Derek Hough and Hayley Erbert won’t be hitting the “Dancing with the Stars” floor after all. The couple was slated to perform on Monday’s Season 31 finale but has dropped out after Erbert injured her shoulder during camera blocking on Sunday.
“We were doing a lift we’ve danced 100 times, but something weird happened causing Hayley to fall awkwardly and hard onto her shoulder,” the pair explained on Instagram. “We tried running through the dance again, but quickly realized Hayley’s shoulder had been compromised. As a true dancer Hayley was ready to push through and perform. But sometimes, and definitely in this moment, we thought it best to dance another day.”
Erbert is scheduled to get an Mri and will now watch the finale from the audience. The two, who got engaged in June, were going to perform to Tommee Profitt and Fleurie‘s cover of “Chasing Cars.
“We were doing a lift we’ve danced 100 times, but something weird happened causing Hayley to fall awkwardly and hard onto her shoulder,” the pair explained on Instagram. “We tried running through the dance again, but quickly realized Hayley’s shoulder had been compromised. As a true dancer Hayley was ready to push through and perform. But sometimes, and definitely in this moment, we thought it best to dance another day.”
Erbert is scheduled to get an Mri and will now watch the finale from the audience. The two, who got engaged in June, were going to perform to Tommee Profitt and Fleurie‘s cover of “Chasing Cars.
- 11/21/2022
- by Joyce Eng
- Gold Derby
After two consecutive weeks of double eliminations, it’s time to crown the champion of “Dancing with the Stars” Season 31.
But before we get to that, the final four will perform two routines on Monday’s finale: a redemption dance of a style they had done earlier in the season chosen by a judge and the highly anticipated freestyle. There won’t be too much variety in the redemption round as there will be two quicksteps.
Elsewhere in the two-hour extravaganza, expect a lot of performances, including from all the previously eliminated couples. Yes, that includes Selma Blair and Sasha Farber, who will perform a contemporary routine while Jordin Sparks sings “No Air” live. Derek Hough will also hit the hardwood again with his fiancée Hayley Erbert to perform to “Chasing Cars” by Tommee Profitt and Fleurie.
See the full lineup below:
Wayne Brady and Witney Carson: redemption quickstep...
But before we get to that, the final four will perform two routines on Monday’s finale: a redemption dance of a style they had done earlier in the season chosen by a judge and the highly anticipated freestyle. There won’t be too much variety in the redemption round as there will be two quicksteps.
Elsewhere in the two-hour extravaganza, expect a lot of performances, including from all the previously eliminated couples. Yes, that includes Selma Blair and Sasha Farber, who will perform a contemporary routine while Jordin Sparks sings “No Air” live. Derek Hough will also hit the hardwood again with his fiancée Hayley Erbert to perform to “Chasing Cars” by Tommee Profitt and Fleurie.
See the full lineup below:
Wayne Brady and Witney Carson: redemption quickstep...
- 11/17/2022
- by Joyce Eng
- Gold Derby
Cmc Pictures has released Chinese singer-songwriter Saji‘s soulful pop ballad “Kill My Lies,” a new English song launching in support of newly released fantasy action film A Writer’S Odyssey. Inspired by the fairytale phrase “once upon a time,” the song opens with a Middle-Age fairytale feeling that shifts into a darker, lovesick chorus that, like the film, ruminates on the harm that can come from being unable to give up the past and live truly in the present. “Kill My Lies” was produced by Tommee Profitt.
Of her inspiration behind the song, Saji shared, “Every fairytale starts with ‘once upon a time,’ a recollection of the past. But sometimes, what we need is in the present. ‘Kill My Lies’ asks each of us to unwrap the bandages of lies that hold us back. Always have hope, and always keep believing.”
A Writer’S Odyssey tells the story of Kongwen Lu (Dong Zijian,...
Of her inspiration behind the song, Saji shared, “Every fairytale starts with ‘once upon a time,’ a recollection of the past. But sometimes, what we need is in the present. ‘Kill My Lies’ asks each of us to unwrap the bandages of lies that hold us back. Always have hope, and always keep believing.”
A Writer’S Odyssey tells the story of Kongwen Lu (Dong Zijian,...
- 3/1/2021
- by Rhythm Zaveri
- AsianMoviePulse
Linkin Park issued a cease and desist against Donald Trump after the president’s team used their music without permission in a campaign video posted on Twitter Saturday.
The tweet that embedded the two-minute video — posted by White House social media director Dan Scavino and retweeted by Trump — now states, “This media has been disabled in response to a report by the copyright owner.”
pic.twitter.com/ioVHmZnPzU
— Dan Scavino (@DanScavino) July 17, 2020
Machine Shop Entertainment, Linkin Park’s business arm and management company, filed the Digital Millennium Copyright Act takedown notice,...
The tweet that embedded the two-minute video — posted by White House social media director Dan Scavino and retweeted by Trump — now states, “This media has been disabled in response to a report by the copyright owner.”
pic.twitter.com/ioVHmZnPzU
— Dan Scavino (@DanScavino) July 17, 2020
Machine Shop Entertainment, Linkin Park’s business arm and management company, filed the Digital Millennium Copyright Act takedown notice,...
- 7/19/2020
- by Daniel Kreps
- Rollingstone.com
Hunter Hayes builds his new song “Wild Blue” around a percussive groove, singing over subtle piano about how the 27-year-old songwriter is undergoing a personal sea change. “Funny how you don’t know you can fly until you finally catch the wind,” he sings. “You think you know the part you play until somebody goes and rewrites the script.”
And then it all explodes, with Hayes delivering a soaring, cathartic guitar solo before the song returns to its subdued piano origin. The title track off Hayes’ just announced new album,...
And then it all explodes, with Hayes delivering a soaring, cathartic guitar solo before the song returns to its subdued piano origin. The title track off Hayes’ just announced new album,...
- 8/15/2019
- by Joseph Hudak
- Rollingstone.com
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