Carla Lehmann wakes in a hospital in North Africa, where she tells a nursing sister of how she met British spy James Mason, stole a camera in Algiers for him and outwitted various nasty Nazis to save the landings at Oran in North Africa.
It's a good, breezy movie directed by George King, who just half a decade earlier had been directed melodramas starring Tod Browning. Now he was telling James Mason, one of Britain's biggest home-grown stars of the period what to do. Mason, however, is not the subject of the movie, and is present for about half of it. Instead, Canadian-born Miss Lehmann carries the show as a quick-witted sculptress from Kansas. She's pretty good, even though the net effect of this movie is a hands-across-the-seas programmer from, say, Universal. The plot borrows liberally from other movies. There's an extensive Casbah segment that suggests PEPE LE MOKO, and a local girl hopelessly in love with Mason, played charmingly by Pamela Stirling; Walter Rilla plays the baddie, even though there isn't much menace in performance; and the Americans are represented, not only by Miss Lehmann, but Bart Norman playing General Mark Clark!
Mason didn't think much of the movie. He later noted that after the war, it was a hit in Bulgaria. Perhaps it's because he wore a mustache for the first half of it.
It's a good, breezy movie directed by George King, who just half a decade earlier had been directed melodramas starring Tod Browning. Now he was telling James Mason, one of Britain's biggest home-grown stars of the period what to do. Mason, however, is not the subject of the movie, and is present for about half of it. Instead, Canadian-born Miss Lehmann carries the show as a quick-witted sculptress from Kansas. She's pretty good, even though the net effect of this movie is a hands-across-the-seas programmer from, say, Universal. The plot borrows liberally from other movies. There's an extensive Casbah segment that suggests PEPE LE MOKO, and a local girl hopelessly in love with Mason, played charmingly by Pamela Stirling; Walter Rilla plays the baddie, even though there isn't much menace in performance; and the Americans are represented, not only by Miss Lehmann, but Bart Norman playing General Mark Clark!
Mason didn't think much of the movie. He later noted that after the war, it was a hit in Bulgaria. Perhaps it's because he wore a mustache for the first half of it.
