A Jewel Production. Universal, lacking a proprietary theater network, sought to assign brands to their releases, targeting independent theater owners to their audiences. Red Feather (low budget features, largely programmers), Bluebird (mainstream features) and Jewel (lavish, prestige films). Jewels (and occasionally "Super" Jewels) were the ones Carl Laemmle lavished money on in the hopes of securing special engagements drawing higher roadshow ticket prices. This 3-tiered system would end in 1929 after talkies became the norm.
A copy of this film is located the UCLA Film and Television Archives. It is a 35mm copy blown up from 16mm, patched together from two prints.