Last year, the small Southern African nation of Lesotho entered the Academy Awards race for the first time with Lemohang Jeremiah Mosese’s “This Is Not a Burial, It’s a Resurrection,” one of 28 features spawned over the past decade by Biennale College — Cinema, the workshop created by Alberto Barbera for emerging filmmakers to develop and produce micro-budget feature-length films.
The College was conceived by Barbera in tandem with Torino Film Lab topper Savina Neirotti, who also heads the unique
Venice initiative.
Instead of backing just one aspect of the filmmaking process, this lab shepherds movies through their entire production cycle, working closely with director-producer teams on their projects from initial stages, offering experts and on-site workshop sessions in a former monastery on the island of San Servolo in the Venetian lagoon.
Other standout Biennale College titles include U.S. director Tim Sutton’s experimental “Memphis,” released theatrically stateside by Kino Lorber; and “Mary Is Happy,...
The College was conceived by Barbera in tandem with Torino Film Lab topper Savina Neirotti, who also heads the unique
Venice initiative.
Instead of backing just one aspect of the filmmaking process, this lab shepherds movies through their entire production cycle, working closely with director-producer teams on their projects from initial stages, offering experts and on-site workshop sessions in a former monastery on the island of San Servolo in the Venetian lagoon.
Other standout Biennale College titles include U.S. director Tim Sutton’s experimental “Memphis,” released theatrically stateside by Kino Lorber; and “Mary Is Happy,...
- 8/30/2021
- by Nick Vivarelli
- Variety Film + TV
Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection of Madres Paralelas by Pedro Almodovar and Denis Villeneuve’s Dune). Among the selections are Jane Campion’s The Power of a Dog, Paul Schrader’s The Card Counter, Pablo Larrain’s Spencer, Ana Lily Amirpour’s Mona Lisa and the Blood Moon.
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
Maggie Gyllenhaal’s directorial debut The Lost Daughter, Ridley Scott’s The Last Duel, Paolo Sorrentino’s The Hand of God, and Edgar Wright’s The Last Night in Soho will premiere there, along with new shorts by Radu Jude and Tsai Ming-liang.
Check out the line below for the festival that will feature 50% capacity at screenings.
Venezia 78 – Competition
Madres Paralelas, dir: Pedro Almodovar
Mona Lisa And The Blood Moon, dir: Ana Lily Amirpour
Un Autre Monde, dir: Stéphane Brizé
The Power Of The Dog,...
- 7/26/2021
- by Jordan Raup
- The Film Stage
The immersive VR piece “Bodyless,” director Hsin-Chien Huang’s dreamlike exploration of his own childhood growing up under Taiwanese martial law, took home top honors at Paris’ NewImages Festival on Friday evening. Along with its newly minted Masque d’Or for best VR work, the 25-minute piece walked away with €6,000 in prize money.
Led by French music producer and composer Jean-Michel Jarre, this year’s jury – which also included directors Julie Bertuccelli, Jérémy Clapin and Alice Diop alongside actor Vimala Pons – honored two films with a second place tie, offering the special jury prize to both Ainslee Robson’s exploration of Ethiopian-American identity “Ferenj: A Graphic Memoir in VR,” and Fabito Rychter and Amir Admoni’s wryly surrealist “Gravity VR.”
Jarre’s jury also awarded Marie Blondiaux and Charles Ayats’ interactive project “Moa – My Own Assistant,” which was adapted from a novel by French writer Alain Damasio, and...
Led by French music producer and composer Jean-Michel Jarre, this year’s jury – which also included directors Julie Bertuccelli, Jérémy Clapin and Alice Diop alongside actor Vimala Pons – honored two films with a second place tie, offering the special jury prize to both Ainslee Robson’s exploration of Ethiopian-American identity “Ferenj: A Graphic Memoir in VR,” and Fabito Rychter and Amir Admoni’s wryly surrealist “Gravity VR.”
Jarre’s jury also awarded Marie Blondiaux and Charles Ayats’ interactive project “Moa – My Own Assistant,” which was adapted from a novel by French writer Alain Damasio, and...
- 9/26/2020
- by Ben Croll
- Variety Film + TV
Venice VR Expanded will run online this year.
The virtual reality line-up for the Venice Film Festival (September 2-12) features 31 competition titles, including a project created by Jon Favreau.
Badged Venice VR Expanded, the strand will run entirely online. The out of competition line-up includes nine of the best international VR titles and four projects developed during the Biennale College Cinema - VR.
The Favreau project is Gnomes & Goblins, an original production from Wevr, MWMi and Golem Creations that features a virtual world created by the Lion King director in collaboration with VR director Jake Rowell.
The Venice VR digital platform,...
The virtual reality line-up for the Venice Film Festival (September 2-12) features 31 competition titles, including a project created by Jon Favreau.
Badged Venice VR Expanded, the strand will run entirely online. The out of competition line-up includes nine of the best international VR titles and four projects developed during the Biennale College Cinema - VR.
The Favreau project is Gnomes & Goblins, an original production from Wevr, MWMi and Golem Creations that features a virtual world created by the Lion King director in collaboration with VR director Jake Rowell.
The Venice VR digital platform,...
- 7/31/2020
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
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