Michael Wolf Snyder, the sound mixer for a number of film titles, including Chloé Zhao’s Nomadland and The Rider, has died by suicide, according to a Facebook post from his aunt. He was 35.
Snyder’s aunt, Cathy Snyder, shared a post from the sound mixer’s father, David Snyder, in which he details finding his son’s body in his Queens, N.Y. home.
“Michael took his own life sometime in the last week, and it wasn’t discovered until I went to check on him Monday after he dropped out of contact for several days,” David Snyder originally wrote. “He has suffered from Major Depression for many years. For most people, this is an illness that waxes and wanes over the years. I’m sure it was difficult for Michael that he spent most of the last year alone in his small, Queens apartment, being responsible about dealing with the coronavirus.
Snyder’s aunt, Cathy Snyder, shared a post from the sound mixer’s father, David Snyder, in which he details finding his son’s body in his Queens, N.Y. home.
“Michael took his own life sometime in the last week, and it wasn’t discovered until I went to check on him Monday after he dropped out of contact for several days,” David Snyder originally wrote. “He has suffered from Major Depression for many years. For most people, this is an illness that waxes and wanes over the years. I’m sure it was difficult for Michael that he spent most of the last year alone in his small, Queens apartment, being responsible about dealing with the coronavirus.
- 3/6/2021
- by Alexandra Del Rosario
- Deadline Film + TV
The Rider director Chloé Zhao on Joshua James Richards: "It's done so well by the cinematographer that it feels like we just happened to be there. That's where the authenticity of the film comes from. It's actually that you have to do so much more work to make it look natural." Photo: Anne-Katrin Titze
In the final instalment of my conversation with Chloé Zhao, the director of the 2018 Gotham Independent Film Award and National Board of Review winner, The Rider, and the star of her real-life fiction film, Brady Jandreau, we discuss the injuries Brady and his best friend Lane Scott have dealt with on their long road to recovery and acting with his father Tim Jandreau and little sister Lilly Jandreau as the Blackburn family.
Brady Jandreau as Brady Blackburn with Lane Scott in The Rider: "Well, me and Lane have been like brothers since I was two and he was three.
In the final instalment of my conversation with Chloé Zhao, the director of the 2018 Gotham Independent Film Award and National Board of Review winner, The Rider, and the star of her real-life fiction film, Brady Jandreau, we discuss the injuries Brady and his best friend Lane Scott have dealt with on their long road to recovery and acting with his father Tim Jandreau and little sister Lilly Jandreau as the Blackburn family.
Brady Jandreau as Brady Blackburn with Lane Scott in The Rider: "Well, me and Lane have been like brothers since I was two and he was three.
- 1/2/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Brady Jandreau on The Rider director Chloé Zhao: "When Chloé found out, a month and a half after my head injury I was training horses again, putting my life at risk, she wanted to capture that." Photo: Anne-Katrin Titze
Gotham Independent Film Award and National Board of Review winner The Rider stars Brady Jandreau as Brady Blackburn with his sister Lilly Jandreau and father Tim Jandreau, and friends Lane Scott, Cat Clifford, and Tanner Langdeau playing variations of themselves. Chloé Zhao's follow-up to Songs My Brothers Taught Me was also a highlight of the 55th New York Film Festival, winner of the Grand Prix Award at the Deauville Festival of American Cinema and the Art Cinema Award in the Directors’ Fortnight of the Cannes Film Festival.
Joshua James Richards films Brady Jandreau as Brady Blackburn with Chloé Zhao directing
Shot by Joshua James Richards (Francis Lee's God's Own Country...
Gotham Independent Film Award and National Board of Review winner The Rider stars Brady Jandreau as Brady Blackburn with his sister Lilly Jandreau and father Tim Jandreau, and friends Lane Scott, Cat Clifford, and Tanner Langdeau playing variations of themselves. Chloé Zhao's follow-up to Songs My Brothers Taught Me was also a highlight of the 55th New York Film Festival, winner of the Grand Prix Award at the Deauville Festival of American Cinema and the Art Cinema Award in the Directors’ Fortnight of the Cannes Film Festival.
Joshua James Richards films Brady Jandreau as Brady Blackburn with Chloé Zhao directing
Shot by Joshua James Richards (Francis Lee's God's Own Country...
- 12/13/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Chloe Zhao’s impressive second film The Rider comes hot on the heels of her critically acclaimed first feature Songs My Brothers Taught Me, a film festival circuit favourite which went on to gain the young director a best picture nod at the 2016 Independent Spirit Awards. Staring real life Cowboy Brady Jandreau as a rodeo rider struggling to come to terms with a recent career ending injury, the film is a beautifully sparse, mournful and subtly acted modern Western which tells an honest story with a huge amount of tenderness and poetic realism.
Former rodeo star Brady Blackburn (Brady Jandreau) lives in the South Dakota desert with his gambling addict father Wayne (Tim Jandreau) and sister Lilly (Lilly Jandreau), a vivacious teenager with learning difficulties. When a life-threatening head injury puts an abrupt end to his burgeoning career, Brady finds himself aimless and depressed about his future prospects. No longer...
Former rodeo star Brady Blackburn (Brady Jandreau) lives in the South Dakota desert with his gambling addict father Wayne (Tim Jandreau) and sister Lilly (Lilly Jandreau), a vivacious teenager with learning difficulties. When a life-threatening head injury puts an abrupt end to his burgeoning career, Brady finds himself aimless and depressed about his future prospects. No longer...
- 9/14/2018
- by Linda Marric
- HeyUGuys.co.uk
Our resident VOD expert tells you what's new to rent and/or own this week via various Digital HD providers such as cable Movies On Demand, FandangoNOW, Amazon, iTunes, Vudu, Google Play and, of course, Netflix. Cable Movies On Demand: Same-day-as-disc releases, older titles and pretheatrical Life of the Party Breaking In Bad Samaritan The Rider On Chesil Beach (romantic...
- 8/8/2018
- by Robert B. DeSalvo
- Movies.com
Brady Jandreau as Brady Blackburn, in The Rider. Photo courtesy of Sony Pictures Classics
Brady Jandreau stars as a rodeo star and horse trainer who faces a life crisis after a serious injury in director/writer/producer Chloe Zhao’s Western/cowboy drama The Rider.
In this sensitive family drama, the former rodeo star plays Brady Blackburn, a young rodeo star who suffers a serious head injury and is told by doctors he must never ride again. At first Brady wants to just ignore this grim diagnosis and tries to resume his previous life but it becomes clear he will need to come to grips with the facts. Even without his rodeo career, Brady cannot imagine how he will make a living without horses. The son of horse trainers, he has trained horses his whole life and riding is how he finds peace in the world. He cannot see a life without horses.
Brady Jandreau stars as a rodeo star and horse trainer who faces a life crisis after a serious injury in director/writer/producer Chloe Zhao’s Western/cowboy drama The Rider.
In this sensitive family drama, the former rodeo star plays Brady Blackburn, a young rodeo star who suffers a serious head injury and is told by doctors he must never ride again. At first Brady wants to just ignore this grim diagnosis and tries to resume his previous life but it becomes clear he will need to come to grips with the facts. Even without his rodeo career, Brady cannot imagine how he will make a living without horses. The son of horse trainers, he has trained horses his whole life and riding is how he finds peace in the world. He cannot see a life without horses.
- 5/11/2018
- by Cate Marquis
- WeAreMovieGeeks.com
The best Westerns often come from outsiders. Fred Zinnemann’s Oscar-winner “High Noon,” Fritz Lang’s “Rancho Notorious,” William Wyler’s “The Big Country,” Wim Wenders’ “Paris, Texas” — all from Germans and Austrians. And of course, Sergio Leone’s classics starring Clint Eastwood were filmed by an Italian in Spain.
Now we can add U.K. filmmaker Andrew Haigh and China-born Chloé Zhao to their number. Neither set out to comment on classic western genre tropes with “Lean on Pete” (A24) and “The Rider” (Sony Pictures Classics), both of which earned raves on the festival circuit before hitting theaters this month. They shot in the badlands of Colorado and South Dakota, respectively. And both filmmakers explore the relationship between young men, their horses, and the nature that surrounds them. (Their distributors are slowly rolling them out across the heartland.)
“The Rider”
New Yorker Zhao shot her 2013 documentary “Songs My Brothers Taught Me” in South Dakota.
Now we can add U.K. filmmaker Andrew Haigh and China-born Chloé Zhao to their number. Neither set out to comment on classic western genre tropes with “Lean on Pete” (A24) and “The Rider” (Sony Pictures Classics), both of which earned raves on the festival circuit before hitting theaters this month. They shot in the badlands of Colorado and South Dakota, respectively. And both filmmakers explore the relationship between young men, their horses, and the nature that surrounds them. (Their distributors are slowly rolling them out across the heartland.)
“The Rider”
New Yorker Zhao shot her 2013 documentary “Songs My Brothers Taught Me” in South Dakota.
- 4/17/2018
- by Anne Thompson
- Thompson on Hollywood
The best Westerns often come from outsiders. Fred Zinnemann’s Oscar-winner “High Noon,” Fritz Lang’s “Rancho Notorious,” William Wyler’s “The Big Country,” Wim Wenders’ “Paris, Texas” — all from Germans and Austrians. And of course, Sergio Leone’s classics starring Clint Eastwood were filmed by an Italian in Spain.
Now we can add U.K. filmmaker Andrew Haigh and China-born Chloé Zhao to their number. Neither set out to comment on classic western genre tropes with “Lean on Pete” (A24) and “The Rider” (Sony Pictures Classics), both of which earned raves on the festival circuit before hitting theaters this month. They shot in the badlands of Colorado and South Dakota, respectively. And both filmmakers explore the relationship between young men, their horses, and the nature that surrounds them. (Their distributors are slowly rolling them out across the heartland.)
“The Rider”
New Yorker Zhao shot her 2013 documentary “Songs My Brothers Taught Me” in South Dakota.
Now we can add U.K. filmmaker Andrew Haigh and China-born Chloé Zhao to their number. Neither set out to comment on classic western genre tropes with “Lean on Pete” (A24) and “The Rider” (Sony Pictures Classics), both of which earned raves on the festival circuit before hitting theaters this month. They shot in the badlands of Colorado and South Dakota, respectively. And both filmmakers explore the relationship between young men, their horses, and the nature that surrounds them. (Their distributors are slowly rolling them out across the heartland.)
“The Rider”
New Yorker Zhao shot her 2013 documentary “Songs My Brothers Taught Me” in South Dakota.
- 4/17/2018
- by Anne Thompson
- Indiewire
This article was originally produced as part of the Nyff Critics Academy. “The Rider” is now playing in limited release.
“You can overcome anything if you work hard enough” is an infectious idea, a brick in the foundation of the American Dream. But that depends on how accessible that dream is in the first place. The titular hero Brady Blackburn of “The Rider” confronts such boundaries as he pines to return to the rodeo pedestal.
Rarely do Native Americans faces command an onscreen presence. While the recent historical romance “A Woman Walks Ahead” empowers Native American voices, it still fits a pattern of regulating Native Americas as supporting players to white-centric narratives. On the other hand, Chloe Zhao’s gentle drama “The Rider” gives the spotlight to the Lakota face of Brady Jandreau, whose real-life head injury inspired the film.
Zhao shot “The Rider” and her first Lakota-centric feature “Songs My Brothers Taught Me...
“You can overcome anything if you work hard enough” is an infectious idea, a brick in the foundation of the American Dream. But that depends on how accessible that dream is in the first place. The titular hero Brady Blackburn of “The Rider” confronts such boundaries as he pines to return to the rodeo pedestal.
Rarely do Native Americans faces command an onscreen presence. While the recent historical romance “A Woman Walks Ahead” empowers Native American voices, it still fits a pattern of regulating Native Americas as supporting players to white-centric narratives. On the other hand, Chloe Zhao’s gentle drama “The Rider” gives the spotlight to the Lakota face of Brady Jandreau, whose real-life head injury inspired the film.
Zhao shot “The Rider” and her first Lakota-centric feature “Songs My Brothers Taught Me...
- 4/14/2018
- by Caroline Cao
- Indiewire
Filmmaker Chloe Zhao vaults into a rarefied atmosphere of filmmaking mastery with her stunning second feature, “The Rider,” a neo-Western about rodeo riding, hobbled masculinity and reflective grace that feels unlike anything else out there.
Its compelling singularity no doubt has something to do with its milieu –Native American bronc and bull specialists on the rodeo circuit who hail from South Dakota’s Pine Ridge Reservation — but it primarily derives from Zhao’s filmmaking choice to combine a deeply felt story and a risky-but-rewarding vérité approach. The result is at times heart-stoppingly effective, pulling us so close to some of the movie’s key characters that they begin to feel like family.
We meet Brady Blackburn (Brady Jandreau) by way of the formidable stapling in his shaved head, a physical scar that forecasts the psychological journey ahead. A gifted young Lakota horse trainer, Brady had been an up-and-coming saddle bronc star until a horrible rodeo accident put him briefly in a coma, set him up with a metal plate, and incurred a doctor-ordered end to his riding days.
Watch Video: 'The Rider': How Brady Jandreau's Brush With Death Led Him to Hollywood (Exclusive)
At home he endures watching his dad (Tim Jandreau), with whom he often clashes, sell Brady’s beloved horse Gus to pay debts. Brady also gets loving support from his autistic sister Lilly (Lilly Jandreau) and his rodeo pals. But he’s consumed by uselessness. Brady wants nothing more than to get back to training and riding, because his sense of incompleteness outside his life with horses is starting to feel like the worse injury. It’s a stubbornness doomed to embolden him, but what is he otherwise?
If you noticed that the actors’ last names are the same, it’s because Zhao is essentially telling Brady Jandreau’s story, starring Brady himself. After making her debut feature (“Songs My Brothers Taught Me”) at Pine Ridge, where she had ingratiated herself with the various tribes, Zhao got to know the laconic, horse-whispering Lakota cowboy before his accident, and witnessed his struggles afterward.
When she started putting together a version of Jandreau’s story as a film, Zhao made the decision to have everyone in Brady’s world play themselves. That included fellow professional rider Lane Scott, a rising star confined to a wheelchair after his own terrible accident, and visited onscreen in rehab by Brady. Their touching scenes eschew schmaltz for the more heart-tugging sensation of a lived-in camaraderie readjusted by tragedy.
Also Read: Cannes: 'The Rider,' 'A Ciambra' Win Top Prizes in Directors' Fortnight
Directors have used non-professionals since movies began, but what Zhao gets out of her 21-year-old real-life cowboy star — by turns stoically lost, humbled, loving, and defiant — is nothing short of miraculous. Jandreau’s is a true, camera-ready performance, filled with nuance, and it speaks to Zhao’s actor-whispering skills that it burns so brightly at the center of her film. Other movies have utilized non-actors to portray versions of themselves – one immediately thinks of Oscar winners Harold Russell and Haing S. Ngor – but they were intended to be elements in a larger, homogenized creation.
“The Rider” is fully Jandreau’s; it’s impossible to imagine it having the same impact without his committed, enveloping presence. He’s as powerful as any macho western protagonist stripped to the core — the gunfighter disarmed or the pioneer made homeless. That he’s Native American, pale-skinned but proud, only deepens the reconfiguring of this country’s myths that’s another undercurrent in “The Rider.”
See Photos: 17 Highest-Grossing Movies Directed by Women, From 'Mamma Mia!' to 'Wonder Woman'
“The Rider” also may be one of the best movies ever made about people and horses as a transcendent relationship. The documentary-infused scenes of Jandreau training and connecting with horses — the wild and ornery, the broken and fearful — are mesmerizing in their fluidity and intimacy, dramatizing a kind of tough love born of tradition and respect. Jandreau’s adoration of these animals is not only pulsating: it allows the horses to be flesh-and-blood co-stars in Brady’s story, not just four-legged accessories.
It’s all gorgeously photographed, too, by Joshua James Richards (“God’s Own Country”), who understands fully the magnetic power of a silhouetted horizon shot, a haunting landscape, or a close-up in a truck. And more importantly, that they all need to be seamlessly strung-together verses in the same evocative frontier poem.
The densely authentic space between neo-realism and documentary where “The Rider” exists is one of the most beautiful and affecting realms I’ve had the pleasure of visiting recently as a moviegoer. Having seen it twice — the first time unaware of its hybrid approach, the second time fully cognizant that I was watching real people in a form of healing re-enactment — the spell, I realized, was the same: a lyrical sense that life is lived and re-lived, acted out but ever retraced, and that to reclaim ourselves after a fall is perhaps what being human is all about. We live in identity-convulsive times, and I can’t think of a movie more attuned to the question “Who am I?” than this one.
Spiritual and earthy, forged in curiosity yet fortified with empathy, “The Rider” is why we go to the cinema, and it affirms Chloe Zhao as one of the most gifted new movie artists of our time.
Read original story ‘The Rider’ Film Review: Lyrical Tale of Injured Rodeo Star Heralds a Major Talent At TheWrap...
Its compelling singularity no doubt has something to do with its milieu –Native American bronc and bull specialists on the rodeo circuit who hail from South Dakota’s Pine Ridge Reservation — but it primarily derives from Zhao’s filmmaking choice to combine a deeply felt story and a risky-but-rewarding vérité approach. The result is at times heart-stoppingly effective, pulling us so close to some of the movie’s key characters that they begin to feel like family.
We meet Brady Blackburn (Brady Jandreau) by way of the formidable stapling in his shaved head, a physical scar that forecasts the psychological journey ahead. A gifted young Lakota horse trainer, Brady had been an up-and-coming saddle bronc star until a horrible rodeo accident put him briefly in a coma, set him up with a metal plate, and incurred a doctor-ordered end to his riding days.
Watch Video: 'The Rider': How Brady Jandreau's Brush With Death Led Him to Hollywood (Exclusive)
At home he endures watching his dad (Tim Jandreau), with whom he often clashes, sell Brady’s beloved horse Gus to pay debts. Brady also gets loving support from his autistic sister Lilly (Lilly Jandreau) and his rodeo pals. But he’s consumed by uselessness. Brady wants nothing more than to get back to training and riding, because his sense of incompleteness outside his life with horses is starting to feel like the worse injury. It’s a stubbornness doomed to embolden him, but what is he otherwise?
If you noticed that the actors’ last names are the same, it’s because Zhao is essentially telling Brady Jandreau’s story, starring Brady himself. After making her debut feature (“Songs My Brothers Taught Me”) at Pine Ridge, where she had ingratiated herself with the various tribes, Zhao got to know the laconic, horse-whispering Lakota cowboy before his accident, and witnessed his struggles afterward.
When she started putting together a version of Jandreau’s story as a film, Zhao made the decision to have everyone in Brady’s world play themselves. That included fellow professional rider Lane Scott, a rising star confined to a wheelchair after his own terrible accident, and visited onscreen in rehab by Brady. Their touching scenes eschew schmaltz for the more heart-tugging sensation of a lived-in camaraderie readjusted by tragedy.
Also Read: Cannes: 'The Rider,' 'A Ciambra' Win Top Prizes in Directors' Fortnight
Directors have used non-professionals since movies began, but what Zhao gets out of her 21-year-old real-life cowboy star — by turns stoically lost, humbled, loving, and defiant — is nothing short of miraculous. Jandreau’s is a true, camera-ready performance, filled with nuance, and it speaks to Zhao’s actor-whispering skills that it burns so brightly at the center of her film. Other movies have utilized non-actors to portray versions of themselves – one immediately thinks of Oscar winners Harold Russell and Haing S. Ngor – but they were intended to be elements in a larger, homogenized creation.
“The Rider” is fully Jandreau’s; it’s impossible to imagine it having the same impact without his committed, enveloping presence. He’s as powerful as any macho western protagonist stripped to the core — the gunfighter disarmed or the pioneer made homeless. That he’s Native American, pale-skinned but proud, only deepens the reconfiguring of this country’s myths that’s another undercurrent in “The Rider.”
See Photos: 17 Highest-Grossing Movies Directed by Women, From 'Mamma Mia!' to 'Wonder Woman'
“The Rider” also may be one of the best movies ever made about people and horses as a transcendent relationship. The documentary-infused scenes of Jandreau training and connecting with horses — the wild and ornery, the broken and fearful — are mesmerizing in their fluidity and intimacy, dramatizing a kind of tough love born of tradition and respect. Jandreau’s adoration of these animals is not only pulsating: it allows the horses to be flesh-and-blood co-stars in Brady’s story, not just four-legged accessories.
It’s all gorgeously photographed, too, by Joshua James Richards (“God’s Own Country”), who understands fully the magnetic power of a silhouetted horizon shot, a haunting landscape, or a close-up in a truck. And more importantly, that they all need to be seamlessly strung-together verses in the same evocative frontier poem.
The densely authentic space between neo-realism and documentary where “The Rider” exists is one of the most beautiful and affecting realms I’ve had the pleasure of visiting recently as a moviegoer. Having seen it twice — the first time unaware of its hybrid approach, the second time fully cognizant that I was watching real people in a form of healing re-enactment — the spell, I realized, was the same: a lyrical sense that life is lived and re-lived, acted out but ever retraced, and that to reclaim ourselves after a fall is perhaps what being human is all about. We live in identity-convulsive times, and I can’t think of a movie more attuned to the question “Who am I?” than this one.
Spiritual and earthy, forged in curiosity yet fortified with empathy, “The Rider” is why we go to the cinema, and it affirms Chloe Zhao as one of the most gifted new movie artists of our time.
Read original story ‘The Rider’ Film Review: Lyrical Tale of Injured Rodeo Star Heralds a Major Talent At TheWrap...
- 4/12/2018
- by Robert Abele
- The Wrap
One might expect an interrogation of nostalgia in an American movie set among rodeo riders of South Dakota, but Chloé Zhao’s second film, The Rider, avoids grand questions about the status of American myths. Instead, Zhao grounds her setting of a dwindling cowboy culture in a humble and intimate story of a young injured rider, Brady (Brady Jandreau), during his pride-bruised recovery. Tying his identity to the cowboy ethos—not the thrill, the money, or the fame, but something deeper, if more vague—and with his mother dead, his father an old cowboy (Tim Jandreau) softened by drink and age, and a clique of comrades whose culture is to man up, Brady has few people he can tell of his worries. The lonesomeness of the Western hero becomes the simple shame of a young man not able to do what he thinks is expected of him, what he's built his satisfaction around.
- 4/12/2018
- MUBI
Here's a movie that's in no rush to work a path into your head and heart. It's the intent of Chinese-American filmmaker Chloé Zhao to carve a story out of the real lives of the people she puts on screen; her docu-fiction technique was what distinguished her striking 2015 feature debut Songs My Brothers Taught Me, set among the Lakota Sioux in South Dakota's Pine Ridge Indian Reservation. Zhao's follow-up is set in the same area, and again uses non-pro actors to achieve a realism Hollywood can only dream of achieving.
- 4/12/2018
- Rollingstone.com
For the second week in a row, a horse centric movie is hitting theaters. That being said, they couldn’t be more dissimilar. We already spoke about Lean on Pete just a few days ago, and now The Rider gets its turn. Opening on Friday, it’s a character study that’s been making the film festival rounds for the better part of a year, building up fans and buzz with each stop. In fact, last year’s Film Independent Spirit Awards saw fit to give it a quartet of nominations. That should give you an idea the type of appreciation the flick has found. Having seen it last year at the New York Film Festival, I can report that it’s well founded praise. In many ways, The Rider feels like a documentary. You could be mistaken for that, just going by the IMDb synopsis, which reads: “After suffering a near fatal head injury,...
- 4/10/2018
- by Joey Magidson
- Hollywoodnews.com
The Rider Sony Pictures Classics Director: Chloé Zhao Screenwriter: Chloé Zhao Cast: Brady Jandreau, Tim Jandreau, Lilly Jandreau, Lane Scott, Cat Clifford Screened at: Review, NYC, 1/11/18 Opens: April 13, 2018 The other day an article in Huffington Post quotes a rural politician from the Midwest, a Democrat who regularly gets elected in a Republican […]
The post The Rider Movie Review appeared first on Shockya.com.
The post The Rider Movie Review appeared first on Shockya.com.
- 4/9/2018
- by Harvey Karten
- ShockYa
Sneak Peek footage, plus images from the award-winning feature "The Rider", based on a true story, written and directed by Chloé Zhao, starring Brady Jandreau, Tim Jandreau and Lilly Jandreau:
"...after suffering a head injury, a young rodeo star cowboy undertakes a search for new identity and what it means to be a man in the heartland of America..."
Click the images to enlarge and Sneak Peek "The Rider"...
"...after suffering a head injury, a young rodeo star cowboy undertakes a search for new identity and what it means to be a man in the heartland of America..."
Click the images to enlarge and Sneak Peek "The Rider"...
- 2/17/2018
- by Michael Stevens
- SneakPeek
After impressing audiences at Cannes, Telluride, and Sundance and earning four Independent Spirit Award nominations, “The Rider” is finally making its way to theaters. Chloé Zhao’s drama was acquired by Sony Pictures Classics, which has just released the film’s first trailer. Watch it (courtesy of Vulture) below.
Here’s the synopsis: “After a tragic riding accident, young cowboy Brady (Brady Jandreau), once a rising star of the rodeo circuit, is warned that his competition days are over. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.”
Tim Jandreau, Lilly Jandreau, Cat Clifford, and...
Here’s the synopsis: “After a tragic riding accident, young cowboy Brady (Brady Jandreau), once a rising star of the rodeo circuit, is warned that his competition days are over. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.”
Tim Jandreau, Lilly Jandreau, Cat Clifford, and...
- 2/15/2018
- by Michael Nordine
- Indiewire
By Peter BelsitoOne of the best Sundance films for me.‘The Rider’ is a film about young Americans who participate in a dead end sport — bronco rodeo riding.
Brady (Brady Jandreau) is a rising rodeo star suffering from a traumatic head injury sustained in the ring. Almost killed, he now wears a steel slate inside his skull and it has deeply affected him and his ability to be active as he was.
Though he longs to climb back in the saddle, Brady finds himself torn between the macho allure of cowboy life and obligations to his widowed father and autistic sister (both played by Jandreau’s real-life family members).
During visits with Lane — a paraplegic ex-rodeo star — and amid struggles to train an ornery horse, Brady is forced to face a life outside of the ring.
The film slowly becomes less about action and the rodeo and more of a family film.
Brady (Brady Jandreau) is a rising rodeo star suffering from a traumatic head injury sustained in the ring. Almost killed, he now wears a steel slate inside his skull and it has deeply affected him and his ability to be active as he was.
Though he longs to climb back in the saddle, Brady finds himself torn between the macho allure of cowboy life and obligations to his widowed father and autistic sister (both played by Jandreau’s real-life family members).
During visits with Lane — a paraplegic ex-rodeo star — and amid struggles to train an ornery horse, Brady is forced to face a life outside of the ring.
The film slowly becomes less about action and the rodeo and more of a family film.
- 2/5/2018
- by Sydney Levine
- Sydney's Buzz
The following essay was produced as part of the 2017 Nyff Critics Academy, a workshop for aspiring film critics that took place during the 55th edition of the New York Film Festival.
The western is an iconic genre tied to the very genesis of cinema itself, but it doesn’t have the currency it held decades ago. That’s why it’s such a thrill to see Chloe Zhao’s “The Rider” and Valeski Grisebach’s “Western” — two highlights from this year’s New York Film Festival — reshape the genre from the ground up.
It’s only possible to appreciate that if you consider how far the genre has come. The western reigned Hollywood for decades—particularly from the ‘30s to the ‘60s. The genre’s appeal was that its unequivocal good vs. evil narrative could translate to any cultural zeitgeist. It wasn’t until Sergio Leone’s spaghetti westerns and...
The western is an iconic genre tied to the very genesis of cinema itself, but it doesn’t have the currency it held decades ago. That’s why it’s such a thrill to see Chloe Zhao’s “The Rider” and Valeski Grisebach’s “Western” — two highlights from this year’s New York Film Festival — reshape the genre from the ground up.
It’s only possible to appreciate that if you consider how far the genre has come. The western reigned Hollywood for decades—particularly from the ‘30s to the ‘60s. The genre’s appeal was that its unequivocal good vs. evil narrative could translate to any cultural zeitgeist. It wasn’t until Sergio Leone’s spaghetti westerns and...
- 10/12/2017
- by Caroline Madden
- Indiewire
Midway through The Rider, Lakota cowboy Brady Blackburn (Brady Jandreau) takes a job at a local grocery store. Forbidden by his doctors from ever riding again and with few prospects near his home on the Pine Ridge Indian Reservation, he’s humiliated to find himself wearing a name tag and waving a barcode scanner. Brady, the actor, later told Chloé Zhao that filming those scenes was one of the hardest things he’d ever done. Like the character he plays, Jandreau had recently survived a near-fatal skull fracture during a rodeo, and the painful prospect of giving up his cowboy life was still fresh. The Rider is the second feature film Zhao has made at Pine Ridge, following Songs My Brothers Taught Me in 2015. “I wanted to make a movie about the cowboys I met there,” she told me, “but I didn’t have a story until Brady’s accident.
- 10/8/2017
- MUBI
Dear Kelley and Fern,We are all on the same page for John Woo's Manhunt, no doubt—a film that casts my mind back with wry, chuckling nostalgia to first discovering the action maestro's days of glory. Such backward glances have been common to me this week. I must admit, it's been more than a bit hard to be present at Toronto—my heart, mind and soul still feels battered aghast from last week’s devastating, gaping conclusion of David Lynch and Mark Frost’s Twin Peaks: The Return. The 25 years that separate that series from the show’s second season are a gulf of time, a void of aging and loss that you feel in every shot—a span, the finale implies, that is ultimately impossible to surmount.This gap was very much in my mind watching Youth, a nostalgic re-envisioning of the Cultural Revolution in the...
- 9/10/2017
- MUBI
After picking up the Art Cinema Award at this year’s Cannes Director’s Fortnight — the highest honor the lauded sidebar bestows on its always-compelling selection — Chloé Zhao’s “The Rider” is setting off on a high-powered fall festival tour, including stops at both Tiff and Nyff. Based on our newest look at the moving and elegiac story, which draws on the real experiences of leading man Brady Jandreau, Zhao has a major contender on her hands.
The film, Zhao’s follow-up to her “Songs My Brothers Taught Me,” bowed at the festival back in May, but has continued to spin very positive buzz. Stops at Toronto and New York should only continue to bolster the gorgeous, personal film.
Read More:Sony Pictures Classics Picks Up Chloe Zhao’s ‘The Rider’ — Cannes
Per the film’s official synopsis, “Based on a true story, ‘The Rider’ stars breakout Brady Jandreau as...
The film, Zhao’s follow-up to her “Songs My Brothers Taught Me,” bowed at the festival back in May, but has continued to spin very positive buzz. Stops at Toronto and New York should only continue to bolster the gorgeous, personal film.
Read More:Sony Pictures Classics Picks Up Chloe Zhao’s ‘The Rider’ — Cannes
Per the film’s official synopsis, “Based on a true story, ‘The Rider’ stars breakout Brady Jandreau as...
- 9/5/2017
- by Kate Erbland
- Indiewire
Exclusive: Protagonist inks sales on Chloé Zhao’s Directors’ Fortnight winner.
Altitude Film Distribution has taken UK and Ireland rights for Chloé Zhao’s The Rider, which won the top prize in this year’s Cannes Directors’ Fortnight sidebar.
The deal was struck between Altitude’s Will Clarke and Vanessa Saal from sales outfit Protagonist Pictures.
The Rider was previously picked up for by Sony Pictures Classics for North America, Latin America, Asia, Australia, New Zealand and Eastern Europe.
Protagonist has now also sold to film to: Les Films du Losange (France), Weltkino (Germany), Caramel Films (Spain), Cherry Pickers (Benelux), Cineworx (Switzerland), NonStop (Scandinavia and Iceland), Shani Films (Israel), Front Row Entertainment (Middle East), Fabula Films (Turkey) and Blue Lake (worldwide airlines).
Separately, Protagonist has also scored a series of further deals on fellow Directors’ Fortnight title The Florida Project, which Altitude took for the UK during Cannes.
Following its warmly-received Directors’ Fortnight berth, The Rider was presented...
Altitude Film Distribution has taken UK and Ireland rights for Chloé Zhao’s The Rider, which won the top prize in this year’s Cannes Directors’ Fortnight sidebar.
The deal was struck between Altitude’s Will Clarke and Vanessa Saal from sales outfit Protagonist Pictures.
The Rider was previously picked up for by Sony Pictures Classics for North America, Latin America, Asia, Australia, New Zealand and Eastern Europe.
Protagonist has now also sold to film to: Les Films du Losange (France), Weltkino (Germany), Caramel Films (Spain), Cherry Pickers (Benelux), Cineworx (Switzerland), NonStop (Scandinavia and Iceland), Shani Films (Israel), Front Row Entertainment (Middle East), Fabula Films (Turkey) and Blue Lake (worldwide airlines).
Separately, Protagonist has also scored a series of further deals on fellow Directors’ Fortnight title The Florida Project, which Altitude took for the UK during Cannes.
Following its warmly-received Directors’ Fortnight berth, The Rider was presented...
- 6/7/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Chloe´ Zhao’s film premiered in Directors’ Fortnight.
Sony Pictures Classics have acquired North America, Latin America, Asia, Australia, New Zealand and Eastern Europe rights to The Rider at Cannes.
Written and directed by Chloé Zhao, the film premiered in Directors’ Fortnight at this year’s festival and stars Brady Jandreau.
Jandreau plays as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Tim Jandreau, Lilly Jandreau, Lane Scott and Cat Clifford also star.
Chloé Zhao said: “The films Sony Pictures Classics has distributed throughout the years have been of great inspiration to me. I’m very excited to find such a great home for The Rider.”
The Rider is produced by Zhao’s Highwayman Films, Bert Hamelinck and Sacha Ben Harroche of Caviar Films, and Mollye Asher. Caviar’s Michael Sagol and Jasper Thomlinson serve as executive producers.
The deal was...
Sony Pictures Classics have acquired North America, Latin America, Asia, Australia, New Zealand and Eastern Europe rights to The Rider at Cannes.
Written and directed by Chloé Zhao, the film premiered in Directors’ Fortnight at this year’s festival and stars Brady Jandreau.
Jandreau plays as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Tim Jandreau, Lilly Jandreau, Lane Scott and Cat Clifford also star.
Chloé Zhao said: “The films Sony Pictures Classics has distributed throughout the years have been of great inspiration to me. I’m very excited to find such a great home for The Rider.”
The Rider is produced by Zhao’s Highwayman Films, Bert Hamelinck and Sacha Ben Harroche of Caviar Films, and Mollye Asher. Caviar’s Michael Sagol and Jasper Thomlinson serve as executive producers.
The deal was...
- 5/24/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Sony Pictures Classics has announced that they have acquired all rights in North America, Latin America, Asia, Australia, New Zealand and Eastern Europe to Chloé Zhao’s “The Rider” at the 2017 Cannes Film Festival.
The film premiered at the Cannes Film Festival Directors’ Fortnight section to stellar reviews on Saturday. It’s the second project from writer-director Chloe Zhao, who previously made the 2015 Sundance drama “Songs My Brother Taught Me.” That film also screened at Directors’ Fortnight.
“The Rider” is a drama about a young cowboy who suffers a near fatal head injury and embarks on a search for a new identity.
Read More: Cannes 2017: 9 Hot Acquisition Titles That Will Have Buyers Chasing Foreign Films
Per the film’s official synopsis, “Based on his a true story, ‘The Rider’ stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident.
The film premiered at the Cannes Film Festival Directors’ Fortnight section to stellar reviews on Saturday. It’s the second project from writer-director Chloe Zhao, who previously made the 2015 Sundance drama “Songs My Brother Taught Me.” That film also screened at Directors’ Fortnight.
“The Rider” is a drama about a young cowboy who suffers a near fatal head injury and embarks on a search for a new identity.
Read More: Cannes 2017: 9 Hot Acquisition Titles That Will Have Buyers Chasing Foreign Films
Per the film’s official synopsis, “Based on his a true story, ‘The Rider’ stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident.
- 5/23/2017
- by Kate Erbland
- Indiewire
What does a cowboy do when he can’t ride? Chloe Zhao’s absorbing South Dakota-set sophomore feature has its titular rider come to terms with such a fate, in a film that’s a beguiling mix of docudrama and fiction whose story echoes much of history of its actors’ own lives. Zhao’s combination of the visual palette of Terrence Malick, the social backbone of Kelly Reichardt, and the spontaneity of John Cassavetes creates cinema verité in the American plains.
A Lakota Sioux on the prairies of the Pine Ridge Indian Reservation, Brady (Brady Jandreau) is a hard-as-nails cowboy whose dreams of becoming a rodeo champ are dashed by a brutal head injury. The first scene has Brady in a down-and-dirty bathroom removing staples from his forehead, under which a metal plate keeps his fractured skull in place. Still recovering, he’s forbidden from getting back on horseback, but...
A Lakota Sioux on the prairies of the Pine Ridge Indian Reservation, Brady (Brady Jandreau) is a hard-as-nails cowboy whose dreams of becoming a rodeo champ are dashed by a brutal head injury. The first scene has Brady in a down-and-dirty bathroom removing staples from his forehead, under which a metal plate keeps his fractured skull in place. Still recovering, he’s forbidden from getting back on horseback, but...
- 5/22/2017
- by Ed Frankl
- The Film Stage
IFC Films is near a deal to acquire Cannes Directors’ Fortnight title “The Rider,” written and directed by Chloé Zhao, TheWrap has exclusively learned. ‘The Rider” is Zhao’s second feature and second film selected for Directors’ Fortnight. Based on the true story of Brady Jandreau, the film stars Jandreau along with Tim Jandreau, Lilly Jandreau, Lane Scott and Cat Clifford and tells the story of a young rodeo hotshot grappling with the aftermath of an accident that leaves him unable to ride. Read More See Chloe Zhao's latest Power Move. PowerRank: 16455 ...
- 5/22/2017
- by Umberto Gonzalez
- The Wrap
Us-set title gets sales deal before Directors’ Fortnight premiere.
London-based sales outfit Protagonist Pictures has boarded Chloé Zhao’s The Rider ahead of the film’s debut in Cannes Directors’ Fortnight next month.
Written and directed by Zhao, whose first feature Songs My Brothers Taught Me played in Directors’ Fortnight in 2015, the Us-set film follows a young cowboy who, once a rodeo star, suffers a tragic riding accident.
Non-professional actors Brady Jandreau, Tim Jandreau, Lilly Jandreau and Lane Scott star alongside Cat Clifford, who appeared in Songs My Brothers Taught Me.
Director Zhao met Brady, who is a professional cowboy, while working on her first feature, eventually writing the new film’s script based on his story.
The Rider
The film was produced by Zhao’s company Highwayman Films, with Bert Hamelinck and Sacha Ben Harroche of Caviar Films, and Mollye Asher. Caviar’s Michael Sagol and Jasper Thomlinson serve as executive producers.
Protagonist will launch...
London-based sales outfit Protagonist Pictures has boarded Chloé Zhao’s The Rider ahead of the film’s debut in Cannes Directors’ Fortnight next month.
Written and directed by Zhao, whose first feature Songs My Brothers Taught Me played in Directors’ Fortnight in 2015, the Us-set film follows a young cowboy who, once a rodeo star, suffers a tragic riding accident.
Non-professional actors Brady Jandreau, Tim Jandreau, Lilly Jandreau and Lane Scott star alongside Cat Clifford, who appeared in Songs My Brothers Taught Me.
Director Zhao met Brady, who is a professional cowboy, while working on her first feature, eventually writing the new film’s script based on his story.
The Rider
The film was produced by Zhao’s company Highwayman Films, with Bert Hamelinck and Sacha Ben Harroche of Caviar Films, and Mollye Asher. Caviar’s Michael Sagol and Jasper Thomlinson serve as executive producers.
Protagonist will launch...
- 4/26/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
UK-based outfit Protagonist Pictures has boarded worldwide sales for upcoming Cannes Directors' Fortnight title The Rider, written and directed by Chloe Zhao. It's Zhao's second feature and second film selected for Directors' Fortnight. The film stars Brady Jandreau along with Tim Jandreau, Lilly Jandreau, Lane Scott and Cat Clifford and story follows a young cowboy (Brady), once a rising star of the rodeo circuit, who is warned that his competition days are over after a…...
- 4/26/2017
- Deadline
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