From quirky comedies to poignant dramas, Bill Murray has solidified his place as a cinematic icon over the decades. Blending unparalleled charisma with distinctive versatility, Murray has graced the big screen in roles that have both warmed our hearts and tickled our funny bones. Drawing from IMDb scores, audience popularity, and critical acclaim, we present the definitive list of the best Bill Murray movies of all time.
Whether you’re a die-hard Murray fan or looking to dive into some of his most treasured performances, this list promises a delightful journey through his illustrious career. From the spook-chasing antics in ‘Ghostbusters’ to the poetic solitude of ‘Lost in Translation,’ get ready to relive the magic of Bill Murray‘s silver screen legacy.
10 ‘The Royal Tenenbaums’ (2001)
IMDb: 7.6/10 306K | Popularity: 1810 | Metascore: 76
Duration: 1h 50m | Genres: Comedy, Drama
Director: Wes Anderson
Cast: Gene Hackman, Gwyneth Paltrow, Anjelica Huston
Wes Anderson’s ensemble masterpiece,...
Whether you’re a die-hard Murray fan or looking to dive into some of his most treasured performances, this list promises a delightful journey through his illustrious career. From the spook-chasing antics in ‘Ghostbusters’ to the poetic solitude of ‘Lost in Translation,’ get ready to relive the magic of Bill Murray‘s silver screen legacy.
10 ‘The Royal Tenenbaums’ (2001)
IMDb: 7.6/10 306K | Popularity: 1810 | Metascore: 76
Duration: 1h 50m | Genres: Comedy, Drama
Director: Wes Anderson
Cast: Gene Hackman, Gwyneth Paltrow, Anjelica Huston
Wes Anderson’s ensemble masterpiece,...
- 9/5/2023
- by Buddy TV
- buddytv.com
Tl;Dr:
Paul McCartney loves a line in The Beatles’ “I’m So Tired” that’s about Sir Walter Raleigh. He believes the song was completely the work of John Lennon. The tune appeared on The White Album, which was a massive commercial success. Paul McCartney and John Lennon | Cummings Archives / Contributor
Paul McCartney said one line from The Beatles’ “I’m So Tired” has a classic John Lennon line. Notably, the song in question references an important and controversial English historical figure. In addition, Paul compared “I’m So Tired” to another Beatles song on the same topic.
Paul McCartney loves a line from The Beatles’ ‘I’m So Tired’ that’s about a ‘stupid git’
In the 1997 book Paul McCartney: Many Years From Now, Paul discussed the origin of the song “I’m So Tired.” “‘So Tired’ is very much John’s comment to the world, and it has that very special line,...
Paul McCartney loves a line in The Beatles’ “I’m So Tired” that’s about Sir Walter Raleigh. He believes the song was completely the work of John Lennon. The tune appeared on The White Album, which was a massive commercial success. Paul McCartney and John Lennon | Cummings Archives / Contributor
Paul McCartney said one line from The Beatles’ “I’m So Tired” has a classic John Lennon line. Notably, the song in question references an important and controversial English historical figure. In addition, Paul compared “I’m So Tired” to another Beatles song on the same topic.
Paul McCartney loves a line from The Beatles’ ‘I’m So Tired’ that’s about a ‘stupid git’
In the 1997 book Paul McCartney: Many Years From Now, Paul discussed the origin of the song “I’m So Tired.” “‘So Tired’ is very much John’s comment to the world, and it has that very special line,...
- 5/1/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
(Welcome to Best Action Scene Ever, a column dedicated to breaking down the best, most effective action sequences throughout the genre. In this edition, Guillermo del Toro stages an epic Jaeger-on-Kaiju brawl in the under-appreciated "Pacific Rim.")
Certain established filmmakers have managed to carve out their own niche in the industry, playing in a very specific sandbox that best showcases their talent and interests. Christopher Nolan is typically going to err on the side of big-budget, crowd-pleasing entertainment with a cerebral twist. Wes Anderson is never going to let the "quirky" allegations of his critics stop him from delivering immaculately-composed movies unfolding with an almost childlike sense of wonder. And then there's Guillermo del Toro, the monster-loving Mexican filmmaker who is never afraid to branch out from one genre (or even an entire medium) to the next if that's what best suits the story.
In 2013, the director unleashed perhaps his...
Certain established filmmakers have managed to carve out their own niche in the industry, playing in a very specific sandbox that best showcases their talent and interests. Christopher Nolan is typically going to err on the side of big-budget, crowd-pleasing entertainment with a cerebral twist. Wes Anderson is never going to let the "quirky" allegations of his critics stop him from delivering immaculately-composed movies unfolding with an almost childlike sense of wonder. And then there's Guillermo del Toro, the monster-loving Mexican filmmaker who is never afraid to branch out from one genre (or even an entire medium) to the next if that's what best suits the story.
In 2013, the director unleashed perhaps his...
- 3/6/2023
- by Jeremy Mathai
- Slash Film
Grey House, Levi Holloway’s bumps-in-the-night stage thriller, will make its New York debut on Broadway this spring with a cast that features Laurie Metcalf, Tatiana Maslany, Paul Sparks, Sophia Anne Caruso, and Millicent Simmonds. Joe Mantello will direct.
With an opening date – Tuesday, May 30 – falling after the close of the current Broadway season, Grey House will be the first Broadway production of the 2023-2024 season. Previews begin at the Lyceum Theatre on Saturday, April 29.
Announcing itself with a teaser trailer that feels less Broadway than horror film (watch it above), Grey House, described by critics following a Chicago staging as “terrifying,” follows a couple who crash their car in the mountains and seek shelter in an isolated cabin. The synopsis continues: “Its inhabitants, though somewhat unusual, are eager to make their guests feel right at home. But as the blizzard outside rages on and one night turns into several,...
With an opening date – Tuesday, May 30 – falling after the close of the current Broadway season, Grey House will be the first Broadway production of the 2023-2024 season. Previews begin at the Lyceum Theatre on Saturday, April 29.
Announcing itself with a teaser trailer that feels less Broadway than horror film (watch it above), Grey House, described by critics following a Chicago staging as “terrifying,” follows a couple who crash their car in the mountains and seek shelter in an isolated cabin. The synopsis continues: “Its inhabitants, though somewhat unusual, are eager to make their guests feel right at home. But as the blizzard outside rages on and one night turns into several,...
- 2/21/2023
- by Greg Evans
- Deadline Film + TV
Composer Burt Bacharach has died, aged 94.
The legendary musician was known for his orchestral pop style featured in hits including “I Say a Little Prayer”.
His publicist said the musician died on Wednesday (8 February) at his home in Los Angeles.
Bacharach died of natural causes.
The pianist was a six-time Grammy Award winner, and won three Oscars for his music in films Arthur and Butch Cassidy and the Sundance Kid.
His other famous soundtracks include Michael Caine film Alfie and What’s New Pussycat.
Bacharach was a prolific composer who, alongside lyricist Hal David, wrote music artists ranging from Dionne Warwick and Dusty Springfield to Cilla Black and Tom Jones.
Their music was also perfromed by The Beatles, Elvis Presley and The Carpenters.
Some of Bacharach’s most recognisable songs include “Raindrops Keep Fallin’ on My Head“ (1969), “(They Long to Be) Close to You” (1970) and “That’s What Friends Are For...
The legendary musician was known for his orchestral pop style featured in hits including “I Say a Little Prayer”.
His publicist said the musician died on Wednesday (8 February) at his home in Los Angeles.
Bacharach died of natural causes.
The pianist was a six-time Grammy Award winner, and won three Oscars for his music in films Arthur and Butch Cassidy and the Sundance Kid.
His other famous soundtracks include Michael Caine film Alfie and What’s New Pussycat.
Bacharach was a prolific composer who, alongside lyricist Hal David, wrote music artists ranging from Dionne Warwick and Dusty Springfield to Cilla Black and Tom Jones.
Their music was also perfromed by The Beatles, Elvis Presley and The Carpenters.
Some of Bacharach’s most recognisable songs include “Raindrops Keep Fallin’ on My Head“ (1969), “(They Long to Be) Close to You” (1970) and “That’s What Friends Are For...
- 2/9/2023
- by Jacob Stolworthy
- The Independent - Music
Although Universal had struck on big hits with "The Hunchback of Notre Dame" in 1923 and "The Phantom of the Opera" in 1925, studio honcho Carl Laemmle, Sr. was no fan of the horror genre. It was his monster-obsessed son, Carl Laemmle, Jr., that encouraged the studio to adapt the then-popular stage production of "Dracula" to film. The movie, released in 1931 and directed by Tod Browning, was stagey and nightmarish, and it deeply burned itself into the collective unconscious. Bela Lugosi, as Dracula, taught the world how vampires behave.
"Dracula" was one of Universal's biggest hits, and Carl Jr. knew that multiple more monster projects could be instantly pushed into the pipeline. The 1930s saw the release of "Frankenstein," "Dracula's Daughter," "The Invisible Man," "Bride of Frankenstein," "The Black Cat," "The Invisible Ray," "Werewolf of London," "The Raven," and scads of others. Horror became the studio's niche.
The wave of popular horror films at Universal,...
"Dracula" was one of Universal's biggest hits, and Carl Jr. knew that multiple more monster projects could be instantly pushed into the pipeline. The 1930s saw the release of "Frankenstein," "Dracula's Daughter," "The Invisible Man," "Bride of Frankenstein," "The Black Cat," "The Invisible Ray," "Werewolf of London," "The Raven," and scads of others. Horror became the studio's niche.
The wave of popular horror films at Universal,...
- 11/11/2022
- by Witney Seibold
- Slash Film
A show about a down-on-his-luck college dropout and his rapper cousin navigating the music industry as the latter’s star rises; created by a multi-hyphenate who, at one point, was a full-time rapper himself; set in what many might argue was the rap capital of the United States for most of the past decade…
You’d think Donald Glover’s FX series “Atlanta” would be a cakewalk for song placements — license a few Migos, Young Thug and Gucci Mane tracks and call it a day — but music supervisors Jen Malone and Fam Udeorji are anything but paint-by-numbers.
While musically, the series pays ample homage to its titular hometown, the pair has worked closely with Glover and the rest of the show’s writers room throughout its four-season run — coming to an end in November — to establish a musical palette that simultaneously reflects Atlanta while also expanding far beyond the city limits.
You’d think Donald Glover’s FX series “Atlanta” would be a cakewalk for song placements — license a few Migos, Young Thug and Gucci Mane tracks and call it a day — but music supervisors Jen Malone and Fam Udeorji are anything but paint-by-numbers.
While musically, the series pays ample homage to its titular hometown, the pair has worked closely with Glover and the rest of the show’s writers room throughout its four-season run — coming to an end in November — to establish a musical palette that simultaneously reflects Atlanta while also expanding far beyond the city limits.
- 10/13/2022
- by EJ Panaligan
- Variety Film + TV
[Editor’s Note: The following review contains spoilers for “Atlanta” Season 4, Episode 4, “Light Skinned-ed.”]
In Season 4, “Atlanta” isn’t just moving back to its titular hometown; it’s staging a comedic comeback.
Before getting to the sublime silliness in Episode 4, just look at what we’ve seen so far: The premiere opens with Darius (Lakeith Stanfield) delivering an exquisite, well-deserved dig on Marshall’s, before spending the rest of the episode being stalked by a (racist) woman steering a slow-rolling scooter. Alfred (Brian Tyree Henry) goes on a scavenger hunt run by a dead man. Tracy (Khris Davis) makes his triumphant return as a bossy receptionist (in what turns out to be a pretty impressive secret performance). Earn (Donald Glover) has to walk out of a meeting after a co-worker utters the gloriously oblivious phrase, “I just finished that book. It gave me a real paradigm shift on how things might not always be as they seem.” Even Van...
In Season 4, “Atlanta” isn’t just moving back to its titular hometown; it’s staging a comedic comeback.
Before getting to the sublime silliness in Episode 4, just look at what we’ve seen so far: The premiere opens with Darius (Lakeith Stanfield) delivering an exquisite, well-deserved dig on Marshall’s, before spending the rest of the episode being stalked by a (racist) woman steering a slow-rolling scooter. Alfred (Brian Tyree Henry) goes on a scavenger hunt run by a dead man. Tracy (Khris Davis) makes his triumphant return as a bossy receptionist (in what turns out to be a pretty impressive secret performance). Earn (Donald Glover) has to walk out of a meeting after a co-worker utters the gloriously oblivious phrase, “I just finished that book. It gave me a real paradigm shift on how things might not always be as they seem.” Even Van...
- 9/30/2022
- by Ben Travers
- Indiewire
When they started working on “Impeachment: American Crime Story,” makeup department head Robin Beauchesne and prosthetics designer Justin Raleigh both found themselves having to look up a lot of information. “A lot of research goes into it, watching a lot of documentaries, talking within the department and figuring out all the different ways that we can do it and also talking to the actors and seeing how they feel and how far they want to go,” Beauchesne tells Gold Derby during our recent webchat (watch the exclusive video interview above).
Raleigh emphasized that they also needed to be mindful of how long it would take to get in and out of the makeup, especially for someone like Sarah Paulson. “She was in that makeup well over a hundred times, so we had to make sure that this was a very efficient process from prosthetics to hair to Robin. It was...
Raleigh emphasized that they also needed to be mindful of how long it would take to get in and out of the makeup, especially for someone like Sarah Paulson. “She was in that makeup well over a hundred times, so we had to make sure that this was a very efficient process from prosthetics to hair to Robin. It was...
- 8/12/2022
- by Charles Bright
- Gold Derby
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