Capriccio (1938) Poster

(1938)

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8/10
Brilliant Fun
Mayesgwtw399 February 2007
This film is a lost musical parody treasure that could bear to be rediscovered. Operetta meets swing, and the conventions of cross-dressing and sexual gender confusion gets the Comedia della arte treatment.

Lilian Harvey plays a young heiress in long-ago France (the costumes are Empire and Regency)named Madelon whose grandfather brings her up as one would a young man, so that she can make it alone and rebuff all who would chase her for fortune.

Upon the grandfather's death, she is fooled by her guardian into a betrothal with a fat prefect when she is deceptively shown a picture of his young and good-looking rogue cousin. Before the wedding can take place, Madelon discovers the ruse and escapes in the disguise of a page boy.

On the road, she coincidentally meets the attractive young cousin and his best friend, who have just left the wedding celebration. The three become comrades after a scuffle with some ruffians and then set off on many adventures, including a visit to a brothel, during all of which the two men are under the impression that Madelon is a young man. After some problem with the law, they are all brought into court where all must be resolved.

This film is as light and fun as a soufflé--a terrific riff on operettas and the gender-switching gimmick. Lilian Harvey is in top form-and the film is whimsical, beautifully decorated and somewhat weird-at one point Harvey sings an entire song about her love affairs with women, dressed in male drag to a group of enrapt ladies of the night in a salon.

The musical numbers are both wonderful and weird--There's a very strange number in which a mother sings a song about the supposed rape of her daughter in order to compromise Harvey's character (whom she thinks is a young duke) into marriage. She sings the song pleasantly and jauntily trills the word "vergewaltigt" over and over.

The pacing is great and Viktor Staal is the perfect rogue leading man for Harvey. It's a pity they were not paired again. The film was hated by Hitler and Goebbels, but the director was powerful and it was released to glowing reviews and an enthusiastic public. After a very short time in theatres, it was pulled out of circulation.
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9/10
Wunderbar!
jfcolaresi25 May 2015
If you want to see a delightful musical comedy and with Lilian Harvey at her best, look no further than 1938's 'Capriccio.' Imagine a French costume picture reminiscent of a Mozart comic opera about a woman (Harvey) posing as a man to escape an arranged marriage, causing amusing situations a la 'Viktor und Viktoria' while advised by her dead grandfather who also relates the story, and this comes close to describing the film's crammed plot. Besides the operetta-like score there's a bit of anachronistic jazz music that somehow works well to add more laughs to the confusion and commotion. Everything about this film including the humorous songs & dance numbers rival the best of any Hollywood equivalent of that era. We watched this yesterday and were swept away by its inventiveness. Paul Kemp who almost stole 'Amphitryon' from his co-stars is almost as good here. One of several memorable bits edited for maximum comic effect concerns an anxious mother's attempt to marry off her daughters. What's most interesting is that the director, Karl Ritter, was known for making mostly military-propaganda films like 'Stukas' so how he made a musical comedy this entertaining is a mystery. A comprehensive description is presented on the website below where you can see a clip from this very good quality disc: "The film was hated by Hitler and Goebbels, but the director was powerful and it was released to glowing reviews and an enthusiastic public. After a very short time in theatres, it was pulled out of circulation." I can't find their reasons for disliking this film because it makes fun of the French but maybe not enough to suit their propaganda needs. Maybe they disliked the farcical jabs at the institutions of marriage and courts, nuns and convent girls, and almost everything else in society, especially character actor Aribert Wäscher's portrayal of a bloated, boozing government official being duped by everyone. Or as my wife said it simply, Hitler and Goebbels had no sense of humor. I suspect the main reason 'Capriccio' had a short theatrical run was to punish Harvey for her defiant activities a year earlier. According to Wikipedia: "As she was still in touch with her Jewish colleagues, Harvey was placed under close observation by the Gestapo. Nevertheless she pushed the career of her protégé, director Paul Martin, performing in his screwball comedy 'Glückskinder' (1936)... In June 1937 Harvey had helped the choreographer Jens Keith, prosecuted under Paragraph 175 for his homosexuality by posting bail for him. Released from custody, Keith escaped to Paris; this led to a stern interrogation by the Nazi authorities. In 1939, Harvey was forced to leave Germany herself, leaving her real-estate fortune, which was confiscated." Anyway this film is one to watch over & over because you'll miss some of the verbal & visual jokes the first time and maybe second while you're laughing. You can order a good subtitled copy at: rarefilmsandmore.com
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excellent escapist entertainment in the darkness of the Third Reich
cynthiahost7 September 2011
Warning: Spoilers
Sabin Hake stated in many words in her book,"The popular Entertainment of the third Reich, this and many other pictures of the time in 1938 was made during the year of the night of broken glass.The Nazis were hypocrites , they did not tolerate Jews but they tolerated citizens who were black, but did not except them. The scene where Madelon, playing Don Juan, is now in drag, at a Ale Inn, She is having a sword fight with the customers . Four ,or less are white , one is black,. This suppose to take place in France during the Napoleonic type period, I don't know if there was integration yet.But it showed, even in the Nazi period ,that film was illusion any how. This is a good digital print , tinted green. Germany does not sell it yet. This is the first in the U.S.A. There is that forbidden music Jazz mix with the music of that period , Napolionic. Lillian Harvey plays Madelon, who is raised up by grandpa General De Estroux , play by Anton Impkamp, as a tomboy. But When he dies Ceasar,played by Paul Dahlke, Informs her that she has to marry a man ,that her grandfather choose for her.Unil arrangements are made she must stay at a convent school. She protest against this. Even at the school she refuses to get married. The nuns punish her and then she prays to her grandpa for help. He suggest to marry the suitor. She is given a picture of the alleged suitor.Ferdidand, while she on her way.Little she knows it's the cousin of the suitor, Prefict Barbarossa, Fat and ugly.Once the maid of the house of Alleged suitor tells her whats going on,she knock out page ,Werner Stock, to dress up in his clothes and she dresses him up in her wedding dress. This way to trick the prefect. She escapes and meet the love of her life at the ale, inn, Ferdinand ,played by Victor Staal, and his friend Henri De Grey, played by Paul Kemp, They defend her in the sword fight , not knowing he's a girl. Well they all set out for adventure together. Ceasar and a group of men are searching for her demanded by Barbarossa.All three goes to a Bordello. Knowing she not a man, she has to find some way to avoid any contact. In the house ,she makes a card bet about something to the two others , that if they loose then they all have to leave. Ferd and Hen both loose. all three leave. But then Ferd tries to trick Don Juan, to kiss a flower girl . It fails. Then Ferd and Henri are going to visit the house of Countess Mallefougasse, played by Kate Kooling, the next day to propose to one her two twin daughters,Eve and Anais played by Margot and Hedi Hopfner. Madelon tries to stop the engagement which ends up in a duel against Ferd,but barely injuring him. But the countess call the police and haves her arrested. Confronting s could be fiancé, Barbarossa, who doesn't know he's facing his betrothed, she tricks him in pulling a trick to his cousin. By dressing up in female drag, more confused gender, to make Ferd believe that she was a women dressed up as a man, so she can tell him the truth. Well Ceasar shows up and confronts him with that being Barbs fiancé.She ends up in trial for this , Charges by Barbarossa. Then the school girl , of the convent show up, Then Babarossa recognizes one of them as his daughter and he drops the charges. Now Madelon, she and Ferd can live happily ever after. available at www.reichskino.com 09/07/11.I was wrong it wasn't a digital print but never less a first rate print 09/8/11
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