The Northman Review — The Northman (2022) Film Review, a movie directed by Robert Eggers, written by Robert Eggers and Sjon and starring Alexander Skarsgard, Nicole Kidman, Claes Bang, Ethan Hawke, Anya Taylor-Joy, Gustav Lindh, Elliott Rose, Willem Dafoe, Phill Martin, Eldar Skar, Olwen Fouere, Edgar Abram, Jack Gassmann, Ingvar Sigurdsson, Oscar Novak, Jack [...]
Continue reading: Film Review: The Northman (2022): Robert Eggers’ Film is a Violent, Visually Stunning Epic Gem...
Continue reading: Film Review: The Northman (2022): Robert Eggers’ Film is a Violent, Visually Stunning Epic Gem...
- 4/23/2022
- by Thomas Duffy
- Film-Book
Stars: Alexander Skarsgard, Nicole Kidman, Ethan Hawke, Claes Bang, Anya Taylor-Joy, Gustav Lindh, Elliott Rose, Willem Dafoe, Phill Martin, Eldar Skar | Written by Robert Eggers, Sjon | Directed by Robert Eggers
Robert Eggers creates worlds you can feel, and worlds that feel like they can reach out and feel you back. From his first chilling tale The Witch (2015), and his maddening dream that followed in The Lighthouse (2019), Eggers has once again crafted a world that you can’t take your eyes away from.
The Northman blends our world with the mythic, mystical world of Norse mythology. A world that conjures both madness, and delightful daring as we follow Amleth (Alexander Skarsgård) on a blood-soaked revenge quest that embodies both the madness and mythicality from Eggers’ previous work. From the eyes of a young boy (Oscar Novak) to “many years later”, Amleth vows revenge on his uncle (Claes Bang) after he kills...
Robert Eggers creates worlds you can feel, and worlds that feel like they can reach out and feel you back. From his first chilling tale The Witch (2015), and his maddening dream that followed in The Lighthouse (2019), Eggers has once again crafted a world that you can’t take your eyes away from.
The Northman blends our world with the mythic, mystical world of Norse mythology. A world that conjures both madness, and delightful daring as we follow Amleth (Alexander Skarsgård) on a blood-soaked revenge quest that embodies both the madness and mythicality from Eggers’ previous work. From the eyes of a young boy (Oscar Novak) to “many years later”, Amleth vows revenge on his uncle (Claes Bang) after he kills...
- 4/21/2022
- by Alex Ginnelly
- Nerdly
Sundance 2019: ‘Sonja: The White Swan’Review by Peter BelsitoSonja Henie (8 April 1912–12 October 1969) was a Norwegian figure skater and film star.
She was a three-time Olympic Champion(1928, 1932, 1936) in Ladies’ Singles, a ten-time World Champion (1927–1936) and a six-time European Champion (1931–1936). Henie won more Olympic and World titles than any other ladies’ figure skater.
At the height of her acting career, Sonja Henie was one of the highest-paid stars in Hollywood and starred in a series of box-office hits, including Thin Ice (1937), My Lucky Star (1938), Second Fiddle (1939) and Sun Valley Serenade (1941)
When the Norwegian figure skater arrived in Hollywood, she was a talent the industry had never seen before, or since — a three-time Olympic ladies’ singles champion (a record she continues to hold) whose chipper, if chilly romantic comedy hits kept Twentieth Century-Fox solvent in the build-up to World War II, in part because she phoned up her pal Joseph...
She was a three-time Olympic Champion(1928, 1932, 1936) in Ladies’ Singles, a ten-time World Champion (1927–1936) and a six-time European Champion (1931–1936). Henie won more Olympic and World titles than any other ladies’ figure skater.
At the height of her acting career, Sonja Henie was one of the highest-paid stars in Hollywood and starred in a series of box-office hits, including Thin Ice (1937), My Lucky Star (1938), Second Fiddle (1939) and Sun Valley Serenade (1941)
When the Norwegian figure skater arrived in Hollywood, she was a talent the industry had never seen before, or since — a three-time Olympic ladies’ singles champion (a record she continues to hold) whose chipper, if chilly romantic comedy hits kept Twentieth Century-Fox solvent in the build-up to World War II, in part because she phoned up her pal Joseph...
- 2/19/2019
- by Peter Belsito
- Sydney's Buzz
How much do you know about Sonja Henie? The answer to that question may dictate to what degree you’ll enjoy the biopic Sonja – The White Swan. Directed by Anne Sewitsky and starring Ine Marie Wilmann, the film tells the story of a unique star within a standard structure. As a child in Norway, young Sonja learns how to skate with her brother. Quickly we jump into adulthood, our lead now a European sensation, ice skating to packed venues.
When she and her father (Anders Mordal) get the offer to expand the scope of Sonja’s celebrity from Arthur Wirtz (Malcolm Adams), it’s an easy decision. They move to Hollywood and are in the office of Darryl Zanuck (Aidan McArdle) before long. The studio mogul makes one offer. Sonja demands a bigger one. And she gets what she wants. Cut to a reenacted dance sequence from One in a Million,...
When she and her father (Anders Mordal) get the offer to expand the scope of Sonja’s celebrity from Arthur Wirtz (Malcolm Adams), it’s an easy decision. They move to Hollywood and are in the office of Darryl Zanuck (Aidan McArdle) before long. The studio mogul makes one offer. Sonja demands a bigger one. And she gets what she wants. Cut to a reenacted dance sequence from One in a Million,...
- 2/4/2019
- by Dan Mecca
- The Film Stage
When Norwegian figure skater Sonja Henie zipped into Hollywood, she was a talent the industry had never seen before, or since — a three-time Olympic ladies’ singles champion (a record she continues to hold) whose chipper, if chilly romantic comedy hits kept Twentieth Century-Fox solvent in the build-up to World War II, in part because she phoned up her pal Joseph Goebells to make sure her pictures played in Nazi Germany.
Was Henie a Nazi? No, says Anne Sewitsky’s shiny biopic “Sonja: The White Swan.” Henie was simply an opportunist, and a variety of other expletives depending on who you ask. Take, say, Fox head Darryl F. Zanuck, who here barges into Henie’s backyard to call her a “man-eating nymphomaniac.” That scene stretches credulity, but with a soundtrack that bops between ’80s rocker Billy Squier and the synthesizers that greet the snow queen’s arrival in L.
Was Henie a Nazi? No, says Anne Sewitsky’s shiny biopic “Sonja: The White Swan.” Henie was simply an opportunist, and a variety of other expletives depending on who you ask. Take, say, Fox head Darryl F. Zanuck, who here barges into Henie’s backyard to call her a “man-eating nymphomaniac.” That scene stretches credulity, but with a soundtrack that bops between ’80s rocker Billy Squier and the synthesizers that greet the snow queen’s arrival in L.
- 1/26/2019
- by Amy Nicholson
- Variety Film + TV
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