When You're Smiling (1950) Poster

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7/10
Enjoyable! Make that 7.5!
JohnHowardReid26 May 2018
Warning: Spoilers
Director: JOSEPH SANTLEY. Screenplay: Karen DeWolf and Jack Roberts. Film editor: Edwin Bryant. Photographed by Vincent Farrar. Art director: Harold H. MacArthur. Set decorator: George Montgomery. Hair styles: Helen Hunt. Make-up: Bob Meading. Stills: Bill Thomas. Camera operator: Irving Klein. Set continuity: Polly Craus. Gaffer: Al Layter. Grip: Red Ducharme.

Music director: Morris Stoloff. Songs: "When You're Smiling" (Laine) by Mark Fisher, Joe Goodwin, Larry Shay; "Georgia On My Mind" (Laine) by Hoagy Carmichael and Stuart Gorrell; "That Old Black Magic" by Harold Arlen and Johnny Mercer; "When the Wind Was Green" by Don Hunt; "Deed I Do" Production manager: Jack Fier. Assistant director: James Nicholson. Sound recording: Edward Fogetti. Producer: Jonie Taps.

Copyright 21 August 1950 by Columbia Pictures Corp. No recorded New York opening. U.S. release: September 1950. U.K. release: 13 November 1950. Australian release: 22 December 1950. 6,818 feet. 75 minutes.

SYNOPSIS: A young Texan comes to Hollywood to learn the music recording business.

COMMENT: Frankie Laine is one of my favorites, and this is as a good a vehicle for his talents as any, especially as it also features Billy Daniels and Bob Crosby. The story isn't much but it does tie the numbers together ably enough. Production values are reasonably competent and it is modestly but convincingly directed by Joseph Santley, who, despite his remarkably active movie career (95 credits stretching from 1928 through 1962), seems to be completely forgotten today.
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Worth it for Daniels and Laine
grammy317 December 2003
People who walked into this movie never having heard of Billy Daniels became instant fans. His joyous, dynamic renditions, accompanied by plenty of flashy body english, of "Deed I Do" and "That Old Black Magic" had much to do with his subsequent stardom. Abetting that excitement was his pianist-backup singer Benny Payne, who added humor as well as music to the act. Frankie Laine shows why he's the star, especially in a nicely informal rendition of "Georgia On My Mind". The Mills Brothers, as usual, are pleasant to listen to and watch. Jerome Courtland, the leading man, has no chance to do anything with the limp script, but he's boyishly engaging, and has a terrific voice. Lola Albright is likeable and very, very pretty. Too bad it's almost impossible to find this on videotape, and perhaps impossible to find with a good-quality print. Columbia Pictures, are you listening?
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5/10
Blah Script, Great Performers
boblipton4 November 2015
This Columbia Pictures musical is more of a revue than the book musical that most people think of when we say "musicals". It consists of random songs dropped at intervals into a story, instead of being integral to the plot. I prefer the integrated book musical, but this format had its commercial sense; in the era, when theaters in the South were segregated, some of the white theater owners and attendees would have objected to seeing the great Billy Daniels on screen singing; they would get the film with the segment showing Jerome Cowan saying "Here's a record we waxed today" and Mr. Daniels absent.

The story, or "book" has Jerome Courtland as the rich country bumpkin who wants to make it big as a singer; Cowan has a successful recording business and an unsuccessful career in picking horses. The rest of it consists of running into topnotch singers that could be picked up for bargain prices.

The gags and situations tire quickly, but the talent is excellent and there are some excellent songs. The result is a bumpy ride that has several fine moments.
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