Directed by
| Billy Wilder | ||
Writing Credits
| Billy Wilder | ... | (written by) & |
| Lesser Samuels | ... | (written by) & |
| Walter Newman | ... | (written by) |
| Victor Desny | ... | (story) (uncredited) |
Cast (in credits order) verified as complete
Produced by
| William Schorr | ... | associate producer |
| Billy Wilder | ... | producer |
Music by
| Hugo Friedhofer | ||
Cinematography by
| Charles Lang | ... | director of photography (as Charles B. Lang Jr.) |
Editing by
| Arthur P. Schmidt | ... | (as Arthur Schmidt) |
Casting By
| Bert McKay | ... | (uncredited) |
Art Direction by
| A. Earl Hedrick | ... | (as Earl Hedrick) |
| Hal Pereira | ||
Set Decoration by
| Sam Comer | ||
| Ray Moyer | ||
Costume Design by
| Edith Head | ||
Makeup Department
| Wally Westmore | ... | makeup supervisor |
| Hal Lierley | ... | makeup artist (uncredited) |
Production Management
| Richard Blaydon | ... | assistant production manager (uncredited) |
| Hugh Brown | ... | production manager (uncredited) |
| Don Robb | ... | assistant unit production manager (uncredited) |
Second Unit Director or Assistant Director
| Charles C. Coleman | ... | assistant director (as C.C. Coleman) |
| Francisco Day | ... | assistant director (uncredited) |
| Al Mann | ... | assistant director (uncredited) |
| Jason Rosenberger | ... | assistant director (uncredited) |
Art Department
| Maurice Goodman | ... | set dresser (uncredited) |
| Cline Jones | ... | prop maker (uncredited) |
| Martin Pendleton | ... | set dresser (uncredited) |
| Tom Plews | ... | props (uncredited) |
| Will Williams | ... | movie poster artist (uncredited) |
| Harold Worthington | ... | props (uncredited) |
Sound Department
| Gene Garvin | ... | sound recordist |
| Harold Lewis | ... | sound recordist |
| Bob Carr | ... | sound (uncredited) |
| A.D. Cook | ... | cableman (uncredited) |
| John Cope | ... | sound (uncredited) |
Visual Effects by
| Farciot Edouart | ... | process photography |
| Irmin Roberts | ... | transparency camera (uncredited) |
Camera and Electrical Department
| Guy Bennett | ... | camera operator (uncredited) |
| Frank Carroll | ... | grip (uncredited) |
| William Collins | ... | grip (uncredited) |
| Don English | ... | still photographer (uncredited) |
| Cliff Hartley | ... | grip (uncredited) |
| Al Lipsey | ... | grip (uncredited) |
| Kenneth Meade | ... | assistant camera (uncredited) |
| Jess Miller | ... | electrician (uncredited) |
| William Rand | ... | camera operator (uncredited) |
| Dominic Seminerio | ... | grip (uncredited) |
| George Sherman | ... | grip (uncredited) |
Casting Department
| William Poole | ... | location casting (uncredited) |
Costume and Wardrobe Department
| Ed Fitzharris | ... | wardrobe (uncredited) |
| Hazel Hegarty | ... | wardrobe (uncredited) |
Editorial Department
| Doane Harrison | ... | supervising editor |
Music Department
| Sidney Cutner | ... | orchestrator (uncredited) |
| George Parrish | ... | orchestrator (uncredited) |
| Leo Shuken | ... | orchestrator (uncredited) |
| Van Cleave | ... | orchestrator (uncredited) |
Script and Continuity Department
| Lupe Hall | ... | script supervisor (uncredited) |
Additional Crew
| Francis J. Abdo | ... | medical technical advisor (uncredited) |
| Henry Giles | ... | technical advisor: teletype (uncredited) |
| Harry F. Hogan | ... | dialogue director (uncredited) |
| Sally Hunt | ... | technical advisor: teletype (uncredited) |
| Irene Martin | ... | stand-in (uncredited) |
| Kenny Miner | ... | auditor (uncredited) |
