The year was 2001, in the wake of the terrorist attacks of September 11, many studios struggled to find the proper way to market and release their films while still being sensitive to what had just happened. Many films were moved off their original release dates to give the studios, and audiences, more time to figure out the proper way forward. One film, however, was deemed a slam dunk: a feel good story about a man who loses his memory and is taken in by the people of a small town when they assume him to be a long lost son and World War II hero, set against the backdrop of the Hollywood Communist witch hunt of the 1950’s from a respected Oscar nominated filmmaker and starring a lead actor who was in the midst of a dramatic left turn in his career with back to back Golden Globe wins for Best Actor.
- 5/21/2023
- by Chris Bumbray
- JoBlo.com
Movie star John Wayne and actor Marlene Dietrich had quite a history that forever links them together. However, there were some intriguing encounters between the pair that speak to the way that their relationship developed. Wayne once publicly steered clear of Dietrich after she shouted at him, “Mommy wants that for Christmas.”
John Wayne played Dan in ‘Seven Sinners’ L-r: Marlene Dietrich and John Wayne | Universal Pictures/Getty Images
Wayne and Dietrich starred in three movies over the course of their careers. It all started with 1940’s Seven Sinners, which was directed by Tay Garnett. The story follows a torch singer, played by Dietrich, who makes a move on a Navy officer, played by Wayne, as well as his fellow shipmates to achieve her goals.
Next, they released two movies within the same year of 1942. First, they starred in The Spoilers together. Wayne played an Alaskan miner, who has the...
John Wayne played Dan in ‘Seven Sinners’ L-r: Marlene Dietrich and John Wayne | Universal Pictures/Getty Images
Wayne and Dietrich starred in three movies over the course of their careers. It all started with 1940’s Seven Sinners, which was directed by Tay Garnett. The story follows a torch singer, played by Dietrich, who makes a move on a Navy officer, played by Wayne, as well as his fellow shipmates to achieve her goals.
Next, they released two movies within the same year of 1942. First, they starred in The Spoilers together. Wayne played an Alaskan miner, who has the...
- 4/12/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
Fort Apache actor John Wayne had experience working with a wide array of his peers on sets over the years. His conservative political beliefs put him at odds with many co-stars over the years, but he still had a certain charm that enticed many of those around him. Wayne went out of his way to help those in need on his movie sets, which was exactly the case when a female co-star fainted while working on Fort Apache due to heat stroke.
John Wayne-collaborator John Ford became worried about Anna Lee John Wayne as Capt. Kirby York | Sunset Boulevard/Corbis via Getty Images
Wayne had several collaborators that he was closely associated with over the course of his filmography. Director John Ford was one of those, who amplified the actor to movie star status with 1939’s Stagecoach. However, Wayne’s connection with the filmmaker ultimately gave him the unique opportunity...
John Wayne-collaborator John Ford became worried about Anna Lee John Wayne as Capt. Kirby York | Sunset Boulevard/Corbis via Getty Images
Wayne had several collaborators that he was closely associated with over the course of his filmography. Director John Ford was one of those, who amplified the actor to movie star status with 1939’s Stagecoach. However, Wayne’s connection with the filmmaker ultimately gave him the unique opportunity...
- 4/10/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
The Warner brothers — Harry, Sam, Albert and Jack — were different from Hollywood’s other movie moguls in the industry’s early years. They were shrewd, brash, outspoken and passionate in ways that deviated from the industry norm. The most publicly consistent brother was Harry, a stoic businessman and proud immigrant. Sam was the technical visionary who was gone too soon. Albert largely avoided the public eye, although he served as a loyal ambassador to the family brand. Jack was the wild child, the entertainer, the sometimes unpredictable one.
Those talents served them well during a transitional time for what would become the filmed entertainment industry. The year 1903 marked that transition, moving from what historian Tom Gunning calls a “cinema of attractions,” based on simple spectatorship of an event, to narrative storytelling, which allowed audiences to get lost in what they saw onscreen. There was only one way to test the...
Those talents served them well during a transitional time for what would become the filmed entertainment industry. The year 1903 marked that transition, moving from what historian Tom Gunning calls a “cinema of attractions,” based on simple spectatorship of an event, to narrative storytelling, which allowed audiences to get lost in what they saw onscreen. There was only one way to test the...
- 4/4/2023
- by Chris Yogerst
- The Hollywood Reporter - Movie News
'Saint Joan': Constance Cummings as the George Bernard Shaw heroine. Constance Cummings on stage: From sex-change farce and Emma Bovary to Juliet and 'Saint Joan' (See previous post: “Constance Cummings: Frank Capra, Mae West and Columbia Lawsuit.”) In the mid-1930s, Constance Cummings landed the title roles in two of husband Benn W. Levy's stage adaptations: Levy and Hubert Griffith's Young Madame Conti (1936), starring Cummings as a demimondaine who falls in love with a villainous character. She ends up killing him – or does she? Adapted from Bruno Frank's German-language original, Young Madame Conti was presented on both sides of the Atlantic; on Broadway, it had a brief run in spring 1937 at the Music Box Theatre. Based on the Gustave Flaubert novel, the Theatre Guild-produced Madame Bovary (1937) was staged in late fall at Broadway's Broadhurst Theatre. Referring to the London production of Young Madame Conti, The...
- 11/10/2015
- by Andre Soares
- Alt Film Guide
Beginning a series looking at obscure pre-Code Hollywood films, made between the advent of sound and the strict enforcement of the Production Code. Some of these movies are rightly celebrated and frequently screened: Baby Face (1933), Red Headed Woman (1932), even to some extent Bed of Roses (1933). But others are trapped in copyright limbo or locked in vaults by studios too blind to exploit their holdings. That's the kind we're going to look at.
Tay Garnett was a typical tough-guy director, working in every genre but with a feeling for exotic climes (usually reproduced on the backlot). His reputation—that of a seventh-rate Howard Hawks, maybe—has never been hugely prestigious, and despite his frequently working on the screenplays of Hawks' films, and even making cameo appearances, the notion of Garnett as auteur never really took hold. Maybe, just maybe, this is partly due to the scarcity of some of his most interesting work.
Tay Garnett was a typical tough-guy director, working in every genre but with a feeling for exotic climes (usually reproduced on the backlot). His reputation—that of a seventh-rate Howard Hawks, maybe—has never been hugely prestigious, and despite his frequently working on the screenplays of Hawks' films, and even making cameo appearances, the notion of Garnett as auteur never really took hold. Maybe, just maybe, this is partly due to the scarcity of some of his most interesting work.
- 11/24/2011
- MUBI
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