China Express (1929) Poster

(1929)

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6/10
"The Blue Express" The Lincheng Outrage, and "Shanghai Expressl
shoenertom29 February 2024
Warning: Spoilers
This movie is pure propaganda, but that doesn't make it bad propaganda, or a bad movie.

It has its genesis in the "Lincheng Outrage" of 1923. Bandits composed of ex-soldiers and....pure bandits hijacked the crack "Blue Express", the Shanghai to Peking (actually, Tientsin, to the East) killed (a little) looted (a lot) and held Westerners on the train for ransom. And there was a treasure trove of important hostages to take! In the end, it did not go well for the hostage-takers.

That story gets transformed into a Chinese class struggle against the typical forces of Western capitalist oppression.

The heroes and heroines are the Chinese people on the train, who rise up against the capitalists. There are images of that speeding train that presage "Shanghai Express" by less than 3 years. So, what do you need to know?

The Chinese, informed and enlightened against the foreign oppressors defeat them in an intense gun battle on the train. Wicked capitalists decide the only way to thwart the rising of social consciousness is to divert the train on to a side track that will lead to a catastrophic crash.

The capitalist lackey on the track and the honest socialist switch-man engage in mortal combat. Badly wounded, our switch-man gets the train on the right track moments before catastrophe. The train and the narrative increase in velocity to the end. Some of the film cuts of the train's progress were perhaps lifted in Von Sternberg in "Shanghai Express". The Russians (like the director of this film and Serge Eisenstein) felt that Von Sternberg lifted much of the story, some of characters, and a lot of the editing from this movie. Pretty good story, pretty good editing, pretty good acting. Pretty good Soviet filmmaking from its golden, silent, age. Not "The Battleship Potemkin", but worth it if you want to see connections between good Soviet propaganda and Von Sternberg's early works.
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5/10
Boring and unsuccessful mix between adventure cinema, Soviet vision of the class struggle and Eisenstein-style montage. A mere curiosity despite some beautiful images
Falkner197616 April 2023
Genre film from the era of the great Soviet classics: a mixture of magnificent shots, desperate lack of rhythm, the expected class struggle passed through the sovietic filter, and the inevitable montage games that Eisenstein put into fashion.

I decided to see it precisely because it was mentioned by Eisenstein as a precursor to Sternberg's Shanghai Express, but the truth is that one gets tired of seeing the typical rapid succession of shots of the same thing from different angles, as if showing a statue or a handshake in a simple 6-second shot had to be fragmented into shorter shots from the front, from the side, from above, from below to capture our interest.

It all sounds like a lesson badly learned or following a manual without really knowing how or why.

There are some interestingly filmed fights, and some very careful lighting in some scenes, but overall the movie is pretty boring and routine.

If we want to get to know the Soviet genre cinema, it is better to forget about this film and watch the magnificent comedies and adventure films of Boris Barnet and Abraam Room.
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Superior Russian silent.
Mozjoukine10 March 2004
It's a pity that this rousing adventure piece - with Euro villains - has disappeared from repertory. It really is the grandfather of all train adventure movies and with the (English?) officer moving along the carriage roofs between his privileged lot, the uninvolved Asian bourgeoisie and the coolies in working class struggle, as the proto Peking Express speeds along. The then politically correct take on the colonial powers is a match for Pudovkin's STORM OVER ASIA and he did a British tour saying how sorry he was about that one.

Particularly with the Meisel score, this is a whole lot more approachable than the so called classics.
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