In 1985, this film was restored using original negative materials, by Richard Dayton and Pete Comandini of the YCM Laboratories, and Robert Gitt of the UCLA Film and Television Archives, using funds from the AFI/NEA Film Preservation Program. Because the last 3-minute sequence of the Pacific Ocean was missing, it was re-shot using Frances Marion's titles from her scenario and an authentic 2-strip Technicolor camera. The film ran 53 minutes plus about one minute of explanatory information and restoration credits.