Has it really been two weeks since we last saw Riggs and Murtaugh?! It was an exciting World Series Game 7 (and Congrats to the Cubs), but, boy, am I glad to have these two back! How about you guys?
On Lethal Weapon Season 1 Episode 6, Riggs and Murtaugh investigate a murder case that brings Riggs face-to-face with someone from his past.
It seems that Murtaugh may be taking things a bit more personally than he should. He's been awfully sensitive lately. A lot of it has to do with being protective of his daughter.
After he discovers that Riana has been sending pictures of herself in underwear to her boyfriend, he kind of loses it. It's not unexpected. Both he and Trish are involved parents. They care about their kids. It's hard watching your kids grow up, and it's even harder trying to protect them as they do.
But, discovering what...
On Lethal Weapon Season 1 Episode 6, Riggs and Murtaugh investigate a murder case that brings Riggs face-to-face with someone from his past.
It seems that Murtaugh may be taking things a bit more personally than he should. He's been awfully sensitive lately. A lot of it has to do with being protective of his daughter.
After he discovers that Riana has been sending pictures of herself in underwear to her boyfriend, he kind of loses it. It's not unexpected. Both he and Trish are involved parents. They care about their kids. It's hard watching your kids grow up, and it's even harder trying to protect them as they do.
But, discovering what...
- 11/10/2016
- by Lisa Babick
- TVfanatic
At Screen Australia's Family Film Forum in Sydney last month, director Kriv Stenders and Roadshow's head of production Seph McKenna talked the development of Red Dog and the opportunity presented by its sequel, Red Dog: True Blue, premiering Boxing Day.
In the video above, Stenders talks about the original conception of the first film - a $30 million feature starring Nicole Kidman and Hugh Jackman - and his desire to make something akin to "an Australian Amarcord".
McKenna discusses how the original book by Louis de Bernières on which the film was based wasn't big enough, commercially speaking, to impact Roadshow's decision to greenlight the film, and how surprised Roadshow was that.Red Dog played so well to all four quadrants..
During the panel at Sydney's Uts, Stenders also previewed the upcoming sequel, and said that it was a standalone film that people could see and enjoy without having seen the first film.
In the video above, Stenders talks about the original conception of the first film - a $30 million feature starring Nicole Kidman and Hugh Jackman - and his desire to make something akin to "an Australian Amarcord".
McKenna discusses how the original book by Louis de Bernières on which the film was based wasn't big enough, commercially speaking, to impact Roadshow's decision to greenlight the film, and how surprised Roadshow was that.Red Dog played so well to all four quadrants..
During the panel at Sydney's Uts, Stenders also previewed the upcoming sequel, and said that it was a standalone film that people could see and enjoy without having seen the first film.
- 4/18/2016
- by Staff Writer
- IF.com.au
The Western Australian government has invested $2.77 million into 14 local production companies in a bid to boost output..
The 14 companies who will share in the spoils include Prospero Productions, Electric Pictures, Artemis International, Sea Dog TV International, Joined Up Films, Metamorflix, Showrunner Productions, Good Dog Enterprises, See Pictures, Wbmc, Mad Kids, Filmscope Entertainment, Beyond West and Factor 30 Films.
Culture and the Arts Minister John Day said the support would ensure the continued growth and development of the Western Australian screen industry.
.This funding is designed to assist production companies to expand or diversify their business with the aim of creating higher levels of production in the State,. he said.
.The successful production companies will further develop projects including documentary series and feature films."
According to a government statement, the funding targets the development and production of Wa film, television and digital media projects as well as the professional development of screen...
The 14 companies who will share in the spoils include Prospero Productions, Electric Pictures, Artemis International, Sea Dog TV International, Joined Up Films, Metamorflix, Showrunner Productions, Good Dog Enterprises, See Pictures, Wbmc, Mad Kids, Filmscope Entertainment, Beyond West and Factor 30 Films.
Culture and the Arts Minister John Day said the support would ensure the continued growth and development of the Western Australian screen industry.
.This funding is designed to assist production companies to expand or diversify their business with the aim of creating higher levels of production in the State,. he said.
.The successful production companies will further develop projects including documentary series and feature films."
According to a government statement, the funding targets the development and production of Wa film, television and digital media projects as well as the professional development of screen...
- 12/17/2015
- by Staff Writer
- IF.com.au
Factual content producer WildBear Entertainment will produce ten hours of wildlife programming with Nat Geo Wild..
The content will include four hours of 4K programming, three hours of which WildBear will co-produce directly with Nat Geo Wild and one hour in conjunction with Sea Dog TV International and Moers Media. .
The package was negotiated on behalf of WildBear by Edwina Thring, from Wild Thring Media.
It will include three by fifty series The Wildest River in the World which follows the Kinabatangan River in Borneo, from its source in the untouched and pristine Maliau Basin, through to the Pacific Ocean..
Charting the different natural landscapes and the wide variety of flora and fauna species that inhabit each, the series will capture everything from saltwater crocodiles, sun bears, tarsiers and orangutans, through to orchid mantis, flying lizards, Guardian frogs and mudskippers.
The series is being filmed by the same cinematographic team behind the blue-chip,...
The content will include four hours of 4K programming, three hours of which WildBear will co-produce directly with Nat Geo Wild and one hour in conjunction with Sea Dog TV International and Moers Media. .
The package was negotiated on behalf of WildBear by Edwina Thring, from Wild Thring Media.
It will include three by fifty series The Wildest River in the World which follows the Kinabatangan River in Borneo, from its source in the untouched and pristine Maliau Basin, through to the Pacific Ocean..
Charting the different natural landscapes and the wide variety of flora and fauna species that inhabit each, the series will capture everything from saltwater crocodiles, sun bears, tarsiers and orangutans, through to orchid mantis, flying lizards, Guardian frogs and mudskippers.
The series is being filmed by the same cinematographic team behind the blue-chip,...
- 12/11/2015
- by Brian Karlovsky
- IF.com.au
The latest rounds from Screen Australia.s Documentary Production Broadcast and Producer programs have seen 16 documentaries receive close to $4.4 million in funding..
This investment is expected to generate a total production expenditure of close to $16.7 million.
In a statement released to the media, Screen Australia.s Senior Manager, Documentary, Liz Stevens, said, .In the second round of the Producer program we are pleased to see producers aiming at ambitious and multi-layered release plans for stories that will appeal. The documentaries coming through the Broadcast program offer audiences good insights and a few surprises into many compelling Australian stories..
The Producer program enables filmmakers the flexibility to find the best pathway to their audience, whatever and whoever they might be.
The Documentary Production Producer and Broadcast programs now accept applications through the Online Application Portal. The next deadline for the Producer program is 18 September 2015. From 1 July 2015, the Broadcast program will accept applications at any time.
This investment is expected to generate a total production expenditure of close to $16.7 million.
In a statement released to the media, Screen Australia.s Senior Manager, Documentary, Liz Stevens, said, .In the second round of the Producer program we are pleased to see producers aiming at ambitious and multi-layered release plans for stories that will appeal. The documentaries coming through the Broadcast program offer audiences good insights and a few surprises into many compelling Australian stories..
The Producer program enables filmmakers the flexibility to find the best pathway to their audience, whatever and whoever they might be.
The Documentary Production Producer and Broadcast programs now accept applications through the Online Application Portal. The next deadline for the Producer program is 18 September 2015. From 1 July 2015, the Broadcast program will accept applications at any time.
- 6/16/2015
- by Staff Writer
- IF.com.au
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