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1-33 of 33
- A sexploitation flick that leaves the women feeling violated again.
- Mekhala's affair with a married man angers her pet cobra, which tries to kill him despite her attempts to stop it.
- A watch salesman meets a young woman soon leaving for Paris and becomes infatuated, so he begins to change all the clocks in Taipei to Paris time.
- A seasoned detective is called in to rescue a politician held hostage by a lunatic. In a brief moment of uncertainty, he misses the chance for action. Leaving his job and family without explanation, he makes his way to a mountain forest, where there is a peculiar tree called charisma. Should it be destroyed or protected? People stand divided over this one tree.
- Set in Malaya during the Japanese occupation in the 1940s, this film tells the story of a girl, Embun, who's thrown into the forefront of the struggle against the Japanese when her freedom-fighter brother, Bayu, and father are detained by the Japanese. In the midst of it all, she's also attracted to the Japanese army public relations man, Koishi, who is assigned to explain the Japanese propaganda to the Malays and win their support. Koishi also has a personal mission to fulfil in Malaya to find the Malay man who married his mother (in other words, his father) when she served as a Japanese spy prior to the occupation.
- A film crew documents a folk story-exquisite corpse combination by random Thai people; the story is reenacted.
- Koji, a jazz musician, takes a cigarette break in between sets at a Tokyo nightclub. He witnesses a murder and runs into a girl, Linda, who is being pursued by the killers. For the next two hours, Koji and Linda are running from both the hitmen and the police. Mistakenly identified as prime suspects, they have to solve the crime but time is running out: Koji has to be back to perform in his club by midnight, as a very special guest will be attending.
- Supinah, a prostitute, is picked up by a kindly rich man, Budi. They fall in love and she recounts how she, as a naive willage woman, was lured into prostitution when she came to Jakarta in search of her husband, who in turns out remarried. Budi wants her to quit her job but her vicious pimp has other ideas...
- Shahrul is a mechanic who also takes part in illegal bike racing. He falls in love with a village girl, Ayu, who has just arrived in the city after being betrayed by her boyfriend. They both get close to Tun, a lonely youth with an unspecified illness.
- A smitten young man helps the mistress of a corrupt politician to fight back and reveal the truth about the politician and his government.
- A Filipino teenager is shot to death on a New Jersey, USA sidewalk: an investigation starts and his family and friends are interviewed. Along the way, more about him is revealed and so is more about the Filipino community in America in general, including the destructive effect of the drug "shabu" on its youth. The detective who handles the case also has his own personal demons to settle with his violent past.
- Set in the bull-fighting Patani Malay community of Southern Thailand. An ungracious loser in the arena kills his rival, whose brother Mamat (Khalid Salleh) then vows to get even. His wife Minah (Normah Damanhuri) fails to stop this cycle of vengeance, which will also affect the younger generation.
- Spoiled rich girl Sara wants to buy over a piece of land in the countryside belonging to Manaf, who isn't interested in selling. Complications arise when she finds him more attractive than her stuffy fiance Johan - but will Manaf ever trust her?
- Zaleha is about to get married to Amir but elopes to southern Thailand to marry someone else instead. The enraged Amir tracks the couple down, kills the groom and sells Zaleha to a pimp. Six months later, Amir brings her back. She tricks him into marrying her. But the six months Zaleha spent as a prostitute have changed her, and she now wants revenge.
- On the night of 18 October 1987, a soldier ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots. Why did he do it? Why were Malaysians so jittery at the time? And what happened next? "The Big Durian" speaks to 23 Malaysians (some real, some fictional) to find out.
- Biography of the award-winning Argentinian leftist filmmaker Raymundo Gleyzer, who was kidnapped by the CIA-backed military junta in 1976 at the age of 35. Features extensive clips from his movies as well as interviews with the people who knew him.
- Two village youths decide to travel from their boring hometown of Jemapoh, Malaysia to England. One wants to see his favourite soccer team Manchester United while the other wants to meet his long-lost father. They drive a stolen red Volvo and hope that Manchester will pop up on the road map soon. Along the way they also pick up a girl who is being sexually harassed, and a rock musician whose concert was disrupted by thugs in batik shirts. By the end you're not sure if they will actually reach Manchester, but they've found some firm friends.
- This split-screen documentary by a Malaysian director chronicles the shooting of the Indonesian film Gie (2005) in the middle of 2004, which is also when the country is undergoing its first direct presidential elections. Opinions from the cast, crew and extras of the film are sought on politics, filmmaking and the national myths of the past and present.
- An experimental romance between two men is narrated against digitally manipulated imagery of that city. The narration consists of passionate verses that form a heightened, chronological record of a love affair, arranged in distinct sections, which can be termed Meeting, Loving, Lusting, Parting and Remembering. One section, Magic. breaks away from the poetry-as-narration to present instead poison charms, exorcism chants and dream interpretations.
- After school on Saturday afternoon, a teacher asks her 6th grade students, Budi and Rosi, to take charge of raising the flag for next Monday's ceremony. Because the flag is dirty, the teacher asks them to take it home and to wash it. The kids go through many adventures as a result of taking the flag home. They nevertherless feel responsible to protect the flag until Monday's ceremony.
- During the trouble-plagued making of a Malaysian movie, a spoiled young actress named Ena Manjalara learns the true meaning of friendship, respect and artistic devotion based on her dealings with the idealistic director Malik and the production assistant Daud, whom she initially seduces. Daud is also related to Zai, a former movie idol of the 1950s who is now destitute and losing her grip on reality.
- Bukak Api was made to heighten HIV/AIDS awareness amongst the sex-worker community in Chow Kit, Kuala Lumpur, portraying the subculture as honestly as possible. The film was a community effort which brought together various agencies, residents, brothel owners, sex-workers, film students and production houses in support of the need for community-friendly information. It is an example of Pink Triangle Malaysia's working approach of community development for HIV/AIDS education, support and care. Bukak Api or "to open fire" is street lingo among sex-workers to mean "to have sex with a client".
- A trio of tales set in recession-era Kuala Lumpur. Tale 1: A lone sniper, Ah Loong befriends a red bean soup seller and tries to redeem his violent past. Tale 2: Steve, a retrenched worker is obsessed when he finds the rifle dumped by Ah Loong. Tale 3: Restaurant-owner, owing a gambling debt to thugs, is forced to pull a hit for them when he can't settle up. A mysterious, charismatic gun dealer links the tales.
- Events surrounding the murder of six of Indonesian's generals in 1965 have always been surrounded by controversy. This documentary takes advantage of recently declassified documents to try reconstruct what really happened, and also shows the extent to which Western powers were complicit in the anti-Communist purges that ended up killing hundreds of thousands of people.
- In Manila, a solitary man from a far-away province lives in poverty. The only thing he has is a camera, and he stays at churches hoping people will hire him to take their photographs. During one day, he has three encounters that change his life: the first, with a smooth-talking young man who's standing by the church door who berates him for wasting his life in church, the second with a boy who offers to take his picture, and the third with a Mercedes-driving man who's been stuck in traffic and has no patience left. Is there any deliverance from the soullessness of the city?