftist Neo-Noir a Capitalistic Parable
Receiving its North American premiere last spring at the 2014 Tribeca Film Festival, where it snagged a Best Actress award for Valeria Bruni-Tedeschi, Paolo Virzi’s Human Capital is Italy’s submission for this year’s Best Foreign Language contender. They’ve chosen wisely once again (last year Paolo Sorrentino’s sublime The Great Beauty took home the award, but Virzi beat out Sorrentino for Best Film on home turf), as Virzi’s familial drama is an expertly paced dramatic thriller crafted around what could easily been a generic narrative. A triptych of perspective based characterizations coalesce into an arresting finale engendering Verzi’s foreboding title.
Cleaning up after what appears to have been a large banquet, a member of the serving staff takes off into the cold Italian evening on his bicycle, shortly run off the road and into a ditch.
Receiving its North American premiere last spring at the 2014 Tribeca Film Festival, where it snagged a Best Actress award for Valeria Bruni-Tedeschi, Paolo Virzi’s Human Capital is Italy’s submission for this year’s Best Foreign Language contender. They’ve chosen wisely once again (last year Paolo Sorrentino’s sublime The Great Beauty took home the award, but Virzi beat out Sorrentino for Best Film on home turf), as Virzi’s familial drama is an expertly paced dramatic thriller crafted around what could easily been a generic narrative. A triptych of perspective based characterizations coalesce into an arresting finale engendering Verzi’s foreboding title.
Cleaning up after what appears to have been a large banquet, a member of the serving staff takes off into the cold Italian evening on his bicycle, shortly run off the road and into a ditch.
- 1/14/2015
- by Nicholas Bell
- IONCINEMA.com
Paolo Virzi
“Human Capital” is a term used to assign a monetary value to an employee based on their knowledge, habits, personality, and creative and physical qualities. According to an insurance company, our lives have value, or in some cases very little.
Upon speaking with Paolo Virzi, the Italian director of his 12th and newest film Human Capital, he revealed he had calculated his own. Though he felt his value was awfully low given his age and his health, he’d agree that the real value of a human life is determined by the actions and behavior of humans that can only be considered priceless.
Human Capital is a three-part story surrounding a hit-and-run car accident as viewed by three different characters. It’s less Rashomon, more Amores Perros, capturing the dark edges, social commentary and young love embedded deep within the story. Following openings abroad, an American premiere in...
“Human Capital” is a term used to assign a monetary value to an employee based on their knowledge, habits, personality, and creative and physical qualities. According to an insurance company, our lives have value, or in some cases very little.
Upon speaking with Paolo Virzi, the Italian director of his 12th and newest film Human Capital, he revealed he had calculated his own. Though he felt his value was awfully low given his age and his health, he’d agree that the real value of a human life is determined by the actions and behavior of humans that can only be considered priceless.
Human Capital is a three-part story surrounding a hit-and-run car accident as viewed by three different characters. It’s less Rashomon, more Amores Perros, capturing the dark edges, social commentary and young love embedded deep within the story. Following openings abroad, an American premiere in...
- 10/20/2014
- by Brian Welk
- SoundOnSight
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