Outcast (1937) Poster

(1937)

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8/10
A Hollywood social problem film rendered in poetic realism
briantaves5 September 2005
Warning: Spoilers
OUTCAST was a programmer, almost a full-fledged "A." Producer Emmanuel Cohen had achieved success at Paramount, and became an independent, forming Major Productions on his own with release through Paramount. A strong cast in the 73 minute OUTCAST enacts a believable, character-driven story of a physician who is persecuted because one of his patients committed suicide. The star was Warren William, a popular romantic lead in a variety of genres, with supporting players Karen Morley, a prominent Hollywood leftist, and Lewis Stone, in one of his last roles before donning the mantle of "Judge Hardy." The script was by Doris Malloy and Dore Schary, future MGM studio chief famed for producing social problem films. Director of OUTCAST was Robert Florey, who had gained fame in the avant-garde and in the early 1930s helped to shape the Universal horror cycle, writing and directing such films as FRANKENSTEIN and MURDERS IN THE RUE MORGUE. In OUTCAST, Florey reveals an increasing stylistic sophistication, blending the German Expressionist visuals which had marked his earlier work with an increased naturalist influence, that would eventually coalesce in the 1940s when Florey became one of the leaders in Hollywood's shift to a realistic style. The result in Outcast is a naturalism that serves to emphasize an artistic rendering of the subject matter, rather than the political aspect. Rudolph Maté's camera-work beautifully captures the setting in the wintry snows of Nevada (shot on location) as it shifts from a cozy small town refuge to the site of a gathering mob ready to commit violence. A scene of a gruelingly slow operation on a child and his sudden, accidental murder by his mother remains shocking even by today's no-holds-barred standards. The interiors of OUTCAST were not actually shot at the Paramount lot, but at the General Service Studios, as well as a location trip to Nevada for the wintry outdoor scenes. With its intelligent acting, careful pacing, emphasis on character, and elaborate settings and photography, OUTCAST was clearly a quality film in every aspect of its production. It demonstrates how a seemingly cozy small town can ignite into mob violence, and only a last-minute determination to abruptly shift the mood, to leave the audience with a smile on their face, undercuts its impact today.
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1/10
Misogynistic nonsense
ellenwhyte-4533919 March 2022
Warren William was brilliant as the Lone Wolf, and there's the excellent Esther Dale, which is why I watched this, but omg, what a load of nonsense! The men is hardworking, loyal, wonderful and wise, while the women are hysterical and stupid, leading to those saintly men suffering.

Bilge.
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4/10
What exective did Warren William Piss Off?
ferulebezel24 September 2022
I've never been A Warren William Fan. I was first exposed to him in a number of bad guy roles and since almost all men had the same moustache then I've come to see him as the evil Melvyn Douglas. Even when he plays the good guy he is too stiff and leading man handsome to be wholly believable but at least he was is mostly good movies. Either he was under contract and pissed off some higher up or he lost a bet. Whatever the case I can't believe he was happy to be in this rehash of ground so recently trodden upon by such movies as Fury, You Only Live Once, and They Won't Forget. Once again I find myself faced with the question of crappy original production values or crappy surviving print and not knowing the answer. I suspect the former given that the rest of the cast are journeyman actors and nothing more and the audio is noisy as hell. I'd recommend skipping this one for a rerun of The Facts of Life.
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