Racket Busters (1938) Poster

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6/10
Smashing the Produce Rackets
bkoganbing5 August 2006
Though it might mean absolutely nothing to today's audience when you see the small mustached frame of Walter Abel who has been named a Special Prosecutor back in 1938 there was no doubt that Abel was a very thinly disguised portrayal of real life Special Prosecutor and newly elected District Attorney of New York County, Thomas E. Dewey.

Among the many rackets that Dewey did investigate and prosecute was an effort to organize truckers and get a stranglehold on the produce markets of New York City. This film is taken from some very true and recent headlines back in the day.

Warner Brothers loved Mr. Dewey and his prosecutorial exploits. A few years earlier Humphrey Bogart, the chief villain in this film, played a Dewey like prosecutor himself in Marked Woman which is based in part on how Dewey convicted Lucky Luciano via his stranglehold on houses of prostitution.

The hero in Racketbusters is George Brent, stepping into a role that James Cagney probably turned down. He's a truckdriver who resists organization either by an honest union or the racketeers. And he's got ideas from the street about the social standing of stool pigeons.

When things happen to his wife Gloria Dickson and his friend Oscar O'Shea, Brent himself becomes as big a racketbuster as Walter Abel.

Allen Jenkins is a surprise here. Usually a mug whether a good guy or a bad guy, Jenkins steps up to the plate here as a man who went from the truckdriving game to the produce business. He understands the point of view of both sides and urges them to settle and kick out Bogart and his henchmen. Good job by Jenkins.

No doubt in 1938 who this film was all about.
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7/10
"I got plans and I got organization, nothing's gonna stop me..."
classicsoncall9 November 2004
Warning: Spoilers
"Racket Busters" is a Warner Brothers period piece that zeroes in on racketeering in the food and trucking business of the 1930's. John "Czar" Martin (Humphrey Bogart) has his sights set on the entire industry, seeking tribute from everyone in the food chain through intimidation and bribery. Denny Jordan (George Brent) is the wavering hero, who at first stands up to the mob, but falls victim to their tactics after stealing a mob satchel to provide for his ailing wife. Martin is willing to overlook Jordan's indiscretion, provided he cooperates with Martin's plans to take over the trucker's association.

A few of the truckers stand true to their ideals throughout the film - "Pop" (Oscar O'Shea), the father figure of the working stiffs; and Skeets Wilson (Allen Jenkins), a friend of Jordan's who manages to see through the corruption even after his friend falls under Martin's influence. Future "Blondie" star Penny Singleton is on hand as Skeets' fiancée, providing a moral anchor for her man.

The film is fairly formulaic, with the bad guys holding the upper hand for most of the film, but after "Pop" is murdered, and Skeets takes the lead in riling the truckers to action, Jordan wakes up to the reality of the situation and takes up the cause once again. In a climactic scene, Jordan and Martin duke it out, as special prosecutor Hugh Allison (Walter Abel) finally collects enough damaging evidence to put Martin away for years to come.

Humphrey Bogart is top billed, but it's George Brent who has more screen time and is the film's center of interest. Allen Jenkins does a credible job, keeping the faith even as his tomato commission business takes it on the chin. "Racket Busters" is not as hard edged as the title might make it seem, but it deserves at least a single viewing. For another Bogey film with a trucking theme, try 1940's "They Drive by Night", co-starring George Raft.
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7/10
In some ways, a very formulaic Warner Brothers gangster flick,...but it DOES have a little more to offer
planktonrules27 September 2006
Warning: Spoilers
I liked this film and I am sure part of this is because I really do love the Warner Brothers gangster films of the 1930s. Sure, they were very predictable, but the stock company of actors (Bogart, Cagney, Robinson and others) and writing have made these movies timeless--something that can still be enjoyed into the 21st century. And this film has many of these wonderful elements--including Bogart in his "pre-nice guy" part of his career, as the evil mob boss.

However, this Warner formula is a little different because of some of the plot elements and George Brent is playing a different sort of character. Brent usually did not play in gangster films even though he was a Warner contract player, and the guy he plays in this film really isn't a villain or exactly a good guy either. In many ways I appreciated that he was more a "typical guy who rises above when the chips are down"(how's that for using the lingo?). This doesn't always work well, though, as Brent's character just isn't very consistent--ranging from a dull-witted hothead who thinks he can take on the mob single-handedly to a wimp who willingly serves the mob to save his own sorry skin. With a bit of a re-write, this character could have been great and elevated the movie to greatness. As is, he's very interesting but very flawed.

Another flawed character is the Special Prosecutor. Again and again he begs and threatens but can't understand why truckers won't give evidence against the mobsters. However, EVERY TIME that anyone talks(except at the end), they are either dead or beaten almost to death and the Prosecutor's Office did NOTHING to help!!! Duh!!!

As for the plot, it's not exactly the typical gangster film with hoods knocking each other off or selling bootleg hooch (like in THE ROARING TWENTIES or THE PUBLIC ENEMY) but is about mob control of the trucking industry. The steps by which they muscle into the union and the lengths they go to destroy the opposition were actually pretty interesting and timely. By being a little different, the film really kept my interest. A very good film, but certainly not a great one due to a few plot holes.
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6/10
Racketeering as seen by the victims
LCShackley10 December 2009
Most gangster movies I've seen focus on the bad guy (Cagney/Robinson) or perhaps on the cop or D.A. trying to bust the gangs.

This movie, however, focuses on the people who are affected by the racketeers: the truckers who were forced into a crooked association run by Bogart. We see how the truckers, their families and businesses, are hurt by the protection rackets and bullying gangsters (who always wear nice hats and suits).

The producers are careful not to make this an anti-union movie, even though the plot is about gang incursions into unions. It's really a propaganda film, trying to convince union members and other working men to stand up and testify against gang pressures. The acting is OK, and there's plenty of action (explosions, car wrecks, fist fights) to keep you interested.

My favorite scenes involve gangsters using axes and creosote to destroy big crates of vegetables. Not quite your standard gangster fare!
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7/10
"Holler, suckers. When I get through with you, you'll holler even louder."
utgard1412 June 2017
Tough gangster movie with Humphrey Bogart playing a racketeer putting the squeeze on truck drivers hauling produce. The unlikeliest of all truckers, George Brent, tries to fight the mob but eventually is forced to cooperate. Brent is an ill-fit for a working class Joe but he does an admirable job. Allen Jenkins is fun as Brent's friend Skeets. Walter Abel is OK as a crusading DA, inspired by Thomas Dewey, but doesn't seem like a match for Bogie. Between him and Brent, neither really powerhouse personas, it's no wonder Bogie walks away with the film. From the very first scene Bogart's character is fed up with failure and wants to make it to the top by any means necessary. It's like they took all the gangsters he's played up to this point and rolled them into one, giving them a final chance to make it big. And no matter how bad he was to others in this, I was pulling for him. The rest of the fine cast includes Gloria Dickson, Penny Singleton, Henry O'Neill, Fay Helm, and Joe Downing. Nice action and characters. If, like me, you're a sucker for seeing old cars and trucks in action in older films, you'll get your fill here. Definitely worth a look for fans of the WB crime dramas of the 1930s.
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7/10
Bogart muscles in on the trucking industry !
gullwing59200324 July 2011
This was the first Humphrey Bogart movie I ever saw when I was a young kid growing up in the 60's & 70's. I first discovered Bogie on "Humphrey Bogart Theatre" on TV. I was very impressed with his portrayal of a mafia style crime boss. Gangsters were once Bogarts specialty, he was good at it, this movie pre-dates "On The Waterfront" & is almost as good. The film opens with Bogart bent on wanting to take over the entire town & muscle in on the trucking business. "I got plans & I got organization", "nothings going to stop me", "I'll make this whole town pay off from blue-backs to bankers".

This is Bogart playing the lead role as John "Czar" Martin, Manhattens most powerful gang chief, Bogie is very cold & ruthless in this one & it's clear he is the main character even though he's not in every scene, most of the film focuses more on the George Brent character as one of the truckers who complies with Martins underworld organization after Bogie's henchmen sets Brents truck on fire. Eventually he & Allen Jenkins rally all the truckers against Bogart in a free for all. It's a propaganda movie showing why unions were needed & organized in the 1930's but it also shows how corrupt unions can get by bribery & intimidation by the syndicate.

The absence of Bogarts character doesn't really weaken the film but creates an interesting mystique for his character is much talked about but hardly ever seen which heightens & magnifies Bogarts exciting screen presence. Like in "The Petrified Forest" Bogie played a famous celebrated John Dillinger style outlaw. He doesn't enter the film until the 2nd half of the movie but his character is mentioned consistently from the very beginning of the film creating this mystique. Kind of a sense of mystery so you just sit & watch the movie just waiting in suspense to see when "Duke Mantee" first enters & dominates the movie from that point on.

"Racket Busters" does a similar thing with Bogart's character as "Czar" Martin & the gimmick works & for once Bogart doesn't get killed in the end unlike his other gangsters where he gets bumped off. Sometimes less is more, a character that lays low or not seen much makes the character that much more interesting & desirable. In "The Maltese Falcon" Floyd Thursby was a character much talked about all through the entire movie..... but never seen. I have a bootleg copy of "Racket Busters" & I don't think it's out on DVD yet, it should be because it's not too bad, it's a standard programmer & it's worth watching if you're a fan of Bogart & gangster films like I am. Racket Busters is the precursor to On The Waterfront. What more can be said ?
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Hyperbole
GManfred1 September 2020
'Racket Buster" plays like a Public Service announcement, or like a "Crime Does Not Pay" short which were popular in the 30's and 40's. Not much time wasted, as the film gets right to the point; racketeering throughout the city which the DA (Walter Abel) tries hard to stop. The head of the rackets is Humphrey Bogart and the hero is George Brent along with his pal, Allen Jenkins.

There is no time for subtlety or nuance here (at 71 mins.) and the characters are painted with broad strokes and many plot points are telegraphed. Nevertheless, the picture is well done all around and is better and more entertaining than the websites rating would suggest. Probably a 'B' picture in its' time but plays almost like an 'A'.

7/10 - Website no longer prints my star rating.
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6/10
Nothing moves in this city without my say so!
sol-kay10 December 2009
Warning: Spoilers
**SPOILERS** With his paid-off politicians and judges now swept into office big time mobster John "Czar" Martin, Humphrey Bogart, doubled his efforts to take over the trucker's union. It's the hard working and take no BS truckers that were still independent of Martin and his mob.

Terrorizing most of the truckers into to joining his union, and kick back half their salaries to it, Martin hit a roadblock in tough and independent minded teamster Denny Jordan, George Brent. Denny saw Martain for the cheap and cowardly hoodlum that he really was and refused to be intimidated by him. That's until Denny lost his trucking business, by Martin's hoods putting the torch to it, and having his wife Nora, Gloria Dickson, end up with a sanitarium with a nervous breakdown because of it. With the governor appointed Special Persecutor Hugh Allison, Walter Able, looking to put Mattin and his organization out of business and behind bars Denny was the man he hoped, by turning evidence against Martin, to help him do it. As things turned out Danny in him not wanting to be a rat, or informer, even against a murderous thug like Martin decided to play it safe and not go before a Special Grand Jury and tell it of Martin's shake down and strong-arm activities. That in fact gave Martin a free hand to do anything he wanted to without fear of the law!

What Martin wanted was to control the city's food supply with the truckers refusing to truck in any goods of the members of the food or produce industry who refuse to kick back to him. Not really caring about the truckers or their families but only using them for his own criminal purposes it became evident to former union chief Pop Wilson, Oscar O'Shea, that they'll end up without their jobs, and in many cases behind bars, after they finished doing Martin's bidding.

By trying to stage a walkout on Martin and his corrupt union Pop ended up being pushed under the subway tracks and run over. It's then that the former union trucker and now tomato salesman Streets Wilson-no relations to Pop-played by Allen Jenkins picked up the ball that poor old Pop dropped. Streets tries to get the truckers to go against Martin's orders to boycott food distributors who refuse to play ball, that's in paying off, to him.

***SPOILERS*** Streets courageous efforts to break Martin's vice-like grip on the truckers union did in the end cost him his life. But by him showing that being a free man, from Martin and his mobs control, was worth risking or,in Streets case, giving one's life for. It was both Pop's and Street's murders that finally got Denny and the truckers to get up off their behinds and take on the Martin Mob and finally put an end to the reign of fear and terror that he and hoods like himself used to get their way in both city and state government!
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5/10
The miscasting of George Brent in the lead sinks this film
AlsExGal9 December 2009
George Brent was great at playing the gentleman, whether that gentleman was a wealthy man of great stature in the community, or whether he was a struggling up-and-comer as he was in "Lilly Turner". He always played a guy who knew who he was and the path he was on. This story of the syndicate attempting to take over the trucking industry by force is sunk not only by a rather formulaic script, but by Brent in the lead in a role that looks like it was written more for James Cagney or maybe even Paul Muni.

Brent plays Denny Jordan, an independent trucker who is out for himself, thinks with his fists, and even squishes a tomato into the face of his partner, Skeets (Allen Jenkins), for no particular reason other than he seems to think it's funny. This is just not appealing stuff for George Brent fans to watch. Humphrey Bogart is perfectly cast as the head of the syndicate, but he spends very little time on screen, usually just a few seconds at a time as he barks orders at subordinates about the next move they should make.

It's pretty bad when the thinking man in the film, Skeets, is portrayed by Allen Jenkins, who usually plays the well-meaning if somewhat thick-skulled comic relief. Penny Singleton is a breath of fresh air as Gladys Christie, Skeet's girl who seems surprised every time her man gets a good idea or runs into a piece of good luck.

I'd skip this one. It's not terrible, it just does nothing to distinguish itself in either the plot or performance categories.
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6/10
pedestrian gangster movie
SnoopyStyle12 August 2020
John Martin (Humphrey Bogart) is the mob leader of the city after his men win various posts in an election. He vows to make everyone pay him. Hugh Allison is recruited by the governor to clean up the rackets. Martin muscles in on the trucking industry and its clean union.

Bogie has a minor role despite being the main villain. He should get his hands dirty and take over the movie. This really should be a battle between him and the truckers. The movie doesn't need Allison. Overall, it's a pedestrian gangster movie.
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4/10
Standard Gangster Fare
susansweb24 September 2002
If you want to see this movie because Humphrey Bogart is the star, save your time. He gets top billing because of what he became after this movie. In this movie he is in it enough to barely be called a supporting actor. George Brent is the real star, so all Brent fans should watch this (if there are any). Here we have an oddity - our hero prevents the mob from taking over the trucking industry! Of course we know what really happened. Atypical gangster ending for this movie; the length of the jail sentence is also stated! The ending came so quickly that one thinks that is was hastily cobbled together. One positive note is that Allen Jenkins actually plays a good guy for a change.
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8/10
Just look at that cast! And this is a "B" picture! Credits are great too!
JohnHowardReid18 November 2017
Warning: Spoilers
Humphrey Bogart (Martin), George Brent (Denny Jordan), Allen Jenkins (Skeets), Gladys Dickson (Nora Jordan), Walter Abel (Allison), Penny Singleton (Gladys), Henry O'Neill (governor), Oscar O'Shea (Pop), Anthony Averill (Dave Crane, Martin's chief henchman), Eliott Sullivan (Charlie Smith), Fay Helm (Mrs Charlie Smith), Joe Downing, Norman Willis, Ethan Laidlaw, James Pierce, Harry Tenbrook (Martin henchmen), Robert Strange (Martin's lawyer), Don Turner, Dick Wessel, Jimmy O'Gatty, Paul Panzer, George Lloyd, Bob Perry, Dick Rich, Lew Harvey, Jack Kenny, Joe Devlin, Alan Davis, Eddy Chandler, Glen Cavender (truck drivers), Irving Bacon (counter man), Egon Brecher (Peters), Cecil Weston, Jean Maddox, Loia Cheaney (angry women), Nat Carr, Harvey Clark, Harrison Greene (merchants), Dale Van Sickel (special officer), Monte Vandergrift (detective), Charles Trowbridge (judge), Edwin Stanley (doctor), Cliff Saum (policeman), Jack Mower (plainclothesman), John Ridgely (Yellow Stripe truck driver), Wedgwood Nowell (businessman), James Nolan (Allison's secretary), Harry Myers (court stenographer), Bruce Mitchell (deputy), Vera Lewis (Jordan's neighbor), Georgie Cooper (woman on subway platform), Mary Currier (Mrs Allison), William B. Davidson (Manhattan Trucking chairman), Joe De Stefani (proprietor), John Dilson (Robbins), Jack Gardner (gas station attendant), William Gould (police sergeant), Jack A. Goodrich (clerk), John Harron (Allison's stenographer), Gordon Hart (minister), Herbert Heywood (gas station owner), Stuart Holmes (Vic Thompson, a cleaner), Jan Holm (sanitarium nurse), Paul Irving (John H. Herbert), Frank Jaquet (City Hospital doctor), Jack Wise (cashier).

Director: LLOYD BACON. Screenplay: Robert Rossen, Warren Duff. Story: Robert Rossen, Leonardo Bercovici. Treatment: Mark Hellinger. Photography: Arthur Edeson. Film editor: James Gibbon. Art director: Esdras Hartley. Costumes designed by Howard Shoup. Music composed by Adolph Deutsch, orchestrated by Hugo Friedhofer, directed by Leo F. Forbstein. Assistant director: Richard Maybery. Sound recording: Robert B. Lee. Producer: Samuel Bischoff. Executive producer: William Randolph Hearst.

Copyright 1 June 1938 by Warner Brothers Pictures, Inc. A Cosmopolitan Production. New York opening at the Strand: 10 August 1938. U.S. release: 16 July 1938. Australian release: 22 September 1938. 71 minutes.

SYNOPSIS: The underworld tries to muscle in on the trucking industry.

COMMENT: Despite its rich production values with loads of extras milling around seemingly authentic locations, we know this is a program picture, because it has no stars billed above the title. None! Not even Bogart, who is billed first. His star had not yet risen. (Here he plays the typical 1930s gangster. Almost a caricature, if it wasn't so sinisterly menacing). Nor George Brent. His star was fading. (His portrayal comes over as lively and vigorous enough, but lacks the charm he brought to his earlier roles). Nor Penny Singleton. Her life as Blondie didn't begin until November, 1938. (This is one of her best performances and probably inspired her later real-life work smashing graft and breaking up underworld influence in the entertainment industry). The other main player, Allen Jenkins, rarely received above-the-title billing. Here, he convincingly handles a more serious part than usual, albeit with comic overtones.

Mind you, the script is the work of Robert Rossen. Powerful enough, though it offers little that seems original or especially striking. It's director Lloyd Bacon (normally a rather humdrum type) who unexpectedly gives the movie a lift. Not only are the action scenes vividly staged, but even some dialogue exchanges are delivered at a pleasing run in front of a fast-tracking camera.

With the director in this rare inventive mood (maybe he was inspired by the brilliant cameraman Arthur "Casablanca" Edeson), and lots of money to throw around, "Racket Busters" emerges as a fast-paced exposé. Brisk editing also helps.
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6/10
Jenkins steps up
michaelchager3 September 2023
Bacon shows 1938 truck interiors, trucks crashing, hospital wards, crowds, produce markets and authentic Depression shock. Bogart is permitted a few scenes with his charisma on full throttle. Allen Jenkins takes over the star role in some scenes to great effect. This is not escapist entertainment. Brent is reduced to a miscast actor surviving his role and the war with domestic terrorism, a theme that remains relevant today. This is more of a newsreel of events than a deep exposition of character. The Warners' dramatization of the fight against organized crime presaged the mobilization against fascism in 1942.
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5/10
Rocking up the rackets, keeping criminals in their place.
mark.waltz4 May 2018
Warning: Spoilers
Brought into the NYPD to break up a racket attempting illegal unions, Walter Abel has his hands full as he deals with the unknown element with far reaching involvement in bullying the truckers delivering goods all over the country. But this doesn't worry the head man (Humphrey Bogart) who has his ways of doing what he needs to do to keep the truckers scared. Among them are George Brent and Allen Jenkins who want no part of the racket, but aren't willing to squeal either. The rackets have sinister methods which range from destroying the breaks on the truck, blowing them up and beating up those who refuse to play ball. For one veteran trucker, he finds a date with death at the Union Square subway station where it is too crowded to have witnesses.

Ever since seeing this as a teenager, the subway station scene remained vivid in my mind, and I often think of it while standing on crowded train platforms. Gloria Dickson as Bogart's wife and Penny Singleton as Jenkins' spouse offer typical wifely concern with the future Blondie quite aggressive in her characterization. Interesting detail of what the racket is all about and how the racket squad deals with them adds to the interest in this enjoyable B film from the very macho Warner Brothers which released at least a dozen of tough talking films like this each year.
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Standard Gangster Pic from Warner
Michael_Elliott22 January 2010
Racket Busters (1938)

** (out of 4)

Tired crime flick from Warner has Humphrey Bogart playing a racketeer who decides to form a truckers union so that he can take over all the store, drivers and the produce. If people don't go along with this they end up beaten but one man (George Brent) decides to stand up to them. I've always been a fan of Warner's various "B" pictures but this one here left me disappointed for many reasons. For starters, the screenplay really doesn't offer up anything that original as we've seen this story countless times before. Some might say that all of these pictures had the same story and that's true to an extent but I think most took that basic structure and tried to do things their own way. That really doesn't happen here because there isn't a single second in the film where you feel anything for the stuff that's going on. Some of this problem should fall on the shoulders of Bacon who seems to be sleep walking in his director's chair. He usually manages this type of material quite well but perhaps he too found the story boring. Another problem is the D.A. who is extremely boring and his character just doesn't have enough fire behind him to make anyone interested in anything he has to say. Even the performances are rather disappointing as Bogart doesn't do too much and doesn't have half the energy he usually delivers in this type of role. It was somewhat fun seeing Brent in this type of picture but the screenplay doesn't do him any justice either. The normally reliable Allen Jenkins is here playing the comic sidekick but even he can't deliver any laughs. The movie is mildly entertaining if you're a fan of this genre but I think most people are going to sit here and just know that there are much better movies out there and this here is strictly by the numbers.
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6/10
Taking on the mob
russjones-8088717 August 2020
A Manhattan racketeer moves in on the trucking business but one trucker stands up against the mob until he is forced into cooperating. A crusading District Attorney is determined to stop the racket but he needs the help of the trucker.

Lesser known gangster film which is watchable but not one of the decade's best. George Brent is the trucker and Walter Abel the District Attorney. Although Humphrey Bogart is top of the bill, his appearances are sporadic and his talent is wasted.
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6/10
Good Example Of Its Genre
boblipton1 September 2023
Gang chief Humphrey Bogart has a plan, the organization and the will. He's going down to the market and squeeze everyone, starting out by organizing the truckers. Which he does, save for a few hold-outs, like Oscar O'Shea (who dies), Alan Jenkins, and Our Hero, George Brent. But even an independent streak a mile wide has to give way when there's no business, and wife Gloria Dickson is in the hospital. Can District Attorney Walter Abel get anyone to talk?

It's one of those hard-hitting exposes of the rackets that came in after the Production Code said you couldn't glamorize the hoods. Nonetheless, it's Bogart who has the top billing here, and when you compare him to Brent, you can understand why he eventually came out on top. Brent is handsome, and has a good voice, but looking at him move in the medium shots is an exercise in klutziness.* Director Lloyd Bacon and DP Arthur Edeson knew it too. Near the end, Bogart is running up a flight of stairs to get away from Brent, and he glides up. After Brent caroms off a wall at the base, there's a cut to him thrashing Bogie.

It's a pretty good movie, but clearly they wanted Cagney for the lead role. With Henry O'Neill, and Penny Singleton.
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5/10
Government propaganda at its best (worst)
thompsonm-0503118 October 2019
This movie illustrates very well that the differences between gangsters racketeers and the US government is subtle at best. Both use intimidation to get what they want from the little guy. While the gangsters may beat you up, the government will throw you in jail. There's very little difference in the methodology. I honestly don't know which person was more despicable, the gang leader or the special prosecutor. Both used and abused their power and squeezed the poor hard-working truck drivers in order to get what they wanted. Both were disgusting.
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5/10
A Rather Typical Gangster Film from this Time Period
Uriah4324 June 2019
Having already taken over a major portion of the restrauant business a crime boss in New York City by the name of "John 'Czar' Martin" (Humphrey Bogart) sets his sights on the trucking industry as well. However, the union which the truckers belong to isn't nearly as easy to persuade and as a result Martin has to get tough with a couple of them to make his point. But one person in particular named "Denny Jordan" (George Brent) remains defiant and because of that both he and his partner "Skeets Wilson" (Allen Jenkins) become even larger targets in the process. In addition to that, a newly appointed special prosecutor by the name of "Allison" (Walter Abel) also appears on the scene which subsequently causes problems for everyone concerned. Now rather than reveal any more I will just say that this was a rather typical gangster film from this time period which benefits to a certain degree by the presence of both Humphrey Bogart and George Brent. It does, however, advance a certain political agenda at times which became a bit obvious here and there but even so it didn't diminish the film too badly overall. In any case, I thought it was essentially worth the time spent to watch it and for that reason I have rated it accordingly. Average.
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8/10
U.S. voters always have backed what egg-heads slander as " . . . The Rackets . . . "
tadpole-596-91825617 October 2019
Warning: Spoilers
" . . . the Mob, or Organized Crime," RACKET BUSTERS reveals. When the hero of this flick--"John Martin"--figures out a plan to produce market efficiencies through what is essentially a "Value Added Tax," a Witch Hunter named "Hugh Allison" is appointed by a "Dam-Old-Rat" Party governor to thwart the will of the Local People. This attack upon the electoral mandate won by Mr. Martin's slate of candidates forces John to hire a security team armed with military-style assault rifles (MAR's) to keep the peace. RACKET BUSTERS is from the 1930's, when many of the most renown Americans--including Bonnie Parker, Clyde Barrow, and John Dillinger--were gunned down by Real Life Witch Hunters of Hugh's cowardly ilk. Mr. Allison proves to be a lawless thug, yanking entrepreneurs from their businesses and jailing them indefinitely UNLESS they parrot back his snitch scripts to kangaroo courts. While Mr. Martin champions workers' right-to-strike, Hugh endeavors to bust their Unions--P.U.! Today, as self-appointed Real Life "RACKET BUSTERS" circle our People's Choice--Leader Trump--like so many sharks, it's more urgent than ever to fend off these holier-than-thou tin tyrants. Fortunately, MOST of America's Second Amendment-style "well-armed militia" keep their arsenal of MAR's "locked and loaded, readily at hand."
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