IMDb RATING
6.2/10
2.8K
YOUR RATING
When an errant bomb unearths the coffin of a vampire during the London Blitz, a gravedigger unknowingly reanimates the monster by removing the stake from his heartWhen an errant bomb unearths the coffin of a vampire during the London Blitz, a gravedigger unknowingly reanimates the monster by removing the stake from his heartWhen an errant bomb unearths the coffin of a vampire during the London Blitz, a gravedigger unknowingly reanimates the monster by removing the stake from his heart
Jeanne Bates
- Miss Norcutt
- (uncredited)
Billy Bevan
- Horace - Civil Defense Worker
- (uncredited)
Sydney Chatton
- Peters - Desk Clerk
- (uncredited)
Sherlee Collier
- Nicki as a child
- (uncredited)
Frank Dawson
- Old Man
- (uncredited)
Harold De Becker
- Civil Defense Worker #2
- (uncredited)
Donald Dewar
- John as a Child
- (uncredited)
Jean Fenwick
- Girl on Street
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaColumbia Pictures originally intended this film as a direct sequel to Dracula (1931), also starring Bela Lugosi, but when Universal threatened a plagiarism suit, Columbia went ahead and made the film anyway but changed the names of the characters to avoid any connection with "Dracula". It also held back its release for two months so as not to compete with Lon Chaney Jr.'s Son of Dracula (1943).
- GoofsThe story is inconsistent as to whether Nicki Saunders is Dr. Saunders' granddaughter or daughter.
- Quotes
Narrator: [Opening lines before main title] The imagination at times sees the fantastic and the grotesque. that the imagination of man can soar into the stratosphere of fantasy is attested by the...
[main title]
Narrator: The Return of the Vampire.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl: "I VAMPIRI DI PRAGA" (1935) (Mark of the Vampire (1935)) + "IL RITORNO DEL VAMPIRO" (1943) - (2 Films on a single DVD). Languages: English Subtitles: Italian (Forced) Aspect ratio: 1.33:1 (Adapted to 16/9 Pillarbox format) Extras: DNA Trailers The film has been re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Hollywood and the Stars: Monsters We've Known and Loved (1964)
Featured review
Evil Never Dies...
In the 18th-century, Dr. Armand Tesla, a "depraved" Romanian scientist, developed an unhealthy obsession with the supernatural--vampires in particular--and became a foul creature of the night shortly after his death. Flash forward to 1918 and Tesla, with the help of his rather pathetic werewolf slave, has relocated to a desolate cemetery in London. After preying on the young niece of the intrepid scientist Walter Saunders, who immediately deduces a vampire is on the loose, Saunders and his colleague Lady Jane Ainsley find the vampire in his lair & drive a spike through his heart.
Twenty-five years later, German bombers disturb the cemetery where Tesla lays at rest & two cockney civil-defense workers remove the stake from the vampire's unearthed body. That night, Tesla sets out to reclaim his now reformed flunky, Andreas, whose "iron-will" shows through as it takes no more than a few minutes in Tesla's presence before he's furring out again. The vampire sets out to take revenge on those responsible for his quarter-century dirtnap, but like all malevolent beings in these types of horror films, his cruel mistreatment of his servant will eventually come back to bite him...
"The Return of the Vampire", while no masterpiece, is chock full of some wonderful atmosphere & images: the fog-bound cemeteries, Lugosi's outstretched cape, the entranced young beauty (Nina Foch) hypnotically walking through the graveyard. Speaking of those graveyards, have you ever stopped to wonder how this vampire can be so repulsed when a cross is shoved in his face, yet has no trouble stalking around cemeteries littered with giant stone-crosses.
Lugosi, of course, still has his vampire-mojo working, his line readings being as priceless as ever. As for his servant, was there any point in subjecting Matt Willis to a werewolf makeup, aside from Columbia feeling the need to jump on the bandwagon in light of that "Wolf Man" character that was making money for Universal Pictures. Matt's role could've just as easily been played as a totally human lapdog (ala Renfield). Being in a lycanthropic state doesn't enhance the character in anyway--the only thing the fur does is give Willis the dubious distinction of being one of the sorriest specimens of werewolf to prowl through a Hollywood movie.
Twenty-five years later, German bombers disturb the cemetery where Tesla lays at rest & two cockney civil-defense workers remove the stake from the vampire's unearthed body. That night, Tesla sets out to reclaim his now reformed flunky, Andreas, whose "iron-will" shows through as it takes no more than a few minutes in Tesla's presence before he's furring out again. The vampire sets out to take revenge on those responsible for his quarter-century dirtnap, but like all malevolent beings in these types of horror films, his cruel mistreatment of his servant will eventually come back to bite him...
"The Return of the Vampire", while no masterpiece, is chock full of some wonderful atmosphere & images: the fog-bound cemeteries, Lugosi's outstretched cape, the entranced young beauty (Nina Foch) hypnotically walking through the graveyard. Speaking of those graveyards, have you ever stopped to wonder how this vampire can be so repulsed when a cross is shoved in his face, yet has no trouble stalking around cemeteries littered with giant stone-crosses.
Lugosi, of course, still has his vampire-mojo working, his line readings being as priceless as ever. As for his servant, was there any point in subjecting Matt Willis to a werewolf makeup, aside from Columbia feeling the need to jump on the bandwagon in light of that "Wolf Man" character that was making money for Universal Pictures. Matt's role could've just as easily been played as a totally human lapdog (ala Renfield). Being in a lycanthropic state doesn't enhance the character in anyway--the only thing the fur does is give Willis the dubious distinction of being one of the sorriest specimens of werewolf to prowl through a Hollywood movie.
helpful•203
- simeon_flake
- Aug 8, 2005
Details
- Release date
- Country of origin
- Language
- Also known as
- Vampires of London
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,090,000
- Runtime1 hour 9 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was The Return of the Vampire (1943) officially released in India in English?
Answer