The opus of Karim Kassem could be divided in two parts. In the US, where he lives, he is a cameraman that took part in filming titles like “Women Who Kill”, “Patti Cake$” and “Becoming Warren Buffett”. In his home country of Lebanon, he pursues the career of a filmmaker. So far, he directed half a dozen of shorts. “Only the Winds” is his feature-length debut.
Only the Winds is screening at International Film Festival Rotterdam
The first controversy about it is its labelling. At Visions du Réel, it was screened as a documentary, while at IFFR, where we had the chance to see it in Harbour section, it was labelled a drama. To be completely on the safe side, let us say it is a docu-fiction / auto-fiction hybrid of sorts.
The filmmaker Karim Kassem, played by himself, comes to Beirut with an idea to make a film about the blind children in the mountains.
Only the Winds is screening at International Film Festival Rotterdam
The first controversy about it is its labelling. At Visions du Réel, it was screened as a documentary, while at IFFR, where we had the chance to see it in Harbour section, it was labelled a drama. To be completely on the safe side, let us say it is a docu-fiction / auto-fiction hybrid of sorts.
The filmmaker Karim Kassem, played by himself, comes to Beirut with an idea to make a film about the blind children in the mountains.
- 6/11/2021
- by Marko Stojiljković
- AsianMoviePulse
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