Directed by
| Michael Powell | ||
| Emeric Pressburger | ||
Writing Credits
| Baroness Emmuska Orczy | ... | (romance) (as Baroness Orczy) |
| Michael Powell | ... | (written by) & |
| Emeric Pressburger | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| George R. Busby | ... | assistant producer |
| Alexander Korda | ... | producer (uncredited) |
| Michael Powell | ... | producer |
| Emeric Pressburger | ... | producer |
Music by
| Brian Easdale | ||
Cinematography by
| Christopher Challis | ... | (photography) |
Editing by
| Reginald Mills | ||
Production Design by
| Hein Heckroth | ||
Art Direction by
| Arthur Lawson | ||
Costume Design by
| Ivy Baker | ... | (uncredited) |
| Nandi Heckroth | ... | (uncredited) |
| Bernard Sarron | ... | (uncredited) |
Makeup Department
| Betty Cross | ... | hair stylist |
| Jimmy Vining | ... | makeup artist |
| Harold Fletcher | ... | studio makeup supervisor (uncredited) |
Production Management
| M. Chalot | ... | unit manager: France (uncredited) |
Second Unit Director or Assistant Director
| Sydney Streeter | ... | assistant director (as Sydney S. Streeter) |
| Paul Pantaléon | ... | assistant director: France (uncredited) |
| David Tomblin | ... | third assistant director (uncredited) |
Art Department
| Joseph Bato | ... | location art director |
| Ivor Beddoes | ... | assistant designer |
| W. Simpson Robinson | ... | supervising scenic artist (as W.S. Robinson) |
| Scott Slimon | ... | set dresser |
| Terry Ackland-Snow | ... | draughtsman trainee (uncredited) |
| Bill Beavis | ... | scenic artist (uncredited) |
| Maurice Fowler | ... | chief draughtsman (uncredited) |
| Jimmy James | ... | production buyer (uncredited) |
| John Peters | ... | draughtsman (uncredited) |
| Elven Webb | ... | assistant art director (uncredited) |
Sound Department
| Red Law | ... | sound |
| Charles Poulton | ... | sound |
| Norman Bolland | ... | assistant boom operator (uncredited) |
| Peter Butcher | ... | boom operator (uncredited) |
| Bryan Coates | ... | assistant boom operator (uncredited) |
Visual Effects by
| W. Percy Day | ... | process shots (as W. Percy Day O.B.E.) |
Camera and Electrical Department
| Freddie Francis | ... | camera operator (as Fred Francis) |
| Bill Wall | ... | chief electrician |
| Gerry Anstiss | ... | clapper loader (uncredited) |
| Dennis Bartlett | ... | technicolor technician (uncredited) |
| Richard Cantouris | ... | still photographer (uncredited) |
| Fred Daniels | ... | still photographer: portraits (uncredited) |
Costume and Wardrobe Department
| Jack Dalmayne | ... | wardrobe master (uncredited) |
Editorial Department
| Natalie Kalmus | ... | color director: Technicolor |
| Noreen Ackland | ... | assembly editor (uncredited) |
| Derek Armstrong | ... | assistant editor (uncredited) |
| Frankie Taylor | ... | second assistant editor (uncredited) |
Music Department
| Brian Easdale | ... | conductor / music arranger |
Script and Continuity Department
| Doreen Merriman | ... | continuity (as Doreen North) |
| Joanna Busby | ... | assistant continuity (uncredited) |
Additional Crew
| Samuel Goldwyn | ... | by arrangement with: David Niven |
| A.G. Parry Jones | ... | horses (uncredited) |
| Vivienne Knight | ... | publicist (uncredited) |
| George Mills | ... | production assistant (uncredited) |
| George Minassian | ... | technicolor technician (uncredited) |
| Charles Orme | ... | production assistant (uncredited) |
| Jean Osborne | ... | assistant publicist (uncredited) |
| Bert Varley | ... | horse master (uncredited) |
