The Tony Awards Administration Committee met for the first time during the 2023-2024 Broadway season on November 30, to discuss eligibility of 10 productions for the 77th Annual Tony Awards in 2024.
The productions discussed were: “Grey House,” “Once Upon a One More Time,” “Here Lies Love,” “The Cottage,” “Back to the Future: The Musical,” “The Shark is Broken,” “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch,” “Jaja’s African Hair Braiding,” “Merrily We Roll Along” and “Gutenberg! The Musical!”
See‘Here We Are’ reviews: Stephen Sondheim’s final musical is ‘enchanting,’ ‘compelling’ with ‘exceptional’ cast
The following determinations were made:
Briga Heelan and Justin Guarini will be considered eligible in the Lead Actress/Actor in a Musical categories for their respective performances in “Once Upon a One More Time.”
Anna Fleischle (scenic design) and Sven Ortel (projection design) will be considered jointly eligible in the Best Scenic Design of a Musical...
The productions discussed were: “Grey House,” “Once Upon a One More Time,” “Here Lies Love,” “The Cottage,” “Back to the Future: The Musical,” “The Shark is Broken,” “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch,” “Jaja’s African Hair Braiding,” “Merrily We Roll Along” and “Gutenberg! The Musical!”
See‘Here We Are’ reviews: Stephen Sondheim’s final musical is ‘enchanting,’ ‘compelling’ with ‘exceptional’ cast
The following determinations were made:
Briga Heelan and Justin Guarini will be considered eligible in the Lead Actress/Actor in a Musical categories for their respective performances in “Once Upon a One More Time.”
Anna Fleischle (scenic design) and Sven Ortel (projection design) will be considered jointly eligible in the Best Scenic Design of a Musical...
- 12/1/2023
- by Sam Eckmann
- Gold Derby
Daniel Radcliffe won’t be competing against his Merrily We Roll Along Broadway co-star Jonathan Groff for a Tony Award next June, and the reason has nothing to do with performance quality: The awards administration committee ruled today that Radcliffe will be eligible in the featured performer category, apparently leaving the lead category to Groff.
Lindsay Mendez, who plays Mary Flynn, the musical’s most prominent female character, will, like Radcliffe, who plays Charley Kringas, be eligible in the featured slot (the Tony’s equivalent to Oscar’s “supporting” categories).
While Groff’s character of Franklin Shepard has traditionally been considered the main character of the Stephen Sondheim-George Furth musical, this year’s hit Maria Friedman-directed revival included the three stars’ names above the title, leaving some wiggle room with regard to the category decisions.
Indeed, audience members might be hard-pressed to decide which actor goes where: While...
Lindsay Mendez, who plays Mary Flynn, the musical’s most prominent female character, will, like Radcliffe, who plays Charley Kringas, be eligible in the featured slot (the Tony’s equivalent to Oscar’s “supporting” categories).
While Groff’s character of Franklin Shepard has traditionally been considered the main character of the Stephen Sondheim-George Furth musical, this year’s hit Maria Friedman-directed revival included the three stars’ names above the title, leaving some wiggle room with regard to the category decisions.
Indeed, audience members might be hard-pressed to decide which actor goes where: While...
- 11/30/2023
- by Greg Evans
- Deadline Film + TV
Exclusive: The Broadway-bound Ali musical, based on the life of three-time world heavyweight boxing champion Muhammad Ali, will have its world premiere in the late sports superstar’s birthplace in Louisville, Kentucky in Fall 2024, Deadline can reveal.
Richard Willis, the show’s lead producer, told me that Ali will float “like a butterfly” into the Kentucky Center for the Performing Arts for a three- or four-week run. An opening date hasn’t been set yet but it’s likely to be in October or early November next year.
Deadline broke the news about the musical in September last year.
Willis was speaking to Deadline in London where he was reuniting with Ali director and book writer Clint Dyer, who serves as deputy artistic director of London’s National Theatre, and composer Teddy Abrams, the music director and conductor of the Louisville Orchestra.
Teddy Abrams,Clint...
Richard Willis, the show’s lead producer, told me that Ali will float “like a butterfly” into the Kentucky Center for the Performing Arts for a three- or four-week run. An opening date hasn’t been set yet but it’s likely to be in October or early November next year.
Deadline broke the news about the musical in September last year.
Willis was speaking to Deadline in London where he was reuniting with Ali director and book writer Clint Dyer, who serves as deputy artistic director of London’s National Theatre, and composer Teddy Abrams, the music director and conductor of the Louisville Orchestra.
Teddy Abrams,Clint...
- 4/18/2023
- by Baz Bamigboye
- Deadline Film + TV
Click here to read the full article.
Britney Spears’ biggest hits are getting a fairy-tale makeover with the arrival of Once Upon a One More Time on Broadway.
Produced by Tony winners James L. Nederlander and Hunter Arnold, the musical comedy will open at the Marquis Theatre on June 23 following previews, which begin May 13. Directed and choreographed by Keone and Mari Madrid (Beyond Babel, Karate Kid), the show combines classic storybook characters — think Cinderella, Snow White, Little Mermaid and more — with hits from Spears’ extensive, award-winning music catalog.
The show is billed as being inspired by music performed and recorded by Spears, who is otherwise not known to be involved. According to a rep for the production, all of the musical compositions in the show are licensed through their publishers with the approval of the songwriters. The Hollywood Reporter has reached out to a lawyer for Spears for comment.
Described as a revisionist fairy tale,...
Britney Spears’ biggest hits are getting a fairy-tale makeover with the arrival of Once Upon a One More Time on Broadway.
Produced by Tony winners James L. Nederlander and Hunter Arnold, the musical comedy will open at the Marquis Theatre on June 23 following previews, which begin May 13. Directed and choreographed by Keone and Mari Madrid (Beyond Babel, Karate Kid), the show combines classic storybook characters — think Cinderella, Snow White, Little Mermaid and more — with hits from Spears’ extensive, award-winning music catalog.
The show is billed as being inspired by music performed and recorded by Spears, who is otherwise not known to be involved. According to a rep for the production, all of the musical compositions in the show are licensed through their publishers with the approval of the songwriters. The Hollywood Reporter has reached out to a lawyer for Spears for comment.
Described as a revisionist fairy tale,...
- 12/2/2022
- by Abbey White
- The Hollywood Reporter - Movie News
The new Britney Spears jukebox musical Once Upon A One More Time has finalized its Broadway plans: The production will begin previews Saturday, May 13, 2023, at the Marquis Theatre, with an opening night set for Thursday, June 22, 2023.
Featuring such Spears hits as “Oops I Did It Again,” “Lucky,” “Circus,” and “Toxic” the new musical is directed and choreographed by Keone & Mari Madrid, with an original story by Jon Hartmere that imagines what would happen to classic fairytale icons like Cinderella, Snow White, the Little Mermaid and others if a rogue fairy godmother dropped The Feminine Mystique into their corseted laps.
The production dates and venue were announced today by producers James L. Nederlander and Hunter Arnold. Casting was not announced.
The musical had its well-reviewed world premiere last year at Shakespeare Theatre Company in Washington, D.C.
The Broadway production’s creative team includes David Leveaux as Creative Consultant, Scenic Designer Anna Fleischle,...
Featuring such Spears hits as “Oops I Did It Again,” “Lucky,” “Circus,” and “Toxic” the new musical is directed and choreographed by Keone & Mari Madrid, with an original story by Jon Hartmere that imagines what would happen to classic fairytale icons like Cinderella, Snow White, the Little Mermaid and others if a rogue fairy godmother dropped The Feminine Mystique into their corseted laps.
The production dates and venue were announced today by producers James L. Nederlander and Hunter Arnold. Casting was not announced.
The musical had its well-reviewed world premiere last year at Shakespeare Theatre Company in Washington, D.C.
The Broadway production’s creative team includes David Leveaux as Creative Consultant, Scenic Designer Anna Fleischle,...
- 12/2/2022
- by Greg Evans
- Deadline Film + TV
Attention must be paid to the latest revival of Arthur Miller’s classic American family drama “Death of a Salesman,” which opened on Broadway at the Hudson Theatre on Oct. 9. Wendell Pierce takes on the formidable role of the salesman Willy Loman, and last-year’s Tony nominee Sharon D Clarke joins him as Willy’s wife Linda. Unlike any prior production of the show on Broadway, this Loman family is portrayed by Black actors.
Director Miranda Cromwell helms this “Salesman,” which originated in the UK. That production was co-directed by Marianne Elliott — who just won a Tony this year for her revival of “Company” — and earned five Olivier Award nominations in 2020, winning for director and actress for Clarke. Stateside, the Loman family is rounded out by André De Shields as Willy’s brother Ben, and Khris Davis and McKinley Belcher III as Willy’s sons Biff and Happy.
See ‘Leopoldstadt...
Director Miranda Cromwell helms this “Salesman,” which originated in the UK. That production was co-directed by Marianne Elliott — who just won a Tony this year for her revival of “Company” — and earned five Olivier Award nominations in 2020, winning for director and actress for Clarke. Stateside, the Loman family is rounded out by André De Shields as Willy’s brother Ben, and Khris Davis and McKinley Belcher III as Willy’s sons Biff and Happy.
See ‘Leopoldstadt...
- 10/25/2022
- by David Buchanan
- Gold Derby
Click here to read the full article.
Spooky season will soon be in session at L.A.’s Center Theatre Group.
The nonprofit theater company has set Constance Wu, Finn Wittrock, Anna Camp and Adam Rothenberg to star in 2:22 — A Ghost Story, a four-person play described as an “intriguing, funny and scary supernatural thriller.” Previews at Ctg’s Ahmanson Theatre begin Oct. 29 with an official opening set for Nov. 4. The play will then run through Dec. 4.
Written by Danny Robins and directed by Matthew Dunster, A Ghost Story follows Jenny (Wu) who believes her new home is haunted while her husband Sam (Wittrock) isn’t having any of it. They argue with their first dinner guests, an old friend Lauren (Camp) and her new partner Ben (Rothenberg), and after a conversation about beliefs and skepticism, the foursome make a pact to stay up until 2:22 a.m. to know for sure.
Spooky season will soon be in session at L.A.’s Center Theatre Group.
The nonprofit theater company has set Constance Wu, Finn Wittrock, Anna Camp and Adam Rothenberg to star in 2:22 — A Ghost Story, a four-person play described as an “intriguing, funny and scary supernatural thriller.” Previews at Ctg’s Ahmanson Theatre begin Oct. 29 with an official opening set for Nov. 4. The play will then run through Dec. 4.
Written by Danny Robins and directed by Matthew Dunster, A Ghost Story follows Jenny (Wu) who believes her new home is haunted while her husband Sam (Wittrock) isn’t having any of it. They argue with their first dinner guests, an old friend Lauren (Camp) and her new partner Ben (Rothenberg), and after a conversation about beliefs and skepticism, the foursome make a pact to stay up until 2:22 a.m. to know for sure.
- 10/3/2022
- by Chris Gardner
- The Hollywood Reporter - Movie News
Exclusive Ozark actor McKinley Belcher III will join the cast of Broadway’s upcoming Death of a Salesman revival starring Wendell Pierce and Sharon D Clarke this fall, producers announced today.
Belcher will play Happy Loman, son of Willy (Pierce) and Linda (Clarke) Loman. The revival begins previews September 19 at the Hudson Theatre for a strictly limited 17-week engagement. Belcher joins other previously announced cast members Khris Davis as Biff and André De Shields as Willy’s brother Ben.
The production reimagines, for the first time on Broadway, Arthur Miller’s classic play from the perspective of an African American family, living and working in a White, Capitalist world.
Produced by Cindy Tolan, Elliott & Harper Productions and Kwame Kwei-Armah, Death of a Salesman is directed by Miranda Cromwell, who co-directed the London production alongside Marianne Elliott.
“I couldn’t be more thrilled to step into the continuum to tell the...
Belcher will play Happy Loman, son of Willy (Pierce) and Linda (Clarke) Loman. The revival begins previews September 19 at the Hudson Theatre for a strictly limited 17-week engagement. Belcher joins other previously announced cast members Khris Davis as Biff and André De Shields as Willy’s brother Ben.
The production reimagines, for the first time on Broadway, Arthur Miller’s classic play from the perspective of an African American family, living and working in a White, Capitalist world.
Produced by Cindy Tolan, Elliott & Harper Productions and Kwame Kwei-Armah, Death of a Salesman is directed by Miranda Cromwell, who co-directed the London production alongside Marianne Elliott.
“I couldn’t be more thrilled to step into the continuum to tell the...
- 6/27/2022
- by Greg Evans
- Deadline Film + TV
In one of this Broadway season’s most startling on-stage moments, Martin McDonagh’s Hangmen takes a swift and no-turning back move, a Psycho-like turn shortly after the start of the play that re-directs everything. A character we might have initially believed to be the center of the story is done away with, dispatched by one the executioners who give Hangmen its title. Only slightly less startling: That doomed character will, in fact, be the story’s center, both by his subsequent absence and by the questions left hanging with him: Was he guilty of the murder that brought him to the gallows? And does murder ever justify murder?
It’s a classic McDonagh moment – startling, visceral, deeply unsettling and against all odds, a bit funny: No sooner is the poor man sent to his doom than the executioner, one Harry Wade, uses the occasion for a moment of professional pride.
It’s a classic McDonagh moment – startling, visceral, deeply unsettling and against all odds, a bit funny: No sooner is the poor man sent to his doom than the executioner, one Harry Wade, uses the occasion for a moment of professional pride.
- 5/31/2022
- by Greg Evans
- Deadline Film + TV
Two years after its premature pandemic closure, Martin McDonagh’s play “Hangmen” has slipped the proverbial noose and returned to Broadway in a plot twist you might think McDonagh wrote himself. The unexpected resurrection of this dark comedy about the cessation of the death penalty in England in 1965 stars a slightly different cast than it did back in March 2020: David Threlfall has stepped into the shoes of the hangman played by Mark Addy, while Alfie Allen takes over the menacing character Mooney that Dan Stevens once embodied.
These two characters come to loggerheads when they meet in the bar that Threlfall’s Harry runs in his early retirement, while a subsequent kidnapping plot propels both characters to make fateful decisions. Matthew Dunster directs the thriller, which also features original Broadway cast members Tracie Bennett, Gaby French, and many others. “Hangmen” opened at the Golden Theatre on April 21.
Watch Martin...
These two characters come to loggerheads when they meet in the bar that Threlfall’s Harry runs in his early retirement, while a subsequent kidnapping plot propels both characters to make fateful decisions. Matthew Dunster directs the thriller, which also features original Broadway cast members Tracie Bennett, Gaby French, and many others. “Hangmen” opened at the Golden Theatre on April 21.
Watch Martin...
- 4/27/2022
- by David Buchanan
- Gold Derby
Sneaky, menacing and funny are descriptions that come up more than once in Martin McDonagh’s Hangmen, but not one of the three words quite does justice to this irresistibly pitch-black comedy, opening tonight at the Golden Theatre on Broadway.
Then again, justice has very little to do with what goes on in this deliciously wicked tale of bloodstained propriety and revenge, state-sanctioned or otherwise. Set mostly in a Lancashire pub in the mid-1960s during the last days of England’s legal capital punishment, the Olivier Award-winning Hangmen resurrects not only an era of U.K. history but the playwright’s early fascination with very dark impulses.
And no one does dark impulses with as much comedic flare – yes, it’s sneaky, menacing and funny – as McDonagh at full tilt.
Directed with deadly assurance by Matthew Dunster,...
Then again, justice has very little to do with what goes on in this deliciously wicked tale of bloodstained propriety and revenge, state-sanctioned or otherwise. Set mostly in a Lancashire pub in the mid-1960s during the last days of England’s legal capital punishment, the Olivier Award-winning Hangmen resurrects not only an era of U.K. history but the playwright’s early fascination with very dark impulses.
And no one does dark impulses with as much comedic flare – yes, it’s sneaky, menacing and funny – as McDonagh at full tilt.
Directed with deadly assurance by Matthew Dunster,...
- 4/22/2022
- by Greg Evans
- Deadline Film + TV
Downton Abbey‘s Dan Stevens and Game of Thrones‘ Mark Addy will head up the Broadway production of Martin McDonagh’s dark comedy Hangmen, arriving at the Golden Theatre Friday, Feb. 28, for a limited 20-week engagement and an opening night of Thursday, March 19.
Stevens will play Mooney, a mysterious newcomer to the Northern England pub where Harry holds court as one of England’s last executioners.
The production will be Stevens’ first on Broadway since his debut in 2013’s The Heiress, opposite Jessica Chastain.
Joining Stevens and Addy will be:
Two-time Olivier Award winner Tracie Bennett (End of the Rainbow) as Alice; Ewen Bremner (Trainspotting) as Syd; Owen Campbell (Indian Summer) as Clegg; Gaby French (Military Wives) as Shirley; Olivier Award nominee John Hodgkinson (The Ferryman) as Pierrepoint; Richard Hollis (The Curious Incident of the Dog in the Night-Time...
Stevens will play Mooney, a mysterious newcomer to the Northern England pub where Harry holds court as one of England’s last executioners.
The production will be Stevens’ first on Broadway since his debut in 2013’s The Heiress, opposite Jessica Chastain.
Joining Stevens and Addy will be:
Two-time Olivier Award winner Tracie Bennett (End of the Rainbow) as Alice; Ewen Bremner (Trainspotting) as Syd; Owen Campbell (Indian Summer) as Clegg; Gaby French (Military Wives) as Shirley; Olivier Award nominee John Hodgkinson (The Ferryman) as Pierrepoint; Richard Hollis (The Curious Incident of the Dog in the Night-Time...
- 12/4/2019
- by Greg Evans
- Deadline Film + TV
Martin McDonagh’s Olivier Award-winning comedy Hangmen is headed to Broadway. The Royal Court Theatre/Atlantic Theater Company production will begin performances in February 2020 for a strictly limited twenty-week engagement through Saturday, July 18.
Previews begin at Broadway’s Golden Theatre on Friday, February 28, 2020, with an opening night on Thursday, March 19.
Casting will be announced shortly.
Hangmen will be McDonagh’s seventh play to be produced on Broadway and his return to the stage following his Oscar-nominated film Three Billboards Outside of Ebbing, Missouri.
The setting is England, 1965: What is Britain’s (second most) famous executioner to do now that hanging has been abolished? The simple answer is a lot more than he bargained for. In his small pub in the northern English town of Oldham, Harry is something of a local celebrity and the cub reporters and...
Previews begin at Broadway’s Golden Theatre on Friday, February 28, 2020, with an opening night on Thursday, March 19.
Casting will be announced shortly.
Hangmen will be McDonagh’s seventh play to be produced on Broadway and his return to the stage following his Oscar-nominated film Three Billboards Outside of Ebbing, Missouri.
The setting is England, 1965: What is Britain’s (second most) famous executioner to do now that hanging has been abolished? The simple answer is a lot more than he bargained for. In his small pub in the northern English town of Oldham, Harry is something of a local celebrity and the cub reporters and...
- 11/18/2019
- by Greg Evans
- Deadline Film + TV
Exclusive: Two years ago, a West End staging of a new play based on Hollywood producer Robert Evans’ classic Hollywood memoir The Kid Stays In The Picture seemed all but certain for an imminent transfer to Broadway. Strong reviews, a sold-out run, rampant press rumors of a transfer, a name director in Simon McBurney, the stateside-friendly subject matter, the direct involvement of Evans himself and London’s Royal Court Theatre’s then-recent record of well-received New York transfers combined to make the Hollywood tale seem like a perfect Broadway baby.
Then, nothing.
Well, nothing but rumors, and, given the book’s troubled stage adaptation history, for understandable reason. An earlier adaptation of Evans’ memoir had spectacularly flamed out, with a prominent playwright – Jon Robin Baitz – and director – Richard Eyre – bolting from the project. Reports suggested even Evans himself was ready to walk, at one point seeming,...
Then, nothing.
Well, nothing but rumors, and, given the book’s troubled stage adaptation history, for understandable reason. An earlier adaptation of Evans’ memoir had spectacularly flamed out, with a prominent playwright – Jon Robin Baitz – and director – Richard Eyre – bolting from the project. Reports suggested even Evans himself was ready to walk, at one point seeming,...
- 11/5/2019
- by Greg Evans
- Deadline Film + TV
“The Writer” has split the critics — as proper writing probably should. Some have dismissed Ella Hickson’s new play at the Almeida Theatre, about a frustrated female playwright pushing against patriarchal power, as a petulant gaze into theater’s own navel. Others have hailed it as a dazzling deconstruction of the art form that resists and rebels against those structures.
In truth, it’s a bit of both, but in writing “The Writer” off, critics only play into its own criticisms. A play that refuses old rules and rejects old hierarchies — critical, as well as industrial — never wanted to be “good” anyway. Yet, for all it shows theater up, “The Writer” still stops short of throwing off its systemic shackles. Then again, how could it?
It starts with an almighty set-to: a 24-year-old woman, an aspiring writer, confronts a middle-aged man, an established director, about his latest production. She slams its unchecked,...
In truth, it’s a bit of both, but in writing “The Writer” off, critics only play into its own criticisms. A play that refuses old rules and rejects old hierarchies — critical, as well as industrial — never wanted to be “good” anyway. Yet, for all it shows theater up, “The Writer” still stops short of throwing off its systemic shackles. Then again, how could it?
It starts with an almighty set-to: a 24-year-old woman, an aspiring writer, confronts a middle-aged man, an established director, about his latest production. She slams its unchecked,...
- 4/30/2018
- by Matt Trueman
- Variety Film + TV
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