A typical cheap WWII propaganda movie, but that's not to say it wasn't that bad. Not a great deal of war action until the last 10 minutes of the movie. The target practice scenes using a mobile target on a rail track was historically interesting. Seeing Robert Mitchum was a surprise, as his name did not appear in the opening/ending credits. It goes to show what a small part he plays. The rommance angle of the movie spoilt things a bit. Why do the writers always have two guys fighting over the same woman, when they have only just met her, then propose by the next scene? It would have been much better to stick to the gunnery training scenes, scrub the rommance angle, and have a bit more action.
13 Reviews
Of course it's a war picture!....
AlsExGal19 February 2021
... It's 1943 and just about every film made that year involved some aspect of WWII. Even an MGM short about the weather called "Storm" hearkened back to that conflict. But I digress.
This low-budget war picture concerns airmen training to be tail gunners in bomber planes. Sgt. Foxy Pattis (Chester Morris) and Sgt. Jon Davis (Richard Arlen) have bad blood going back to before their military service, and things only get worse during the pressure of training. Can these two put their grudges aside in order to make the grade and become tail gunners?
This is corny and cliched, and the threadbare budget shows through quite often. The performances from Morris and Arlen are simply adequate, while young Jimmy Lydon gets to overdo it quite a bit as an emotionally-fragile recruit. Robert Mitchum has about three lines and shows up in one scene. This was one of nineteen movies in which he appeared in 1943, his debut year in pictures.
This low-budget war picture concerns airmen training to be tail gunners in bomber planes. Sgt. Foxy Pattis (Chester Morris) and Sgt. Jon Davis (Richard Arlen) have bad blood going back to before their military service, and things only get worse during the pressure of training. Can these two put their grudges aside in order to make the grade and become tail gunners?
This is corny and cliched, and the threadbare budget shows through quite often. The performances from Morris and Arlen are simply adequate, while young Jimmy Lydon gets to overdo it quite a bit as an emotionally-fragile recruit. Robert Mitchum has about three lines and shows up in one scene. This was one of nineteen movies in which he appeared in 1943, his debut year in pictures.
AERIAL GUNNER (William H. Pine, 1943) **
Bunuel197610 June 2007
Warning: Spoilers
I rented this and another latter-day Chester Morris vehicle GAMBLER'S CHOICE (1944) on the strength of his vintage work in the Pre-Code RED-HEADED WOMAN (1932) which I have recently watched. As denoted by the title, the film is a Grade-B war flick indistinguishable from the contemporary spate of routine efforts other than by the fact that its two leads (Morris and Richard Arlen) were way past their prime! It was quite cringe-inducing to see men obviously in their forties act like a couple of schoolboys, by outwitting one another in an attempt to win a date with the much younger leading lady!
Otherwise, it offers nothing new but is also, essentially, painless to sit through: Morris and Arlen bear a lifelong grudge against one another, so the former obviously picks on him when the latter enlists and finds out that Morris is his superior officer! Eventually, the tables are turned and Morris is demoted for unwittingly causing the death of the brother (who was driven to prove himself) of the girl both Morris and Arlen are in love with but, in a surprisingly good climax, Morris ultimately atones for this by sacrificing his life fighting the Japs (when the plane he and Arlen are flying on is downed), thus also paving the way to romance for Arlen. AERIAL GUNNER also marks one of the first appearances of Robert Mitchum in a brief role as the commanding officer of Morris' rival squad of gunners.
Otherwise, it offers nothing new but is also, essentially, painless to sit through: Morris and Arlen bear a lifelong grudge against one another, so the former obviously picks on him when the latter enlists and finds out that Morris is his superior officer! Eventually, the tables are turned and Morris is demoted for unwittingly causing the death of the brother (who was driven to prove himself) of the girl both Morris and Arlen are in love with but, in a surprisingly good climax, Morris ultimately atones for this by sacrificing his life fighting the Japs (when the plane he and Arlen are flying on is downed), thus also paving the way to romance for Arlen. AERIAL GUNNER also marks one of the first appearances of Robert Mitchum in a brief role as the commanding officer of Morris' rival squad of gunners.
"Henry Aldrich Goes to War"
fibbermac25 April 2006
I had never even heard of this movie, but I bought the DVD because my father-in-law was a WWII aerial gunner on B-17s in Europe and I'd just recently begun getting him to tell his stories onto audiotape for posterity. I thought that this might add to my knowledge of what he had experienced.
Based on my father-in-law's first hand accounts, I can tell you that the aerial gunnery school sequences in this film are relatively close to what the training was like. (For example, they really did make them assemble a 50 caliber machine gun while blind-folded.) However, the combat/action sequences at the climax of this film miss the mark by a mile.
I'd recommend this film to you if you are a fan of Robert Mitchum and want to see one of his early (uncredited), bit-part roles.
I'd also recommend this film to any fans of Jimmy Lydon, who starred as "Henry Aldrich" in the many "Henry Aldrich" films of the 1940's. Unlike Mitchum, Lydon has a large dramatic role in this picture and since this was filmed during the same era as the Aldrich movies, you could have given this film the alternate title "Henry Aldrich Goes to War".
Unfortunately, sub-par writing, acting, directing, and budget all contribute to the anemic quality of this film. If you're looking for a WWII story with real entertainment value, stick to the period pieces starring John Wayne. I'm giving this film 4 stars based on it's curiosity value alone.
Based on my father-in-law's first hand accounts, I can tell you that the aerial gunnery school sequences in this film are relatively close to what the training was like. (For example, they really did make them assemble a 50 caliber machine gun while blind-folded.) However, the combat/action sequences at the climax of this film miss the mark by a mile.
I'd recommend this film to you if you are a fan of Robert Mitchum and want to see one of his early (uncredited), bit-part roles.
I'd also recommend this film to any fans of Jimmy Lydon, who starred as "Henry Aldrich" in the many "Henry Aldrich" films of the 1940's. Unlike Mitchum, Lydon has a large dramatic role in this picture and since this was filmed during the same era as the Aldrich movies, you could have given this film the alternate title "Henry Aldrich Goes to War".
Unfortunately, sub-par writing, acting, directing, and budget all contribute to the anemic quality of this film. If you're looking for a WWII story with real entertainment value, stick to the period pieces starring John Wayne. I'm giving this film 4 stars based on it's curiosity value alone.
High and Dry
sol-kay15 March 2006
***SPOILERS*** 1943 war movie involving two army men who knew each other on the outside on different sides of the law. Having his father sent away in prison where he later committed suicide Foxy Pattis, Chester Morris,had it in for the young assistant DA responsible for his dads death Jon David, Richard Aplen. Davis joining the army after the Japanese attack on Pearl Harbor surprisingly meets Foxie who turns out to be his instructor in aerial gunnery school at camp Hags Texas, you can just imagine what happens next.
The movie actually begins when Davis, now a lieutenant in the USAAF,flies his disabled bomber back to the American lines in the Pacific. Badly wounded with almost all his crew-mates, with the exception of Pvt. "Gadget" Blaine (Dick Purcel), dead Davis goes into a long monologue about what happened From that point on we get the story about Foxie's courage under fire and how both David & Blaine owe their lives to him.
We get the usual war story, from Davis, about him having all kinds of trouble with Foxie, who does everything to wash him out of Gunnery School, at Hags and the added attraction of both Foxie and Davis vying for the love of Peggy Lunt, Amelita Ward. It turns out that Peggy's brother the quite and sensitive Pvt. Sandy Lunt, Jimmy Lyndon,is also at Gunnery School and is in Foxie's class. Sandy panic-stricken at shooting his off tail-gun at the school's qualifying finals is given a second chance by the understanding Foxie. The next day Sandy after hitting his target goes psycho and blows up his planes tail section sending it into a free fall and crashing into an empty field. Sandy is visited by Foxie at the hospital and forgives the very guilty stricken gunnery instructor for sending him up in the air to shoot off his gun and then suddenly expires.
The movie then moves to the Pacific Theater of War where we now see Davis in charge of a bomber crew and guess who's his newest crew member, Foxie! Not only is Davis reunited with Foxie but the same people at Hags who were instructed by Foxie in aerial gunnery school are members of Davis' crew, what are the odds of that happening!
Hated by everyone on the bomber crew for what he had to do with Sandy's death which was really nothing at all since Sandy was determined to go up in the air, and how the hell did Foxie know that he'd blow himself and his plane up. Foxie gets his big chance to redeem himself later in the movie in a dog fight with a half dozen Japanese zeros in the air and well as a full company of Japanese troops on the ground. Foxie heroically ends up giving his life to save his fellow crew members who both hated and despised him.
Nothing really out of the ordinary here when it comes to war propaganda films released by Hollywood during WWII. There's also a very young, and ruggedly handsome, Robert Mitchum in a small part in the movie, playing a tail gunner, that makes "Aerial Gunner" something of a curiosity piece.
The movie actually begins when Davis, now a lieutenant in the USAAF,flies his disabled bomber back to the American lines in the Pacific. Badly wounded with almost all his crew-mates, with the exception of Pvt. "Gadget" Blaine (Dick Purcel), dead Davis goes into a long monologue about what happened From that point on we get the story about Foxie's courage under fire and how both David & Blaine owe their lives to him.
We get the usual war story, from Davis, about him having all kinds of trouble with Foxie, who does everything to wash him out of Gunnery School, at Hags and the added attraction of both Foxie and Davis vying for the love of Peggy Lunt, Amelita Ward. It turns out that Peggy's brother the quite and sensitive Pvt. Sandy Lunt, Jimmy Lyndon,is also at Gunnery School and is in Foxie's class. Sandy panic-stricken at shooting his off tail-gun at the school's qualifying finals is given a second chance by the understanding Foxie. The next day Sandy after hitting his target goes psycho and blows up his planes tail section sending it into a free fall and crashing into an empty field. Sandy is visited by Foxie at the hospital and forgives the very guilty stricken gunnery instructor for sending him up in the air to shoot off his gun and then suddenly expires.
The movie then moves to the Pacific Theater of War where we now see Davis in charge of a bomber crew and guess who's his newest crew member, Foxie! Not only is Davis reunited with Foxie but the same people at Hags who were instructed by Foxie in aerial gunnery school are members of Davis' crew, what are the odds of that happening!
Hated by everyone on the bomber crew for what he had to do with Sandy's death which was really nothing at all since Sandy was determined to go up in the air, and how the hell did Foxie know that he'd blow himself and his plane up. Foxie gets his big chance to redeem himself later in the movie in a dog fight with a half dozen Japanese zeros in the air and well as a full company of Japanese troops on the ground. Foxie heroically ends up giving his life to save his fellow crew members who both hated and despised him.
Nothing really out of the ordinary here when it comes to war propaganda films released by Hollywood during WWII. There's also a very young, and ruggedly handsome, Robert Mitchum in a small part in the movie, playing a tail gunner, that makes "Aerial Gunner" something of a curiosity piece.
The Usual WWII Buddy/Guys Fight Over Gal Flick
lawprof29 May 2004
Hollywood during World War II was slightly schizophrenic as it alternated releasing escapist movies that allowed theater-goers to momentarily forget about the war and patriotic "B" films that reminded all of the continuing threat and the cost of fighting.
"Aerial Gunner" is in the latter category, reflecting Tinseltown's desire to showcase every branch of the service and virtually every specialty (no film that I can recall honored the Graves Registration units nor were black contributions to victory the subject of main features. I wonder why.).
"Aerial Gunner" deals with - aerial gunners, those enlisted men whose skill with machine guns in swerving aircraft under furious attack often made the difference between getting back to base or going down in flames.
The government generously supported these film projects and in this movie the producer, director and cast were given not only stock footage but also a base, hundreds of servicemen as extras and planes to film.
Ex-New York City assistant district attorney John Davis (Richard Arlen) was quite hated before the war by Coney Island barker "Foxy" Pattis for prosecuting his dad, leading to the old man killing himself. Big surprise, both men wind up at aerial gunnery school where SGT Pattis is SGT Davis's instructor. And he's determined to wash the lawyer out. Real original plot.
But then the scriptwriter came up with something truly novel. Both Pattis and Davis fall in love with the same girl, Peggy Lunt, played by Lita Ward. I don't think this had ever been done before in a war movie.
Pattis and Davis are sort of reconciled and, somehow, both wind up in the same unit in the Pacific where Pattis has become both an officer and a pilot (beyond highly unlikely for a noncom who graduated aerial gunnery school).
The rest of the drama is predictable. "Aerial Gunner" offers hefty shots of patriotism and reminds all that Americans make great sacrifices at the front.
What truly enraged me, and I'm sure will infuriate other viewers, was the scene when a gunner calls out that Japanese Zeros were attacking and there immediately is shown a single-engine monoplane with FIXED landing gear. Is there an American kid today who doesn't know that the vaunted Mitsubishi fighter had retractable gear?
5/10 (but it does recapture a time in which movies made the war more immediate and, dare I say it, entertaining).
"Aerial Gunner" is in the latter category, reflecting Tinseltown's desire to showcase every branch of the service and virtually every specialty (no film that I can recall honored the Graves Registration units nor were black contributions to victory the subject of main features. I wonder why.).
"Aerial Gunner" deals with - aerial gunners, those enlisted men whose skill with machine guns in swerving aircraft under furious attack often made the difference between getting back to base or going down in flames.
The government generously supported these film projects and in this movie the producer, director and cast were given not only stock footage but also a base, hundreds of servicemen as extras and planes to film.
Ex-New York City assistant district attorney John Davis (Richard Arlen) was quite hated before the war by Coney Island barker "Foxy" Pattis for prosecuting his dad, leading to the old man killing himself. Big surprise, both men wind up at aerial gunnery school where SGT Pattis is SGT Davis's instructor. And he's determined to wash the lawyer out. Real original plot.
But then the scriptwriter came up with something truly novel. Both Pattis and Davis fall in love with the same girl, Peggy Lunt, played by Lita Ward. I don't think this had ever been done before in a war movie.
Pattis and Davis are sort of reconciled and, somehow, both wind up in the same unit in the Pacific where Pattis has become both an officer and a pilot (beyond highly unlikely for a noncom who graduated aerial gunnery school).
The rest of the drama is predictable. "Aerial Gunner" offers hefty shots of patriotism and reminds all that Americans make great sacrifices at the front.
What truly enraged me, and I'm sure will infuriate other viewers, was the scene when a gunner calls out that Japanese Zeros were attacking and there immediately is shown a single-engine monoplane with FIXED landing gear. Is there an American kid today who doesn't know that the vaunted Mitsubishi fighter had retractable gear?
5/10 (but it does recapture a time in which movies made the war more immediate and, dare I say it, entertaining).
Look Up in the Sky
wes-connors7 April 2011
"A bomber plane limps home from a dangerous mission and the wounded pilots recounts, in dramatic flashbacks, the story of one soldier's bravery. Sworn rivals in civilian life, Sgt. Davis (Richard Arlen) and 'Foxy' Pattis (Chester Morris) are shot down behind enemy lines. Surrounded by hostile Japanese troops, they must put aside their deep hatred of one another in order to survive. Featuring convincing aerial dogfight footage and authoritative performances by Morris and Arlen, this wartime propaganda extravaganza depicts men facing certain death roused to a higher calling," say the good folks at Alpha Video.
Popular "Henry Aldrich" series star Jimmy Lydon (as Sanford "Sandy" Lunt) makes a good dramatic impression. Playing Mr. Lydon's sister, attractive Amelita "Lita" Ward (as Peggy) makes her film debut; her second film co-starred William "Billy" Benedict (who is featured herein as a sleepy private) and future husband Leo Gorcey. Dependable Dick Purcell (as "Gadget") has the best comic relief scenes. Rugged Robert Mitchum receives special billing on present purchases of "Aerial Gunner" but appears very briefly (it is a speaking part, though). At least one of the fun bit and supporting players became Superman.
***** Aerial Gunner (3/20/43) William H. Pine ~ Chester Morris, Richard Arlen, Jimmy Lydon, Amelita Ward
Popular "Henry Aldrich" series star Jimmy Lydon (as Sanford "Sandy" Lunt) makes a good dramatic impression. Playing Mr. Lydon's sister, attractive Amelita "Lita" Ward (as Peggy) makes her film debut; her second film co-starred William "Billy" Benedict (who is featured herein as a sleepy private) and future husband Leo Gorcey. Dependable Dick Purcell (as "Gadget") has the best comic relief scenes. Rugged Robert Mitchum receives special billing on present purchases of "Aerial Gunner" but appears very briefly (it is a speaking part, though). At least one of the fun bit and supporting players became Superman.
***** Aerial Gunner (3/20/43) William H. Pine ~ Chester Morris, Richard Arlen, Jimmy Lydon, Amelita Ward
Very, very familiar--and it's been done much better on many occasions.
planktonrules18 February 2012
"Aerial Gunner" is a very low-budget WWII propaganda film that has many familiar plot elements. The trouble is, although there are MANY movies like this one (including, off the top of my head, "Flying Tigers", "A Yank in the RAF", "Captains of the Clouds" and "I Wanted Wings"), these other films are just a lot better. The film is made by tiny Pine-Thomas Productions and suffers from uneven acting (Richard Arlen wasn't all that good) and a cheap look.
Like most of the films above, this one is set in a training camp for the Army Air Corps. In this case, it's aerial gunnery school. And, like most of these films, it involves a cocky recruit and the man in charge of his training--and they fall for the same woman (quite the cliché). The trainee, like these other films, makes a nuisance of himself and in the end gives his all to prove himself and receive redemption.
The film contains NOTHING new...nothing. There are also elements of "The Eagle and the Hawk" and the ending a lot like "First Yank in Tokyo" and all the films above! Been there, done that....'nuff said....
Like most of the films above, this one is set in a training camp for the Army Air Corps. In this case, it's aerial gunnery school. And, like most of these films, it involves a cocky recruit and the man in charge of his training--and they fall for the same woman (quite the cliché). The trainee, like these other films, makes a nuisance of himself and in the end gives his all to prove himself and receive redemption.
The film contains NOTHING new...nothing. There are also elements of "The Eagle and the Hawk" and the ending a lot like "First Yank in Tokyo" and all the films above! Been there, done that....'nuff said....
Second string war docu-drama. Not bad for itself.
mark.waltz7 January 2016
Warning: Spoilers
Flashing back after the alleged death of a war hero, this is formula, by the numbers propaganda with all the ingredients for patriotic stew. Independent filmmaker William Pine released all sorts of similar programmers during World War II, none really good, but not bombs either. Perfect as the bottom of the bill, these came out by the dozens and today are studied more for techniques rather than structure. The Pine-Thomas division at Paramount studios took every branch of the service, practically every important military position, copied recent headlines, and turned them into quick bucks that were very important to the war effort but unremarkable over all.
This entry takes two old rivals, Chester Morris and Richard Arlen, brings them together in battle and ultimately goes out of its way to depict the importance of putting personal animosity behind when faced with a serious mission. Familiar faces pop up throughout. Don't blink or you will miss Robert Mitchum. Typical use of sad moments involving the youngest members of the squadron manipulate the viewer for pathos. Veterans Morris and Arlene take control, and do their best to rise above the predictability.
This entry takes two old rivals, Chester Morris and Richard Arlen, brings them together in battle and ultimately goes out of its way to depict the importance of putting personal animosity behind when faced with a serious mission. Familiar faces pop up throughout. Don't blink or you will miss Robert Mitchum. Typical use of sad moments involving the youngest members of the squadron manipulate the viewer for pathos. Veterans Morris and Arlene take control, and do their best to rise above the predictability.
Diverting Genre Film.
rmax30482318 March 2009
Warning: Spoilers
It conforms to all the conventions of its particular genre or rather combination of two sub-genres: (1) the training camp movie, and (2) the war movie. Two city guys grew up together but don't like each other much. The guy who turned out good is Richard Arlen. The guy who turned sort of mean is Chester Morris. They both wind up in the Army Air Force gunnery school in Texas. Both are sergeants but, by virtue of his having run a shooting gallery, Morris is an instructor and Arlen is one of his dozen students.
It's kind of interesting watching the training regimen. The students learn to assemble machine guns blindfolded, shoot skeet, shoot at a moving target, and finally do some practice in the air at a target sleeve being towed behind another airplane. I could never understand how they could hit anything moving in three dimensions from a shooting platform that was also moving in three dimensions. Imagine a formation of lumbering Flying Fortresses flying at 250 mph. being attacked by a horde of Messerschmidts zipping around at 325 mph. Then put yourself in one of the gun turrets. It would be like trying to shoot a fly with a beebee gun while jumping on a trampoline.
As in all training camp movies, the two acquaintances have a beef over a local girl. And among the students there is the dummy, the washout, the weakling who gives it his best effort and dies trying.
Then it's overseas for a crack at those Japs. By this time, the good Richard Arlen has become a commissioned officer and a pilot. The mean Chester Morris is still a gunner. A bombing mission. They are attacked by five Japanese fighters after they've dropped their bombs. Rat-a-tat-tat. All the fighters are gone, but the Lockheed bomber is seriously shot up. Two men are dead, pilot Arlen is wounded, and "the motors are gone." (I have to insert here that they are called "engines", not "motors," and that Maxwell Shane, the writer, was evidently not in the Air Force nor an engineer.) A landing on an isolated airstrip in Japanese territory while the mechanic repairs the engines and wounded Arlen gets patched up. They're almost done when Japanese troops appear in the brush and start popping rifle shots into the plane. Morris deplanes with his Tommy gun and mows them down, giving his life, while the others barely manage to escape.
It's not a bad movie, given its intent and its modest budget. Chester Morris was a stalwart B-movie actor, a decent Boston Blackie. He's only of medium height but tough as hell. Morris always seems to be biting his lower lip and glowering. He puffs up his beefy chest, tucks his chin in, and struts around with his arms swinging manfully at his side, a kind of parodic masculinity. As an actor, Richard Arlen causes a great big hole to appear wherever he is on the screen. The role of the babe is perfunctory. Some of the supporting players can't act as well as I can -- and I can't act.
I don't think a heck of a lot of thought or effort went into this quickie. At times it's almost painful to hear the corny dialog. Yet it's not without interest. It probably helps if you like airplanes but if you're looking for originality, look elsewhere.
It's kind of interesting watching the training regimen. The students learn to assemble machine guns blindfolded, shoot skeet, shoot at a moving target, and finally do some practice in the air at a target sleeve being towed behind another airplane. I could never understand how they could hit anything moving in three dimensions from a shooting platform that was also moving in three dimensions. Imagine a formation of lumbering Flying Fortresses flying at 250 mph. being attacked by a horde of Messerschmidts zipping around at 325 mph. Then put yourself in one of the gun turrets. It would be like trying to shoot a fly with a beebee gun while jumping on a trampoline.
As in all training camp movies, the two acquaintances have a beef over a local girl. And among the students there is the dummy, the washout, the weakling who gives it his best effort and dies trying.
Then it's overseas for a crack at those Japs. By this time, the good Richard Arlen has become a commissioned officer and a pilot. The mean Chester Morris is still a gunner. A bombing mission. They are attacked by five Japanese fighters after they've dropped their bombs. Rat-a-tat-tat. All the fighters are gone, but the Lockheed bomber is seriously shot up. Two men are dead, pilot Arlen is wounded, and "the motors are gone." (I have to insert here that they are called "engines", not "motors," and that Maxwell Shane, the writer, was evidently not in the Air Force nor an engineer.) A landing on an isolated airstrip in Japanese territory while the mechanic repairs the engines and wounded Arlen gets patched up. They're almost done when Japanese troops appear in the brush and start popping rifle shots into the plane. Morris deplanes with his Tommy gun and mows them down, giving his life, while the others barely manage to escape.
It's not a bad movie, given its intent and its modest budget. Chester Morris was a stalwart B-movie actor, a decent Boston Blackie. He's only of medium height but tough as hell. Morris always seems to be biting his lower lip and glowering. He puffs up his beefy chest, tucks his chin in, and struts around with his arms swinging manfully at his side, a kind of parodic masculinity. As an actor, Richard Arlen causes a great big hole to appear wherever he is on the screen. The role of the babe is perfunctory. Some of the supporting players can't act as well as I can -- and I can't act.
I don't think a heck of a lot of thought or effort went into this quickie. At times it's almost painful to hear the corny dialog. Yet it's not without interest. It probably helps if you like airplanes but if you're looking for originality, look elsewhere.
Dedicated To Tail Gunner Charley
bkoganbing25 April 2011
Warning: Spoilers
Richard Arlen and Chester Morris, a couple of former A list players who had seen their best Hollywood days come and go co-star in this vintage war film from Paramount's B Picture Unit. The film is narrated in flashback by Arlen who has just survived a tough bombing mission in which Morris did not return and several other crew members were killed.
These two guys had some history and it isn't good. Arlen works for the District Attorney and Morris blames him for harassing his criminal father to death. So when Arlen arrives at gunnery training school with Morris as the instructor these two are at it over everything. Given what we see of Morris I'm not sure how he got to be an instructor in the first place. And why Arlen doesn't request a transfer God only knows.
Naturally the rivalry now extends to a girl, Amelita Ward whose brother Jimmy Lydon is training with Morris along side Arlen. For reasons I'm not clear, Arlen gets a commission so by the time they're in the Pacific Theater, Arlen is now Morris's superior.
I won't say any more accept that everyone performs heroically and we're given more reasons to defeat the enemy in the Pacific. Dick Purcell and Billy Benedict are a pair of colorful gunnery trainees and Robert Mitchum has a small part as another training sergeant.
Aerial Gunner is a poor film of World War II vintage that does not hold up well at all. Chester Morris went back to doing Boston Blackie films which were infinitely better. And this certainly isn't a film Robert Mitchum bragged about.
These two guys had some history and it isn't good. Arlen works for the District Attorney and Morris blames him for harassing his criminal father to death. So when Arlen arrives at gunnery training school with Morris as the instructor these two are at it over everything. Given what we see of Morris I'm not sure how he got to be an instructor in the first place. And why Arlen doesn't request a transfer God only knows.
Naturally the rivalry now extends to a girl, Amelita Ward whose brother Jimmy Lydon is training with Morris along side Arlen. For reasons I'm not clear, Arlen gets a commission so by the time they're in the Pacific Theater, Arlen is now Morris's superior.
I won't say any more accept that everyone performs heroically and we're given more reasons to defeat the enemy in the Pacific. Dick Purcell and Billy Benedict are a pair of colorful gunnery trainees and Robert Mitchum has a small part as another training sergeant.
Aerial Gunner is a poor film of World War II vintage that does not hold up well at all. Chester Morris went back to doing Boston Blackie films which were infinitely better. And this certainly isn't a film Robert Mitchum bragged about.
The 26 Year Old Robert Mitchum
Single-Black-Male3 November 2003
After making his screen debut, Robert Mitchum continued to fill our screens by appearing in this film. He's probably eye-candy for a female American audience, or a Western audience who thought all American were tall and broad shouldered like him. There isn't much range in his acting and he doesn't take you by surprise.
Short and taut war drama
searchanddestroy-129 January 2024
It is a propaganda war drama shot in 1943. There is romance, action, and nothing special besides that. Chester Morris and Richard Arlen are both worth the watch. Not a rare film though but that doesn't justify not to try it. If you are a gem digger, you should watch it. I don't know the director, never heard of him, but this film is really entertaining and brings however a good ending, in the pure tradition of those years or fight and sacrifice. Yes, a good light hearted propaganda feature to help audiences to forget the horrors of war or at least watch them in a smooth way. Good little film. I recommend it.
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