Prizes worth a combined €270,000 were awarded to 17 projects.
TorinoFilmLab’s co-production market Tfl Meeting Event has awarded prizes worth a combined €270,000 to 17 projects at its 2023 edition, which concluded on Saturday (November 25).
Scroll down for full list of prizes
Thirty projects were pitched over two days at the event in Turin - 20 titles from Tfl’s nine-month scriptwriting programme ScriptLab and another 10 from its FeatureLab strand for films at a more advanced stage.
Four FeatureLab projects were awarded production and co-production awards – worth a combined €180,000 - by a jury that included mk2 Films’ Olivier Barbier and El Gouna programmer Andrew Mohsen.
TorinoFilmLab’s co-production market Tfl Meeting Event has awarded prizes worth a combined €270,000 to 17 projects at its 2023 edition, which concluded on Saturday (November 25).
Scroll down for full list of prizes
Thirty projects were pitched over two days at the event in Turin - 20 titles from Tfl’s nine-month scriptwriting programme ScriptLab and another 10 from its FeatureLab strand for films at a more advanced stage.
Four FeatureLab projects were awarded production and co-production awards – worth a combined €180,000 - by a jury that included mk2 Films’ Olivier Barbier and El Gouna programmer Andrew Mohsen.
- 11/27/2023
- by Orlando Parfitt
- ScreenDaily
Winner of a special mention from the Sonje Award jury in Busan, “Everybody’s Gotta Love Sometimes” is a rather courageous short regarding a refugee from Myanmar who tries to navigate his current life, his sexuality and his past in France.
Everybody’s Gotta Love Sometimes is screening at Busan International Film Festival
The movie begins with Phyo, a young man lying in bed in his underwear, trying to learn French from his smartphone. The initial phrases are the typical ones, about one’s name and location, but soon his questions change to more intimate ones, such as ’embrace me’, ‘kiss me’ and ‘I want sex’, quite eloquently mirroring the sentiments of the protagonist. An expected masturbation soon gives its stead to a visit to a sex shop, but a phone call about the papers needed for Phyo’s stay in France bring the protagonist back to reality, to a point at least.
Everybody’s Gotta Love Sometimes is screening at Busan International Film Festival
The movie begins with Phyo, a young man lying in bed in his underwear, trying to learn French from his smartphone. The initial phrases are the typical ones, about one’s name and location, but soon his questions change to more intimate ones, such as ’embrace me’, ‘kiss me’ and ‘I want sex’, quite eloquently mirroring the sentiments of the protagonist. An expected masturbation soon gives its stead to a visit to a sex shop, but a phone call about the papers needed for Phyo’s stay in France bring the protagonist back to reality, to a point at least.
- 10/17/2023
- by Panos Kotzathanasis
- AsianMoviePulse
The Wrestler, directed by Bangladeshi-Canadian filmmaker Iqbal H. Chowdhury, and September 1923, from Japan’s Tatsuya Mori, picked up the New Currents Awards as Busan International Film Festival wrapped a busy 28th edition on October 13.
Chowdhury’s film tells the story of an eccentric fisherman who learns a traditional form of wrestling to take on the village champion, while September 1923, the debut fiction film of documentary filmmaker Mori, revolves around the massacre that took place after the Great Kanto earthquake 100 years ago.
The Kim Jiseok Award, presented to films in Busan’s Jiseok section, went to Sri Lankan director Prasanna Vithanage’s Paradise, about an Indian couple facing problems in their marriage during a trip to Sri Lanka, and Mirlan Abdykalykov’s Bride Kidnapping, about the widespread practice of forcing women into marriage in Kyrgyzstan.
Busan also launched two new awards, the LG Oled New Currents & Vision Awards, presented to films...
Chowdhury’s film tells the story of an eccentric fisherman who learns a traditional form of wrestling to take on the village champion, while September 1923, the debut fiction film of documentary filmmaker Mori, revolves around the massacre that took place after the Great Kanto earthquake 100 years ago.
The Kim Jiseok Award, presented to films in Busan’s Jiseok section, went to Sri Lankan director Prasanna Vithanage’s Paradise, about an Indian couple facing problems in their marriage during a trip to Sri Lanka, and Mirlan Abdykalykov’s Bride Kidnapping, about the widespread practice of forcing women into marriage in Kyrgyzstan.
Busan also launched two new awards, the LG Oled New Currents & Vision Awards, presented to films...
- 10/14/2023
- by Liz Shackleton
- Deadline Film + TV
Iqbal H. Choudhury’s “The Wrestler” and Mori Tatsutya’s “September 1923” were announced joint winners of the New Currents competition at the Busan International Film Festival.
“The Wrester” “was like a single round match, magically depicting an exciting narrative,” the jury said. “We support the bravery to face the history that had been forgotten,” the jury said of “September 1923.”
In the separate Jiseok competition, open to more experienced Asian filmmakers, the joint winners were Prasanna Vithanage’s “Paradise” and Mirlan Abdykalykov’s “Bride Kidnapping.”
“Vithanage exposes how a corrupt regime ruins this beautiful country by obstructing peace, depriving its citizens of humanity as they corner them into oppression,” said the separate Jiseok jury. Calling “Bride Kidnapping” a “powerful film,” the Jiseok jury said, “This film vividly depicts the prevalent shocking customs in Kyrgyzstan with unforgettable characters and a straightforward narrative.”
The prizes were presented on Friday at a closing ceremony...
“The Wrester” “was like a single round match, magically depicting an exciting narrative,” the jury said. “We support the bravery to face the history that had been forgotten,” the jury said of “September 1923.”
In the separate Jiseok competition, open to more experienced Asian filmmakers, the joint winners were Prasanna Vithanage’s “Paradise” and Mirlan Abdykalykov’s “Bride Kidnapping.”
“Vithanage exposes how a corrupt regime ruins this beautiful country by obstructing peace, depriving its citizens of humanity as they corner them into oppression,” said the separate Jiseok jury. Calling “Bride Kidnapping” a “powerful film,” the Jiseok jury said, “This film vividly depicts the prevalent shocking customs in Kyrgyzstan with unforgettable characters and a straightforward narrative.”
The prizes were presented on Friday at a closing ceremony...
- 10/13/2023
- by Patrick Frater
- Variety Film + TV
‘Paradise’ and ‘Bridge Kidnapping’ also take major prizes.
Bangladesh drama The Wrestler and Japanese feature September 1923 have won the top awards at the 28th Busan International Film Festival.
The two titles were named joint winners of Biff’s New Currents competition, which includes first or second features from rising Asian filmmakers.
At a press conference in Busan today (October 13), the festival also revealed Sri Lanka’s Paradise and Kyrgyzstan’s Bride Kidnapping as joint winners of the Kim Jiseok Award, open to more established Asian directors with at least three features to their names.
Scroll down for full list of...
Bangladesh drama The Wrestler and Japanese feature September 1923 have won the top awards at the 28th Busan International Film Festival.
The two titles were named joint winners of Biff’s New Currents competition, which includes first or second features from rising Asian filmmakers.
At a press conference in Busan today (October 13), the festival also revealed Sri Lanka’s Paradise and Kyrgyzstan’s Bride Kidnapping as joint winners of the Kim Jiseok Award, open to more established Asian directors with at least three features to their names.
Scroll down for full list of...
- 10/13/2023
- by Michael Rosser
- ScreenDaily
Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City.
The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects. Among them is “Filipinana,” which on Tuesday collected three prizes at Busan’s Asian Project Market. Another is “Fox King,” by well-established Malaysian filmmaker Woo Ming Jing, which will also travel to the Tokyo Gap Financing Market. Also lining up is established Singapore filmmaker Boo Junfeng and producer partner Raymond Phathanavirangoon with “Medium.”
The 20 selected projects are vying for over $400,000 in grants and prizes, including a $35,000 co-production grants for Southeast Asian projects and $50,000 for Filipino projects.
“From an impressive submission of sixty five projects from all over the region, these selected projects really...
The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects. Among them is “Filipinana,” which on Tuesday collected three prizes at Busan’s Asian Project Market. Another is “Fox King,” by well-established Malaysian filmmaker Woo Ming Jing, which will also travel to the Tokyo Gap Financing Market. Also lining up is established Singapore filmmaker Boo Junfeng and producer partner Raymond Phathanavirangoon with “Medium.”
The 20 selected projects are vying for over $400,000 in grants and prizes, including a $35,000 co-production grants for Southeast Asian projects and $50,000 for Filipino projects.
“From an impressive submission of sixty five projects from all over the region, these selected projects really...
- 10/11/2023
- by Patrick Frater
- Variety Film + TV
2023 edition has received a record number of applications.
Italy’s TorinoFilmLab (Tfl) has selected 10 projects for the 2023 edition of its FeatureLab training programme, for first or second film projects at an advanced development stage.
The 2023 iteration received a record 172 applications, from which one animation, one documentary and eight fiction projects have been chosen. Seven of the projects are debut feature, with three second films.
Scroll down for the selected projects
Two of the projects have previously participated in Tfl programmes: Irene Moray’s debut Sealskin, a Spanish feature set in a world where women are vanishing; and Francesco Romano’s debut The White House,...
Italy’s TorinoFilmLab (Tfl) has selected 10 projects for the 2023 edition of its FeatureLab training programme, for first or second film projects at an advanced development stage.
The 2023 iteration received a record 172 applications, from which one animation, one documentary and eight fiction projects have been chosen. Seven of the projects are debut feature, with three second films.
Scroll down for the selected projects
Two of the projects have previously participated in Tfl programmes: Irene Moray’s debut Sealskin, a Spanish feature set in a world where women are vanishing; and Francesco Romano’s debut The White House,...
- 5/5/2023
- by Ben Dalton
- ScreenDaily
A group of Ukrainian filmmakers have won the top industry award at Swiss international documentary film festival Visions du Réel with their project “The Days I Would Like to Forget,” divided into three chapters, each of which will explore a different phenomenon of war.
Filmmakers Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South or Eastern Europe.
Running alongside Visions du Réel, the festival’s industry event brought together some 1,600 professionals from nearly 80 countries, in line with last year’s record numbers.
A total of 31 projects were presented in the key forums – VdR–Pitching, VdR–Work in Progress (Wip) and VdR–Rough Cut Lab, alongside the VdR–Development Lab – that run April 24 through April 27 in Nyon, Switzerland.
Representing her colleague filmmakers who are shooting in Ukraine, Gorlova...
Filmmakers Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South or Eastern Europe.
Running alongside Visions du Réel, the festival’s industry event brought together some 1,600 professionals from nearly 80 countries, in line with last year’s record numbers.
A total of 31 projects were presented in the key forums – VdR–Pitching, VdR–Work in Progress (Wip) and VdR–Rough Cut Lab, alongside the VdR–Development Lab – that run April 24 through April 27 in Nyon, Switzerland.
Representing her colleague filmmakers who are shooting in Ukraine, Gorlova...
- 4/26/2023
- by Lise Pedersen
- Variety Film + TV
Edition runs April 23-27.
Swiss documentary festival Visions du Réel has unveiled the industry projects to be pitched and presented at its 2023 edition, taking place April 23-27.
This year’s selection includes Latvian filmmaker Laila Pakalnina whose new project Cat On My Mind will participate in VdR-Pitching. Pakalnina’s Ausma (2015) and In The Mirror (2020) played in competition at the Blak Nights Tallinn International Film festival while her shorts have screened at Berlin and Cannes.
Also participating in VdR-Pitching is Italy-us filmmaker Mo Scarpelli with her new project Faith about two young girls who live together in an abandoned classroom. Her...
Swiss documentary festival Visions du Réel has unveiled the industry projects to be pitched and presented at its 2023 edition, taking place April 23-27.
This year’s selection includes Latvian filmmaker Laila Pakalnina whose new project Cat On My Mind will participate in VdR-Pitching. Pakalnina’s Ausma (2015) and In The Mirror (2020) played in competition at the Blak Nights Tallinn International Film festival while her shorts have screened at Berlin and Cannes.
Also participating in VdR-Pitching is Italy-us filmmaker Mo Scarpelli with her new project Faith about two young girls who live together in an abandoned classroom. Her...
- 3/10/2023
- by Ellie Calnan
- ScreenDaily
Purin Pictures Cash
Purin Pictures, a non-profit Asian film financier, is to give grants to two Burmese, two Cambodian, two Thai, and one Indonesian project in its latest funding round. “We are excited to support multiple projects from Myanmar and Cambodia, two countries that have less developed film industries than their Southeast Asian neighbors,” said Purin Pictures co-director Anocha Suwichakornpong. Production grants worth 30,000 each go to “The Beer Girl in Yangon,” by Sein Lyan Tun, “Fruit Gathering,” by Aung Phyoe, both debut featuring new voices in Burmese cinema, and “9 Temples to Heaven,” the debut fiction feature of Sompot Chidgasornpongse.
Post-production grants of 35,000 each go to documentaries “Tongue of Water,” by Polen Ly and “Double Jeopardy,” by Phally Ngoeum, both shining a light on the struggle of Cambodian individuals against the larger forces of the state, and documentaries “Monisme ,”by Riar Rizaldi and “Breaking the Cycle,” by Akeaphong Saransate and Thanakrit Duangmaneeporn.
Purin Pictures, a non-profit Asian film financier, is to give grants to two Burmese, two Cambodian, two Thai, and one Indonesian project in its latest funding round. “We are excited to support multiple projects from Myanmar and Cambodia, two countries that have less developed film industries than their Southeast Asian neighbors,” said Purin Pictures co-director Anocha Suwichakornpong. Production grants worth 30,000 each go to “The Beer Girl in Yangon,” by Sein Lyan Tun, “Fruit Gathering,” by Aung Phyoe, both debut featuring new voices in Burmese cinema, and “9 Temples to Heaven,” the debut fiction feature of Sompot Chidgasornpongse.
Post-production grants of 35,000 each go to documentaries “Tongue of Water,” by Polen Ly and “Double Jeopardy,” by Phally Ngoeum, both shining a light on the struggle of Cambodian individuals against the larger forces of the state, and documentaries “Monisme ,”by Riar Rizaldi and “Breaking the Cycle,” by Akeaphong Saransate and Thanakrit Duangmaneeporn.
- 11/1/2022
- by Patrick Frater
- Variety Film + TV
Seven fiction and documentary projects to receive a share of 230,000.
Bangkok-based film fund Purin Pictures has selected seven projects from Southeast Asia as the recipients of its autumn 2022 funding round, which will receive a combined 230,000 in grants for production and post-production.
The production grants of 30,000 each are awarded to Aung Phyoe’s Fruit Gathering from Myanmar; Burmese-Indonesian co-production The Beer Girl In Yangon by Sein Lyan Tun; and Thai director Sompot Chidgasornpongse’s 9 Temples To Heaven.
The latter is co-produced by Cannes award-winning filmmaker Apichatpong Weerasethakul, known for titles including Uncle Boonmee Who Can Recall His Past Lives and Memoria.
Bangkok-based film fund Purin Pictures has selected seven projects from Southeast Asia as the recipients of its autumn 2022 funding round, which will receive a combined 230,000 in grants for production and post-production.
The production grants of 30,000 each are awarded to Aung Phyoe’s Fruit Gathering from Myanmar; Burmese-Indonesian co-production The Beer Girl In Yangon by Sein Lyan Tun; and Thai director Sompot Chidgasornpongse’s 9 Temples To Heaven.
The latter is co-produced by Cannes award-winning filmmaker Apichatpong Weerasethakul, known for titles including Uncle Boonmee Who Can Recall His Past Lives and Memoria.
- 11/1/2022
- by Silvia Wong
- ScreenDaily
Projects from director Woo Ming Jin and producer Anthony Chen among titles.
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has unveiled the line-up for its upcoming fourth edition, including new features by Malaysian director Woo Ming Jin and Singapore producer Anthony Chen.
The labs, led by Tatino Films’ Matthieu Darras and Izabela Igel and co-organised by the Film Development Council of the Philippines (Fdcp), will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors.
More than 40 participants and 12 mentors from 15 different countries are expected to participate in the in-person workshop,...
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has unveiled the line-up for its upcoming fourth edition, including new features by Malaysian director Woo Ming Jin and Singapore producer Anthony Chen.
The labs, led by Tatino Films’ Matthieu Darras and Izabela Igel and co-organised by the Film Development Council of the Philippines (Fdcp), will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors.
More than 40 participants and 12 mentors from 15 different countries are expected to participate in the in-person workshop,...
- 4/1/2022
- by Michael Rosser
- ScreenDaily
Full Circle Lab, the Southeast Asian project and talent development program co-led by Matthieu Darras and Izabela Igel alongside the Film Development Council of the Philippines, is poised for a third edition. There will also be a particular emphasis on training for the role of producer, with the addition of a Creative Producers Lab.
The Labs will take place online with workshops from Sept. 20 to Oct. 1, 2021 and be preceded by the Fdcp’s Film Industry Conference, open to a larger audience.
The objective is to identify, nurture and support creative projects from the Philippines and Southeast Asia, across features and series, and at different stages (development and post-production).
Leading creative names from the Philippines and the Southeast Asia region including producers Jeremy Chua, John Badalu, producer-director Antoinette Jadaone (“Fan Girl”), directors Sheron Dayoc (“Women of the Weeping River”) and Bui Thac Chuyen (“Adrift”) will join with their latest projects.
Mentors...
The Labs will take place online with workshops from Sept. 20 to Oct. 1, 2021 and be preceded by the Fdcp’s Film Industry Conference, open to a larger audience.
The objective is to identify, nurture and support creative projects from the Philippines and Southeast Asia, across features and series, and at different stages (development and post-production).
Leading creative names from the Philippines and the Southeast Asia region including producers Jeremy Chua, John Badalu, producer-director Antoinette Jadaone (“Fan Girl”), directors Sheron Dayoc (“Women of the Weeping River”) and Bui Thac Chuyen (“Adrift”) will join with their latest projects.
Mentors...
- 9/2/2021
- by Patrick Frater
- Variety Film + TV
The section concludes its three-year focus on Southeast Asia and Mongolia.
Projects from Indonesia, Mongolia, Myanmar, and the Philippines were among the winners of the 19th edition of Locarno’s Open Doors section which has concluded its three-year focus on Southeast Asia and Mongolia.
Prizes were given to projects from the Open Doors Hub and Lab at the awards ceremony on Tuesday morning (August 10).
The Open Doors Award for Hub projects worth 35,000 Chf went to the comedy- thriller A Useful Ghost by Thai director Ratchapoom Boonbunchachoke and his producer Cattleya Paosrijaroen of Bangkok-based 185 Films.
An Open Doors Award development grant...
Projects from Indonesia, Mongolia, Myanmar, and the Philippines were among the winners of the 19th edition of Locarno’s Open Doors section which has concluded its three-year focus on Southeast Asia and Mongolia.
Prizes were given to projects from the Open Doors Hub and Lab at the awards ceremony on Tuesday morning (August 10).
The Open Doors Award for Hub projects worth 35,000 Chf went to the comedy- thriller A Useful Ghost by Thai director Ratchapoom Boonbunchachoke and his producer Cattleya Paosrijaroen of Bangkok-based 185 Films.
An Open Doors Award development grant...
- 8/10/2021
- by Martin Blaney
- ScreenDaily
Final session of three-year cycle will showcase ight projects and nine producers.
Thai director Sompot Chidgasornpongse, a long-time collaborator of Palme d’Or winner Apichatpong Weerasethakul, and emerging Myanmar documentarian Sein Lyan Tun are among the filmmakers who will be presenting projects at this year’s edition of the Locarno Film Festival’s Open Doors programme.
The initiative, aimed at supporting cinema from the global south and east, is in the final year of a three-year cycle focused on Southeast Asia and Mongolia and encompassing independent filmmaking communities in Laos, Cambodia, Thailand, Vietnam, Myanmar, Indonesia, Malaysia, the Philippines and Mongolia.
Thai director Sompot Chidgasornpongse, a long-time collaborator of Palme d’Or winner Apichatpong Weerasethakul, and emerging Myanmar documentarian Sein Lyan Tun are among the filmmakers who will be presenting projects at this year’s edition of the Locarno Film Festival’s Open Doors programme.
The initiative, aimed at supporting cinema from the global south and east, is in the final year of a three-year cycle focused on Southeast Asia and Mongolia and encompassing independent filmmaking communities in Laos, Cambodia, Thailand, Vietnam, Myanmar, Indonesia, Malaysia, the Philippines and Mongolia.
- 6/8/2021
- by Melanie Goodfellow
- ScreenDaily
Taiwan’s legalization of gay marriage last year helpfully came in time for the real-world launch of the Gol Summit, Asia’s largest LGBTQ+ filmmaking conference. That in turn helped maintain the momentum for a second edition that, due to the coronavirus pandemic, will be a fully virtual affair.
The event, which runs Monday and Tuesday is backed by the GagaOOLala streaming platform, launched by Taiwan studio Portico Media, in collaboration with the Taiwan Content Creative Agency (Taicca). The Gol Summit is also one of the first events this year in a series that makes up the 2020 Taiwan Creative Content Fest International Market (Tccf).
The focus of the first day is the GagaOOLala Pitching Sessions, aimed at bringing together financiers, distributors and sales agents around some 15 new pieces of LGBTQ content – features, series and shorts.
While pitching videos are to be made available on the event’s website, an advisory...
The event, which runs Monday and Tuesday is backed by the GagaOOLala streaming platform, launched by Taiwan studio Portico Media, in collaboration with the Taiwan Content Creative Agency (Taicca). The Gol Summit is also one of the first events this year in a series that makes up the 2020 Taiwan Creative Content Fest International Market (Tccf).
The focus of the first day is the GagaOOLala Pitching Sessions, aimed at bringing together financiers, distributors and sales agents around some 15 new pieces of LGBTQ content – features, series and shorts.
While pitching videos are to be made available on the event’s website, an advisory...
- 11/15/2020
- by Patrick Frater
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.