I Wanted Wings (1941) Poster

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7/10
I watched much of the production taking place at Kelly Field in 1941
tgreens55426 February 2005
I was to be a guard at the phony gate as the stars passed through but I was not in the picture when released. I was a private in the U.S. Army Air Corps at Kelly Field. I am sorely disappointed that some movie studio has the picture locked up so no one can now obtain a copy except at an exorbitant price on eBay. This picture seemed to be the "launch pad" for many in the cast. It was fun to see and hear stars such as Brian Donlevy and Ray Milland complaining about the hot weather at San Antonio. During the filming a plane crashed on the runway and the pilot burned in it. It seemed so very ironic that it happened in front of the cameras in reality while so much boring stuff was staged. I saw the movie in New Your on my way to Europe in WWII. Forrest Lee Green
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6/10
Peekabo Goes Aloft
bkoganbing26 April 2008
I Wanted Wings has its place in Hollywood history because of winning the Best Special Effects Oscar for 1941. It's story about three men who wanted to become pilots in the Army Air Corps and the women who loved them is a bit dated.

Ray Milland, William Holden, and Wayne Morris are three very different types looking to be pilots. Milland is a well known playboy from the Long Island horsey set, Morris a good natured football jock, and Holden a poor garage mechanic who wants to better himself. It all comes real easy for Milland while the other two have to sweat out under the tutelage of Flight Instructor Brian Donlevy who they keep running into no matter where they go in the Army Air Corps.

The women in their lives are Constance Moore photo journalist doing a cover story for a magazine like Life or Look and sultry nightclub singer Veronica Lake. Holden and she have a past, but she's got her eyes set on Milland's millions.

I Wanted Wings is of course at its best in the air. Director Mitchell Leisen is invading territory that normally belonged to William Wellman, still Leisen does a nice job with material he normally wouldn't be assigned to. I'm guessing Paramount wanted Wellman for director, but he was probably tied up someplace else.

These guys are all a wee bit too noble though, especially Holden who was getting type cast in what he called his 'Smiling Jim' roles. As for Milland, I'm not sure why everyone keeps going out of their way to pull his chestnuts out of the fire.

Veronica Lake got her first real big break it's with here that Leisen's talents shine. This was where the famous peekaboo hairdo with the accompanying come hither glance was invented.

I agree with other reviewers that the film was too long by about 25 minutes. Still I Wanted Wings should please the aviation fans out there.
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7/10
" Veronica Lake's Metoric Rise To Stardom "
PamelaShort29 November 2013
Warning: Spoilers
I must admit I watched this film because of Veronica Lake and I was not disappointed. This being her first big role , she really holds her own with big stars William Holden, Ray Milland and easily outshines Constance Moore. It is proof to me that given the right role and direction, Veronica Lake had the acting talent. As it is, this film is very long and has some dull spots along the storyline, but it makes up for them when Veronica Lake's character appears. Lake and Holden have good chemistry, look good together and it would have been even better if this film was a little shorter and if the script had more focus on Holden and Lake. The story for the most part follows the training and personal lives of three recruits in the Army Air Corps, Ray Milland, William Holden, and Wayne Morris and was made as a salute to the Army Air Corps and an inspiration to those interested in joining. It is easy to see why this film was a hit with the young male audiences of 1941 and this film still adequately holds interest for anyone keen on WW II aviation and those interested in Veronica Lake's early stardom.
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7/10
Three cadets...and the screwy woman who vows to destroy one of them.
planktonrules11 June 2017
The story begins at a court martial. Jeff (Ray Milland) is in serious trouble and Al (William Holden) appears to speak up for him. Al's story is told in a flashback that lasts the duration of the film. There were three cadets in flight school who are friends. Jeff is a rich but nice guy, Al is a poor gas station attendant and Tom is a happy goofball. The film follows them through flight school, showing their ups and downs. In addition, there is a side story about Al and his short relationship with a real screw-ball, Sally (Veronica Lake). She is, to put it bluntly, unhinged and when he drops her, she vows to destroy him! And, during the rest of the picture she appears periodically to cause chaos (probably what psychotherapists would label a 'Borderline personality').

Aside from making all three cadets too impulsive and stupid at times, this is a rather enjoyable film. I particularly enjoy airplane flicks. Like many of Hollywood's films from 1940-41, it seems as if the movie folks knew US involvement in WWII would begin soon and so they began making movies glorifying the military and, in particular, making military training look wonderful (such as in "Caught in the Draft", "High Flyers" and "Buck Privates").
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6/10
Just passable air force flick bogged down by script
allans-74 January 2009
Mitchell Leisen was drafted in to do this one after shooting had started when it wasn't coming together under the original director. He did a good job of the flying shots but the clichéd, inconsistent script stops this from being any more than passable.

The movie is also long, unusual for Leisen as he liked fast paced movies, and I guess some of this is due to scenes capturing the feel of the air force at work. However by the time you get back to the court martial scenes at the beginning you have almost forgotten what the trial was about.

I liked Brian Donlevy - thought he was convincing. Bill Holden was just starting out. Ray Milland always reminds me of a second rate Cary Grant, except he managed to do something later in his career that Cary was unable to do - win the Oscar for best actor. There is no development at all for his character in the script. Didn't mind Veronica Lake though she was apparently not a lot of fun to work with in this her first movie.

This movie is also referenced in Leisen's next movie "Hold Back the Dawn" as the movie Leisen is making when the Charles Boyer character comes in to tell his story.
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7/10
Better Than Average Flyer Flick
arthur_tafero31 July 2018
I Wanted Wings has a lot of heavyweights in the cast; William Holden, Veronica Lake, Ray Milland, and Brian Donlevy. The production values are first-rate and it is right up there with Air Force, one of the best Air Pilot movies of all time. Even Wayne Morris was good, and he wasn't even playing a detective.

There was only one part of the film that I found unbelievable. How anyone would dump Veronica Lake for Constance Bennett is well beyond my comprehension. Veronica Lake was SMOKIN HOT!. I would landed one of those planes in Yankee Stadium to get a date with her. Other than that, the training of what would shortly become WW 2 pilots was very incisive. The script was believable, and the cinematography first-rate. It reminded me a bit of An Officer and a Gentleman. Recommended
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6/10
This movie is an overlong melodramatic mess, and yet I liked it!
AlsExGal1 February 2023
This Army air corps recruitment film from Paramount Pictures and director Mitchell Leisen follows three cadets, former stockbroker Jeff (Ray Milland), insecure mechanic Al (William Holden), and amiable lunkhead Tom (Wayne Morris), as they go through flight training under the tutelage of tough instructor Captain Mercer (Brian Donlevy). The boys also find time for romance with photographer Carolyn (Constance Moore) and gold-digging nightclub singer Sally (Veronica Lake). Also featuring Harry Davenport, Phil Brown, Edward Fielding, Willard Robertson, Hobart Cavanaugh, Charles Drake, Alan Hale Jr., Craig Stevens, and Hedda Hopper.

This movie is an overlong, melodramatic mess, but I liked it anyway. The first half is not unlike many pre-WW2 military boot-camp movies, where guys bond, fight over a girl or two, and slowly reveal why they joined the service, since in those pre-war days, they all had to have some reason, be it scandalous or life re-invention. Just as things were beginning to grow stale, at around the midway point of the movie Veronica Lake shows up as a super-sexy manipulator, and things get interesting again. She looks amazing and her character is irredeemable. According to the trivia I read, this is the film where she started getting a bad work reputation, but knowing that just adds to her performance. Where it all leads is ridiculous, but entertaining, although like so many studio-era films, it's all wrapped up too nice and neat at the end. The movie features some terrific aerial footage and stunt flying, but ironically it would win the Oscar for Best Special Effects, which are arguably the worst aspect of the film.
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9/10
Influenced my life and career.
aushop3 September 2006
I was either 12 or 13 when I saw this movie and it probably had much to do with my becoming a United States Air Force pilot. Shortly after I saw the movie my father and I attended the grand opening of Ellington Field in Houston and I saw a P-38 and fell in love with aviation.

I have seen the movie again in recent years and after twenty-nine years in the Air Force tend to pick the movie apart for the "Hollywood" production which is frequently quite different from the real world. However, it was an outstanding movie for its time and I probably have many fellow aviators that this movie influenced when they were young and impressionable.
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6/10
Roll Up Your Flaps, Will Ya?
rmax3048232 August 2017
Warning: Spoilers
roll up your flaps, will ya? Released in 1941, just before Pearl Harbor, this training camp film provides what is known in the study of attitude change as "inoculation." You get a little shot of it in the media so that when the real thing comes along you're prepared for it. Jenner found out it works for cow pox, so why not war?

Ray Milland, Wayne Morris, and William Holden, all of whom want wings, enter the Army Air Corps base at Randolph Field to begin primary flight training under the tutelage of barrel-chested Brian Donlevy. As an instructor, Donlevy is -- how you say? -- stern but fair. He whines his annoyance from the rear seat of the North American T-6 Texans, the popular trainer of the time. You already know what the airplanes look like if you've seen "Tora Tora Tora", in which they masqueraded as Japanese Zeros.

As trainees, Milland is cocky, Holden nervous, and Morris neither here nor there, his primary trait being his clumsiness and stupidity. Curiously enough, Morris was to become a Navy pilot during the war with seven Japanese aircraft to his credit, a recipient of four Distinguished Flying Crosses and two Air Medals. The girls were swooning over Ray Milland in the 40s. Holden is so boyish as to be unrecognizable but then he was only nine years old at the time.

The movie makes no pretense at realism. The activity level in the barracks and mess hall resembles that of a Cub Scout summer camp, all rambunctiousness, noise, and grabass. In a movie like this, girls are called for to prove that the men are heterosexual, and they appear in due course: Constance Moore for Milland and tiny Veronica Lake (née Constance Ockleman) as an infliction, more pernicious than anemia. Wayne Morris doesn't need a mate because, as it turns out, he pollinates.

A good deal of tension is on display towards the end and there are some nice flight scenes; even the simulated shots using back projection are attractive and exciting, at least as good as those in a big budget film like "A Yank in the RAF."

But in essence it's a training camp film whose target is the civilian population. They need to know that war is coming and that men will join the armed forces. They need to know that you don't have to be a pilot, or even an officer, to acquit yourself bravely although, to be sure, it's better to be an officer than an enlisted man, as I know all too well. There is a place for women in the war too, not women like Veronica Lake, shifty and lying, but women like Constance Moore, stalwart, honest, and resolute. Why, Moore even has a job!
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10/10
Wonderful film about early pilot training
huber7631110 January 2007
This film is a wonderful depiction of pre-WWII pilot training. Veronica Lake is wonderful as she chases her man. And although it was considered romantic in 1941, today it would be considered stalking. The film was made at Kelly and Randolph Fields in San Antonio, Texas. Today you can visit the places where the film was made and see the exact same buildings and features as are in the film. Even some of the artwork seen in the film still hangs in the same place at Randolph Field today. Many of the military actors in the film were actual military members at the time. Although a little long, it gives you a fascinating glimpse into the world of prewar pilot training. The film is a must see or own for any true military history buff.
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7/10
Cameras are cameras
norecoil-8248014 August 2022
When Constance Bennet's character is sitting on the tail of the bomber taking pictures, she's using a range finder camera. When she jumps down, she's now holding a TLR (twin lens reflex).
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5/10
What wings?
hcoursen27 January 2006
As a former Air Force pilot, I noticed that none of the pilots wore their wings while in their workaday blouses (as opposed to flight suits or more formal jacket and tie uniforms). That must have been standard just before WW II. The film is hardly a gung-ho recruitment poster. It shows some unconvincing cowardice (from Ray Milland) and some slightly more convincing insecurity (from Wm. Holden). It does have some good shots of training planes doing aerobatics -- and those must have been responsible for the Academy Award for special effects. Holden's emergency landing in a small field is also well done. The film hints at the kinds of things pilots have to learn, but doesn't educate us to the process. The early version of the B-17 did not have a tail-gun, so that design feature permits Veronica Lake to stowaway late in the film. By the way, the base security at March Field must have been really lax! Lake is wonderful as a sinuous singer (voice dubbed) in a glimmering gown. That she turns out to be Holden's ex-ember strains credulity. But this sub-plot is strong, simply because of Lake and Holden, who is given the only three-dimensional character in the film and who deals with his character with restraint. The love plot between Milland and Moore is bland, except for the brief instant when she grants him permission to kiss her. While the film was made in 1941, the pilot class that Holden, Milland, and Wayne Morris (who later became a Navy ace) is 38a -- early 1938. The film, then, is supposed to depict a time-span of a little more than two years, though we are given few signals about when it happens -- other than the elegant late 30s autos -- or how much time the action consumes.
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6/10
Doesn't completely fly
TheLittleSongbird20 May 2020
The cast is a great one, Ray Milland, William Holden, Veronica Lake etc were rarely less than worth watching and all gave great performances when they hit their stride and found what they excelled most at. Mitchell Lesisen was not a consistent director but was a competent one, evident with the likes of 'Midnight', with a fair share still of worthwhile films. The idea for the film sounded great and do appreciate, if not quite love, this kind of film and have done so for a while.

'I Wanted Wings' is not one of the best representations of any of them though. It is definitely worth a look, is mildly recommended and there is a good deal to admire about it. To me though 'I Wanted Wings' was an uneven film and only slightly above mixed bag level, not the easiest of films to rate and review when contemplating on what my thoughts were after watching. Why people here find appeal in it is definitely understandable, but it is also understandable as to why it won't click with others.

Will start with 'I Wanted Wings' good things. It is beautifully shot and the scenes in the air still look impressive today. The music is both sumptuous and moody. Leisen did do better direction elsewhere, some of his most inspired direction being in 1950's 'No Man of Her Own', but once the film gets going he frames things beautifully and stylishly, has enough momentum and the interaction between the actors is great, especially in the friendship bonding where they actually look like friends.

Did find the script uneven, but enough of it is thoughtful and engaging and the story engages enough too, especially when up in the air which have tension and emotional impact. Holden does a noble job as the film's most interesting character and Lake does a lot with a thankless and not always plausible one that she portrays intensely and movingly. Her hysteria on the plane felt very real, and may well have been as apparently she was the main source of the difficult shoot. Brian Donlevy is well cast in a role well suited to him and brings a good deal of authority.

Milland doesn't look as comfortable, the character is not a particularly meaty one and he came over as a little bland. Some of the writing in the romantic moments was a bit soapy, especially in the fairly underdeveloped Milland and Constance Moore (who could have brought more personality to her plot device role) subplot, and sometimes talky in the flashback.

Also felt that 'I Wanted Wings' is brought down by some overlong padding (such as the Milland and Moore subplot) and also just didn't find the trial stuff particularly interesting and easily forgettable. If this was trimmed length-wise, the film would have tighter and felt less bloated or suffered as much from the longer than needed length. The decision of who to stay with/dump between Lake and Moore also didn't ring particularly true.

On the whole, worthwhile but uneven. 6/10
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6/10
An officer and a gentleman
dbdumonteil23 September 2010
Warning: Spoilers
...whose only desire is learning to fly.Like some other Leisen movies of the era ("to each is own" " hold back the dawn") it is a very very long flashback framed by short scenes of a trial,the verdict of which we learn at the end ;it's not on a par with the two movies I mention above ;Veronica Lake is given a particularly thankless part and all that concerns her character is not really plausible:she is able to enter a military base effortlessly and even to get into the cabin of her husband 's plane ;Besides ,she becomes a murderess more because the script writers want to justify her death-not a spoiler:we learn it in the first minutes-than because of her motives (we hardly know her victim:a phone call and that's it).

Things go better when Leisen depicts the three musketeers's camaraderie and enthusiasm,and their endearing relationship with their instructor,their hopes ,and their fear of being part of the washed out third .Acting is good,particularly Brian Donlevy as the instructor;on the other hand ,although Ray Milland's talent cannot be denied ,his character is not that nice and he redeems himself in extremis during his trial.They have moments of depression ,of self-doubting and of self-denial.A mediocre flick such as eighties "top gun" found a lot of its inspiration here.
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6/10
Underwhelming.
ofpsmith20 August 2017
Warning: Spoilers
It's not bad or anything like that, but it's not as good as I expected it would be. It's really just mediocre at best. The story follows three Army Air Corps recruits; playboy Jeff Young (Ray Milland), mechanic Al Ludlow (William Holden), and former Notre Dame football star Tom Cassidy (Wayne Rogers). It follows their basic training, to their commission as officers, to goofing around, to an uninteresting love story. The love story in question involves Jeff, Al, journalist Carolyn Bartlett (Constance Moore), and nightclub singer Sally Vaughn (Veronica Lake). Well almost as soon as they meet them life just starts to fall apart for all 4, Cassidy crashes, Al gets kicked out and marries Sally, Al gets back into the Air Corps, Sally gets in trouble with the law and becomes a stowaway, the plane that she hides on crashes, and she ends up dead. It's almost kind of ridiculous. In all honesty, I don't remember what exactly I expected this movie would be like before I watched it, but I did expect it to be more interesting than what I got. It's kind of like Alaska Highway in that it could have been more than what it was. But it's better than that movie for a few reasons. First of all, this is more interesting. Secondly, the acting is actually pretty good so it has that appeal. That being said I don't really recommend it all that much because it's only average and at 2 hours and 15 minutes it's long.
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9/10
The education of air force pilots with ladies and ordeals
clanciai30 September 2020
There are some remarkable performances here, particularly by Veronica Lake, who sings beautifully and then causes the downfall of two promising pilots and almost succeeds in wrecking the entire film. William Holden is the other very remarkable performance as a very young man full of insecurity - this is a very rare character for William Holden in the very beginning of his career, making a pilot who commits mistakes and gets out of it alive, even if he stops flying for a while in a painful time out forced on him by circumastances. Ray Milland as the rich pilot aspirant with lots of money to pay for himself also commits horrible blunders and even tries a break as a deserter together with Veronica Lake but is saved by William Holden. They are a perfect pair as wannabe heroes who in a manner of speaking succeed by failing. Brian Donleavy as the senior officer is quite correct and does nothing wrong but gets hurt anyway. In brief, who wants to be a pilot through a dramatic education like this? There are some very impressing flying exhibitions as well, the "flying fortress" is showing its muscles, and although this film does not reach up to the level of other flying virtuoso films like David Lean's "The Sound Barrier", it is quite impressing enough and very interesting for its human psychology, as you can't fly away from human problems and complexities even as the best pilot in the world. Interesting is also that this film was made before Pearl Harbour in the idyllic days before the war got serious and America involved in it, which is why the film makes a very fresh impression, like a school for war in peacetime without any fear of any war, while things would soon get serious for real - after the film was made.
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1/10
sheer nonsense
SamPamBam29 December 2022
Ok, so this was some Pre-War prop the studios churned out to relax the American Public and get them to have faith in FDR's 1940 campaign promise (Mr. Roosevelt said at Boston on October 30: "I have said this before, but I shall say it again and again and again: Your boys are not going to be sent into any foreign wars.")...ironically this movie was actually released months before Pearl Harbor, and was heartily approved by the Army Air Corps who cooperated with Paramount in the production... And with that said, this thing is silly and sad and amateurish and rididculous. A 5th rate story, weak as oatmeal acting, cartoonish special effects (opening cartoon of B-17's in a mock bombing of LA)...worth watching?

Sure... Just don't expect much, despite the cast...
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9/10
Today marks the 75th anniversary of the United States Air Force becoming an independent branch of the Armed Forces.....
tarwaterthomas18 September 2022
Warning: Spoilers
.....so a question must be asked: is there any reason why I WANTED WINGS was never issued on VHS videocassette, laserdisc, DVD, or Blu-Ray? I saw it on American Movie Classics in the early 1990s, and it has turned up on Turner Classic Movies. I recently saw it on YouTube, so here goes my review. I WANTED WINGS opens up with a simulated bombing raid over Los Angeles in spectacular fashion by a squadron of Boeing B-17 Flying Fortresses; they drop flares to simulate bomb droppings, and they are going to be intercepted by pursuit squadrons of Curtiss P-40 Hawk fighter planes. The exercise is a resounding success, but one of the B-17s crashes in the desert east of Los Angeles, and there's a stowaway, a dead blonde woman! How'd she get inside the plane, anyway? There is a court-martial underway, and a flyboy named Jefferson Young III is in big trouble. The rest of this movie is in flashback. Three cadets show up one day at Randolph Field, Texas. There is the aforementioned Jefferson Young III, a wealthy playboy from Long Island; the second is football quarterback and unrepentant goofball Tom Cassidy (Wayne Morris); and the third is automotive mechanic Al Ludlow (William Holden) who's trying to better himself after some chickie babe got up in his face and told him that he was always going to be a grease monkey while she was going to be doing great things and there was no room for him in her future, so that's why he decided to join the Army Air Corps. Their flight instructor is Captain Allan Mercer (played with grumpy zeal by Brian Donlevy), who teaches them to aviate with finesse and grace. Jefferson, Tom and Al do their aviating in North American AT-6 Texans, and one night they pay a visit to a nightclub in beautiful downtown San Antonio, and Jefferson goes into a tailspin over that beautiful blonde chanteuse Sally Vaughn (Veronica Lake in a role that could not be played by any other actress) who sings "Born To Love"; trouble is, Jefferson is going out with Carolyn Bartlett (Constance Moore), a lovely magazine photographer for a metropolitan periodical. On a training mission at another airfield, fellow flyboy Jimmy Masters crashes and burns while trying to avoid airborne goofball Tom Cassidy and while Al Ludlow saves Jimmy's life, Jefferson just stands there with his thumb up his nose. Deeply ashamed, Jefferson gets drunk and hooks up with Sally. Al catches up with Jefferson and manages to get him back to the base while telling Sally to lay off, and forget getting her bear paws on his millions. She had been seeing the playboy flyboy with dollar signs in her eyes. Jefferson and Carolyn get themselves engaged, and the three pals get in some hedge hopping, as in they fly at very low altitudes, and Tom Cassidy clips a couple of trees. He dies in the crash, and as Al was in charge he gets kicked out of the cadets. Then Sally shows up and says she's in trouble, which is a polite way of claiming that she's carrying Jefferson's baby. The playboy admits to Carolyn that he'd been seeing Sally on the down low because Sally was going to destroy his reputation. Carolyn says goodbye, and Al makes an honest woman of Sally; the ace mechanic is still in love with her after all. She doesn't feel the same way; matter of fact, she lied about being pregnant, and he admits he'd known all along. Sally leaves him again, and the next time us viewers see Al Ludlow he is an enlisted crew chief on one of the B-17s tasked with participating in the simulated bombing run over Los Angeles. His job is to load the flares so that they can be dropped. So when Captain Mercer finds out that Al Ludlow is serving on active duty as a corporal, he decides to set the wheels in motion of reinstating Ludlow as a cadet. Then Sally shows up at the hangar begging for Al's help; it turns out she shot and killed a gangster who was managing her singing career. It begs the question: how did Sally Vaughn, a civilian, get onto a flightline at an Army Air Corps base? Anyhow, Sally figures Al owes her big time, being the amoral woman that she is, so Al hides her in the back of the B-17 until such time as the heat is off. She sneaks out of the aircraft but just before leaving the hangar a group of Air Corps officers venture inside, so Sally has no choice but to hide inside a B-17 Flying Fortress. Unfortunately, the very same p B-17 gets readied for takeoff before Sally can get away, so she's in for an uncomfortable ride. Jefferson is at the controls, of course. When the exercise is finished, Captain Mercer orders Corporal Ludlow to drop an emergency flare. Ludlow does, and finds Sally Vaughn back on board. There's an argument, a flare goes off by accident, Captain Mercer falls out of the plane, Ludlow slips on his own parachute, jumps out, and rescues Mercer; they both parachute safely. Jefferson Young III manages to land the B-17 safely to pick up Allan Mercer and Al Ludlow, and has to take off as Captain Mercer is severely injured to the point that if he doesn't get to the nearest hospital he will die. Jefferson guns the B-17s engines and gets the bomber plane airborne, but just when the B-17 is about to leave the ground, its left wing clips a rock formation and it crashes, killing Sally Vaughn. Flash forward to the court-martial. Jefferson Young III is cleared of all charges, and Al Ludlow is back as cadet. He takes off with Captain Allan Mercer, Lieutenant Jefferson Young III, and Carolyn Bartlett looking on fondly. I WANTED WINGS racked up a Best Special Effects Oscar for the visual effects by Gordon Jennings and Farciot Edouart, and sound effects by Louis Mesenkop. There are Hollywood histrionics to be sure, but this movie was filmed on location at Randolph Field (later Randolph AFB), Kelly Field (later Kelly AFB), and March Field (later March AFB and March Air Reserve Base). And there are some cute scenes to be had. There is one of Cadet Tom Cassidy at the controls of his AT-6 Texan with Captain Mercer in the backseat. Cassidy is sitting on his ass, and Captain Mercer grumps, "Cadet Cassidy! Are we taking the day off?" Cassidy guns the engine, and takes off. There's another scene of a row of Texans gearing off for takeoff from Kelly Field, and this is an aerial shot by Elmer Dyer. Even though the Second World War started in September, 1939, the United States was sitting it out as this was seen as strictly an European affair. But there was something in the wind and it was only a matter of time before the USA was drawn in. Hollywood must have been prophetic, because several military movies arrived on the silver screen around the same time: FLIGHT COMMAND (1940), DIVE BOMBER (1941), PARACHUTE BATTALION (1941), and INTERNATIONAL SQUADRON (1941). Was American audiences being prepped for the inevitable entry of America's entry into World War II? If it hadn't been for the attack on Pearl Harbor, would we have still sat out the war? I think not. I WANTED WINGS is rather lengthy, but it's worth viewing. It's on YouTube. Have a look, and see William Holden at the start of a successful acting career.
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