Cavalcade of Dance (1943) Poster

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6/10
Dances from 1917 to the '40s with Veloz and Yolanda...
Doylenf16 February 2009
Narrated by Art Gilmore and directed by Jean Negulesco for Warner Bros., this is a short illustrating the various dance tempos throughout the '20s to '40s era.

Among the dances, the Tango and Rhumba stand out as the most exotic displays of ballroom dancing--but there's also the One Step (1917), Charlston ('20s), Black Bottom, a popular Mexican waltz, and the Jitterbug.

Veloz and Yolanda give all the dances some extra flavor with their darkly Latin looks and body movements that flow with the music in a way that all great dancers are capable of. But the best segment is the exotic movements to the Rhumba.

Strange to see Jean Negulesco, a director later known for his strong dramatic films (JOHNNY BELINDA, ROADHOUSE), rather than musicals, but this must have been at the start of his career at Warner Bros. There is no story angle at all, just the dances.
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7/10
All They Want To Do Is Dance
boblipton17 December 2022
Veloz and Yolanda demonstrate some of their ballroom dancing in a mixture of well-orchestrated shots while Art Gilmore talks about the Castles, the Black Bottom, and the one-step.

The two of them were a popular specialty act in pictures like THE PRIDE OF THE YANKEES. They were also married for a long time and had four children before divorcing in 1962.

It's directed by Jean Negulesco whose fluid style of editing had changed the way the Warner Brothers' Vitagraph shorts unit would shoot their musical shorts. The higher-ups noticed, and Negulesco would shortly go on to direct features for a quarter of a century. He died in 1993 at the age of 93.
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8/10
Probably covers every dance there is, except square ones . . .
tadpole-596-91825617 March 2013
Warning: Spoilers
. . . or dances that first started when really old people alive today were kids, such as the Twist or Monster Mash. But it is interesting to watch this for the cultural history of our great grand parents, and not just for the dance moves, but also the costumes (the dancing pair wear many different ones; this 10 minutes, 45.26 second short most likely was not shot in one take). The guy wears a Zorro suit for the Tango section (only without the mask), and a really wide sash or belt that looks totally crazy by today's dance floor standards. The chick's shining black dress for the final Rhumba segment is pretty slinky and appealing, though the catchiest song is the Mexican waltz, the Chapanakis, what with all the clapping and mariachi band and everything. So kudos to the antiquarians of long ago who preserved this film till it could be digitized and show young people of today what their ancestors did for fun in Millard Fillmore's day.
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