User Reviews

Flamboyant leading lady Maureen O'Hara, having just completed her favorite film role, in "The Quiet Man", with John Wayne, now got her one chance to costar with another legendary film man of action, albeit during his declining years. I was unaware of this Technicolor Flynn-starring pirate yarn, filmed when he was looking and sounding rather middle-aged, being consumed by his rampant alcoholism. Nonetheless, he put forth a credible performance in this, unique for him, Universal-sponsored film. This is one of a rash of pirate-centered films that Universal sponsored in the early '50s: some straight adventure stories, others farcical spoofs. A number of these are currently available in a collective DVD offering. Of this group of films, this one certainly sports the greatest collection of high profile actors, if not being your personal favorite.

Maureen was no stranger to being cast in pirate and other adventure-type films. In contrast to her previous roles in "The Black Swan" and "The Spanish Main" as an aristocratic lady desired, in this film, she is cast as one of the pirate captains, having inherited this position from her deceased father. This role enhances her opportunities to display her trademark fiery tomboyish personality. As in the case of feisty Alexis Smith, Flynn's leading lady in a number of previous films, her flaming red hair and green-grey eyes were made for Technicolor, sometimes denied her in her early career. This was one of a rash of films released in the early '50s that featured feisty women of a bygone era in roles traditionally reserved for men only. This includes: "Anne Get Your Gun", "Calamity Jane", "Montana Belle" "Comanche Territory", and "The Redhead from Wyoming" the last two again featuring Maureen.

Charismatic Anthony Quinn was the third lead, as another pirate captain. He played a rather similar role in the previous "The Black Swan", with Maureen again the leading lady. As usual, he ends up the odd man out in a romantic triangle. Although physically he clearly belies his partial Mexican heritage, Quinn was cast as a wide variety of exotics during his career, often villainous, as exotics tended to be. Here, he curiously takes on the namesake of the otherwise forgotten historical Dutch-Brazilian Caribbean pirate Roc Brasiliano. Just why the screenwriters decided to so anoint his character is beyond me. The brutal Brasiliano never had anything to do with Madagascar nor Indian Ocean piracy, which are the centerpiece of this film. Furthermore, Quinn's character is apparently Italian, or perhaps French.

Instead of the single damsel in distress Flynn previously fought and romanced with in his pirate films,here he has two beautiful women characterized as extreme opposites in the spectrum of female personalities, competing for his romantic attentions. Besides the sharp, gutsy, outspoken Maureen, he happens upon the demure, extremely sheltered,unbelievably stupid, Princess Patma, daughter of the Indian Grand Mogul. She happens to be a passenger on a ship that Brasiliano attacks, rescued from the burning ship by Flynn, Brasiliano's crew member. Man-starved throughout her life, this gorgeous creature(played by Alice Kelley) immediately takes a romantic fancy to Flynn, who responds standoffishly after he learns who she is. Presumably, he doesn't want to run afoul of the Grand Mogul, who no doubt has his own marriage plans for his daughter. What was the Princess doing on this ship? A favorite target of Indian Ocean pirates was shiploads of Indian Muslims, going to fulfill their lifetime quest to visit the holy city of Mecca. Probably, this was her case, as suggested by Flynn's character.

When the Princess is put up for sale as a slave, Maureen outbids Flynn, assuming he wants her as a concubine, whereas Flynn actually wants to protect her. He hopes to ultimately get her aboard a British warship scheduled to arrive. Unfortunately, instead, she falls into the hands of Brasiliano, who uses her as a 'shield' to discourage the British warship from firing on his ship, as he tries to make a getaway, with Maureen aboard, to Italy. Brasiliano sent the Princess's chaperone to the warship to tell he has the Princess. Flynn saves the day by sneaking aboard the ship and dueling with Brasiliano to the death, abetted by rapier-wielding Maureen, after Brasiliano tried to rape her.

Maureen keeps going back and forth in her allegiance between Flynn and Brasiliano, when they are at odds. Although attracted by Flynn's charm and seeming gentlemanly persona, she is scorned by his inexplicable refusal to make love to her at her beckoning, at one point, and is suspicious of his relationship with the Princess, among possible others. As she is leaving, having been frustrated, she suggests that another woman will probably soon show up. Flynn quips "no, not another woman, 10 of them!"

Flynn plays an undercover agent, intent on infiltrating the Madagascar pirate rings, and disabling the numerous cannons protecting their main base at Diego-Suarez. He is successful at this, but seemingly outmaneuvered by Brasiliano's use of the Princess as a shield.

My favorite film role for Maureen, with great chemistry with Flynn. Quinn also great. Superb Technicolor cinematography. Unfortunately, Flynn is really trying to play his irresistible self 5-15 years earlier, with only modest success.

I have no idea if Maureen O'Hara liked roles such as the one she played in AGAINST ALL FLAGS or not. On the one hand, she got to play a woman with pluck and strength. On the other, she was a walking cliché--an anachronistic lady who never could have existed in 1700--let alone 1952. In the film, she is a female pirate--one that is the boss of bosses and makes men cringe. She is "the man"...something that never could have happened in real life. History DOES record two pirate women (Mary Read and Anne Bonney) but they were NOT the captain and it appears that the crew on board the tiny boat they served even knew that they were women. There were no boss-lady pirates except in film...and all too often, they were played by Maureen O'Hara. A silly idea really, as the way she played these petulant roles was rather cartoonish--a tough as nails lady who instantly is taken by the studliness of the male lead!

Despite this, the film is a very watchable piece of fluff that features Errol Flynn as an English naval officer who pretends to go pirate so that he can infiltrate their base. As for Flynn, while he was a serious hard-core drunk when he made the film, he doesn't show the puffiness and effects of alcohol like he did just a few years later. It's one of his last good roles.

In the role of the rival and hot-headed pirate is Anthony Quinn--playing a very typical role for him as well. However, despite his having made quite a few films in similar circumstances, he was quite well-suited to the role.

As far as the script goes, that is by far the worst part of the film--being mostly clichés and predictable outcomes. But, on the plus side, the color cinematography is nice, the film is lite and easy on the brain and is basically harmless escapist fluff.

By the way, my favorite line in the film was a great double-entendre:

Errol Flynn (to Maureen O'Hara): "I shall regret not having the honor of serving...under you". Umm....yeah.

. . . is NOT an itemization of how many times Spitfire shoots Captain Rock when he takes unsolicited liberties with her. Though this catch phrase COULD refer to how frequently the hidden pirate cannons are blowing up after Lieutenant Brian and his crew of saboteur spies have messed with them, it more likely is meant to reference the sort of mushy interludes most viewers will not want to see complicating a pirate flick. Despite several sword fights, Dead-Eye marksman Brian cannot seem to remember that the rod is mightier than the sword. Don't you make this same mistake. After enjoying AGAINST ALL FLAGS, please remember to support your local chapter of BANGS: Broke Americans Need Gun Stamps.