A commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.A commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.A commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.
Jimmy Ames
- Cab Driver
- (uncredited)
Monya Andre
- Mrs. Ames
- (uncredited)
Don Avalier
- Hotel Captain
- (uncredited)
Griff Barnett
- Will Thompson
- (uncredited)
John Butler
- First Cab Driver
- (uncredited)
Les Clark
- Taxi Driver
- (uncredited)
Roger Cole
- Stork Club Headwaiter
- (uncredited)
John Davidson
- Mervyn - O'Mara's Butler
- (uncredited)
Jay Eaton
- Stork Club Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJoan Crawford later said about this film, "If Otto Preminger hadn't directed it, the picture would have been a mess. It came off. Sort of."
- GoofsNear the end of the movie, there are snow chains already on the wheels when Daisy leaves the cottage at the cape. No one had been to the cape since it had snowed.
- Quotes
Mary Angelus: Want to tell me where you're going, so I'll have something to lie about?
Featured review
But What Happened to Tubby?
In the early scenes, Crawford has a dog that looks like a border collie. His name is Tubby and she appears to dote on him. Suddenly, he disappears.
That said, this is one of Crawford's very best movie's. Twentieth Century Fox, and Otto Preminger, did beautifully by her.
So many things to say ...! It takes place in the neighborhood where I was born and still live. The Greenwich Theater, where Joan attends a movie, was a staple of Greenwich Village. When it was twinned it started showing less interesting things but it was still a landmark. Then it was torn down and in its place stands a health club.
The diner where Henry Fonda waits for Crawford while she's at the movie is still there. The curtain in its window looks the same -- almost 60 years later.
Crawford and Dana Andrews make a somewhat unlikely torrid romantic duo. But they work well together. The same can be said for Crawford and Fonda. Their romance is a bit more implausible but, again, they are directed beautifully and advance the plot admirably.
In a sense, this is Fonda's closest brush with film noir. He is a vet who has also lost his wife. The scene in which he thrashes around a nightmare is brilliantly staged. The background music there, as elsewhere, is excellent.
Most of the characters speak in a sort of Henry Higgins manner. "Hurricane" is pronounced just as Eliza Doolittle was taught to say it: "hurricen." Crawford always had that quality -- "syew" for "sue," "cahn't" for "can't." But the movie withstands these petty issues. It's exciting and it is beautifully cast. Ruth Warrick is superb in the small role of Andrews's wife. Peggy Ann Garner is too, as one of his daughters. So is the girl playing his other daughter. And Crawford's roommate, whose name I don't recognize, is convincing as well.
This is one of the lesser known vehicles of all three of its stars and not one of Preminger's better known, either. But it's fascinating and deserves kudos for all concerned.
That said, this is one of Crawford's very best movie's. Twentieth Century Fox, and Otto Preminger, did beautifully by her.
So many things to say ...! It takes place in the neighborhood where I was born and still live. The Greenwich Theater, where Joan attends a movie, was a staple of Greenwich Village. When it was twinned it started showing less interesting things but it was still a landmark. Then it was torn down and in its place stands a health club.
The diner where Henry Fonda waits for Crawford while she's at the movie is still there. The curtain in its window looks the same -- almost 60 years later.
Crawford and Dana Andrews make a somewhat unlikely torrid romantic duo. But they work well together. The same can be said for Crawford and Fonda. Their romance is a bit more implausible but, again, they are directed beautifully and advance the plot admirably.
In a sense, this is Fonda's closest brush with film noir. He is a vet who has also lost his wife. The scene in which he thrashes around a nightmare is brilliantly staged. The background music there, as elsewhere, is excellent.
Most of the characters speak in a sort of Henry Higgins manner. "Hurricane" is pronounced just as Eliza Doolittle was taught to say it: "hurricen." Crawford always had that quality -- "syew" for "sue," "cahn't" for "can't." But the movie withstands these petty issues. It's exciting and it is beautifully cast. Ruth Warrick is superb in the small role of Andrews's wife. Peggy Ann Garner is too, as one of his daughters. So is the girl playing his other daughter. And Crawford's roommate, whose name I don't recognize, is convincing as well.
This is one of the lesser known vehicles of all three of its stars and not one of Preminger's better known, either. But it's fascinating and deserves kudos for all concerned.
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- Handlinghandel
- Sep 8, 2005
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Details
- Release date
- Country of origin
- Language
- Also known as
- Mücrim Gönüller
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,852,000 (estimated)
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 1.37 : 1
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