Directed by
George Sherman | ... | (January- February 1952) |
Douglas Sirk | ... | (director of additional swordplay scenes) (April 1952) (uncredited) |
Writing Credits
Æneas MacKenzie | ... | (screenplay) (as Aeneas MacKenzie) and |
Joseph Hoffman | ... | (screenplay) |
Æneas MacKenzie | ... | (story) (as Aeneas MacKenzie) |
Cast (in credits order) verified as complete
Produced by
Howard Christie | ... | producer |
Music by
Hans J. Salter |
Cinematography by
Russell Metty | ... | director of photography |
Editing by
Frank Gross |
Art Direction by
Alexander Golitzen | ||
Bernard Herzbrun |
Set Decoration by
Oliver Emert | ||
Russell A. Gausman |
Costume Design by
Edward Stevenson |
Makeup Department
Joan St. Oegger | ... | hair stylist |
Bud Westmore | ... | makeup artist |
James R. Barker | ... | makeup artist (uncredited) |
Jack Kevan | ... | makeup artist (uncredited) |
Milicent Patrick | ... | makeup artist (uncredited) |
Merle Reeves | ... | hair stylist (uncredited) |
Ray Romero | ... | makeup artist (uncredited) |
Fae M. Smith | ... | hair stylist (uncredited) |
Production Management
Percy Ikerd | ... | unit production manager (uncredited) |
Second Unit Director or Assistant Director
Phil Bowles | ... | assistant director (uncredited) |
John Sherwood | ... | assistant director (uncredited) |
Douglas Sirk | ... | second unit director (uncredited) |
James Welch | ... | assistant director (uncredited) |
Art Department
Ed Keyes | ... | props (uncredited) |
Robert Murdock | ... | props (uncredited) |
Sound Department
Leslie I. Carey | ... | sound |
Joe Lapis | ... | sound |
Jack Bolger | ... | sound (uncredited) |
Donald Cunliffe | ... | sound (uncredited) |
Henry Janssen | ... | sound (uncredited) |
Special Effects by
David S. Horsley | ... | special photography |
Stunts
Harry Froboess | ... | stunts (uncredited) |
Jock Mahoney | ... | stunt double Errol Flynn (uncredited) |
Victor Paul | ... | stunt fencer (uncredited) |
Paul Stader | ... | stunts (uncredited) |
Camera and Electrical Department
Sherman Clark | ... | still photographer (uncredited) |
Edward Hobson | ... | best boy (uncredited) |
Philip H. Lathrop | ... | camera operator (uncredited) |
Max Nippell | ... | gaffer (uncredited) |
Dean Paup | ... | grip (uncredited) |
Kenneth Smith | ... | grip (uncredited) |
Costume and Wardrobe Department
Rose Brandi | ... | wardrobe (uncredited) |
Richard Chaney | ... | wardrobe (uncredited) |
Joan Joseff | ... | costume jeweller (uncredited) |
Rydo Loshak | ... | wardrobe (uncredited) |
Editorial Department
William Fritzsche | ... | color consultant: Technicolor |
Music Department
Ethmer Roten | ... | musician: flute (uncredited) |
Script and Continuity Department
Adele Cannon | ... | script supervisor (uncredited) |
Additional Crew
Charles Baqueta | ... | coordinator (uncredited) |
Irvin Berwick | ... | dialogue coach (uncredited) |
Fred Cavens | ... | fencing choreographer (uncredited) / fencing trainer (uncredited) |
Charles Termini | ... | technician: Technicolor (uncredited) |
Harry L. Wolf | ... | technician: Technicolor (uncredited) |