A Dog's Life (1950) Poster

(1950)

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8/10
Con men, floozies, laughter, heartbreak--what's not to like?
roslein-674-87455624 March 2023
Okay, Monicelli is no Fellini--this is a very Fellini subject--but he acquits himself very well in this story of small-time, grubby, fly-by-night show people. Or in one case, fly by day--a comic highlight is moth-eaten impresario Aldo Fabrizi's ducking a hotel bill, first with doubletalk, then with a con trick, and finally a bravura impersonation and triumphant getaway.

But even this bum can inspire love and loyalty, and from the star of the show, Gina Lollobrigida of all people, looking unrecognizably mousy this early in her career. Two other women have love troubles as well--one has a fiance whose father won't hear of his marrying a chorus dancer, the other has turned her back on the gorgeous Marcello Mastroianni (also at the beginning of his career--his name is even misspelled in the credits!) to marry a millionaire gargoyle and is having regrets.

Oddly, though Gina and Marcello went on to stardom, the one who seems like the best bet for it is Tamara Lees, as the gold-digger, who is far better looking than Gina, indeed very similar to the ravishing Gene Tierney, counterpointed with a quiet intensity. Go figure!

You can see this movie on the website rarefilmm (note the two m's).
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A dog's life...for performers in provincial theatres.
ItalianGerry20 May 2004
Warning: Spoilers
(Spoilers included) I would characterize this film as a delightful discovery for me. It is a comedy-drama about a troupe of third-string variety-act performers who tour Italy's provinces putting on shows in decrepit movie theatres.

It bears a great deal of resemblance to VARIETY LIGHTS, Fellini's first film (co-directed by Alberto Lattuada), which was made around the same time. The troupe leader, as well as singer of comedic songs, is Nino Martoni (Aldo Fabrizi) who must use every resource available to him to have his company stay afloat. And times are toughÂ…insufficient box office, mounting company debts, no money to pay performers, train fares, hotels, restaurants.

Much of the film involves the lives of three of the women performers. There's Franca (Tamara Lees) who is engaged to Carlo (Marcello Mastroianni in one of his earliest appearances). She leaves him to attempt to find fame and fortune in show business. There's Vera (Delia Scala) who finds true love during the course of the movie, and Margherita (Gina Lollobrigida) who has show business in her blood, is devoted to Martoni during good times and bad, and ends up by film's end with a first rate company. Franca, on the other hand, in marrying a rich industrialist for his money, and realizing she has lost her true love in the process, commits suicide by jumping out a window.

The cast is an incredibly good array of the Italian screen's top performers. Fabrizi's weaselly manner is a wonder to behold, and his scene with a hotel manager unwilling to accept a check in payment for the troupe's stay is a little masterpiece. Nino Rota did the nice musical score as well as providing some of the song numbers, along with Fabrizi and Mario Ruccione. They have real appeal.

Directed by Mario Monicelli and Steno (Stefano Vanzina), both major directors of comedy for many decades to follow, the movie deserves to be resurrected and shown in "commedia all'italiana" programs.
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