Swiss productions and co-productions are on the rise, driven in part by federal and regional funders that offer attractive opportunities for domestic and international filmmakers.
Quickly recovering from the impact of the pandemic, the local film industry has gotten off to another strong year with local films and international co-productions.
Elie Grappe’s Swiss-Ukrainian-French title “Olga” premiered at this year’s Directors’ Fortnight in Cannes, while unspooling in Locarno were Lorenz Merz’s “Soul of a Beast” and Swiss-international co-productions like Stefan Jäger’s “Monte Verita” and Laurent Geslin’s nature documentary “Lynx.” Venice saw such Swiss co-productions as “Ariaferma,” by Italian helmer Leonardo Di Costanzo, and Bolivian director Kiro Russo’s “El Gran Movimiento.” And opening this year’s Zurich Film Festival (Zff) was Michael Steiner’s Swiss-German Taliban thriller “And Tomorrow We Will Be Dead.”
The upswing in Swiss cinema is due in no small part to Zurich as a film location,...
Quickly recovering from the impact of the pandemic, the local film industry has gotten off to another strong year with local films and international co-productions.
Elie Grappe’s Swiss-Ukrainian-French title “Olga” premiered at this year’s Directors’ Fortnight in Cannes, while unspooling in Locarno were Lorenz Merz’s “Soul of a Beast” and Swiss-international co-productions like Stefan Jäger’s “Monte Verita” and Laurent Geslin’s nature documentary “Lynx.” Venice saw such Swiss co-productions as “Ariaferma,” by Italian helmer Leonardo Di Costanzo, and Bolivian director Kiro Russo’s “El Gran Movimiento.” And opening this year’s Zurich Film Festival (Zff) was Michael Steiner’s Swiss-German Taliban thriller “And Tomorrow We Will Be Dead.”
The upswing in Swiss cinema is due in no small part to Zurich as a film location,...
- 10/3/2021
- by Ed Meza
- Variety Film + TV
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