User Reviews

I saw this movie in its original 3-D run in 1953 and never forgot it. Roughly based the actual Battle of Beecher's Island in Colorado, it's pretty exciting stuff. Some say that this is the movie that killed 3-D with Frank Lovejoy spitting into the face of the audience. I don't know about that, but I do know that I enjoyed it then and enjoyed it again recently on cable. And then, of course, this is THE movie with the Wilhelm Scream, made famous by latter day maestros such as George Lucas. No DVD version released yet...maybe in the not-too-distant future. The love story is sort of stupid and the comedy bits are not very funny, but I know I enjoyed it more than The English Patient, or just about anything that Merchant-Ivory ever released. I suppose the movie was produced to take advantage of Guy Madison's high visibility as TV's Wild Bill, very popular with the kiddies at the time.

"The Charge at Feather River" is a routine Western about the U. S. Cavalry against the Cheyenne Indians... The film carried a constantly mounting tension with some pleasant diversion...

Guy Madison and Frank Lovejoy play the officers who rescue Helen Westcott and Vera Miles from the Indians...

The outdoor scenes are well photographed, specially the exciting Indian charge at Feather River at the climax of the movie with the rain of spears, the fight to-the-death between Madison and Thunderhawk, the sketches of the Guardhouse Brigade, even a mouthful of tobacco juice used against a rattlesnake, and the romantic interludes between our hero and Helen Westcott... All are here, pictorially entertaining in 3-D and Technicolor...

A decent and personable Western set in Colorado territory, better than you might expect , including the usual hail of arrows to the right of you and spears to he left to you , all of them hurled at the audience and here more inventively augmented by some spectacular Indian charges at Feather River . An ordinary Cavalry Western in which an officer is saddled with the risked assignment of rescue and steer a platoon through hostile Indian territory . Dealing with an exciting story involving Miles Archer (Guy Madison) along with sergeant Baker (Frank Lovejoy) and a group of soldiers (Dick Wesson , Onslow Stevens , Steve Brodie , Ron Hagerthy , Neville Brand , among others) are asked by the cavalry Major at Fort Bellows to aid in rescuing to two white women (both , Helen Westcott and Vera Miles prove more than mere objects in the tale) captured by the Cheyenne . They are rescued 5 years later , one by force (Vera Miles who has turned renegade and is not anxious to be rescued) due to about to marry a chief Thunder Hawk .

The film packs thrills , fights , noisy action , crossfire , Indian charges , and being enough entertaining . It's a medium budget film with comfortable actors , technicians , functional production values and pleasing results. It is a pretty fine picture that could become another western worthy of any anthology . Moving and action-packed Western with a simple , standard story that engages the viewer until the last scene when cavalry comes to the rescue in the nick of time by a stream called Feather River , dealing with an overland journey through hostile Cheyenne territory carried out by a squadron of Privates to rescue and escort two sisters kidnapped by Indians long time ago . Meanwhile , soldiers getting off shots into the surprising spectators as well as knives, arrows, lances and tomahawks all come flying at the audience . Screenline serves mainly as an excuse for non-stop Indian attacks . This was the first 3-D Western and one of the first CinemaScope movie of any kind from Warner Brothers , a studio very committed to the 3D process , and not forgetting the Panoramic shots that showed the new process off to its best effect , using Zeiss anamorphic lenses . Decent and pleasant traditional Western with professional direction and flawlessly acted by Guy Madison as Miles Archer and Frank Lovejoy as Sgt. Baker , both of whom make fortright leads . Guy Madison was one of the most popular Western stars at the time who performed this first 3D Western : ¨The charge of Feather River¨ along with ¨The command¨. Guy played leads in a series of programmers before being cast as legendary lawman Wild Bill Hickok in the TV series Adventures of Wild Bill Hickok (1951). Madison had his first major role in "Until the End of Time" a drama directed by Edward Dmytryk, 1946 to then changed in action roles , mainly series B westerns , get some successes with the series . He played Hickok on TV and radio for much of the 1950s, and many of the TV episodes were strung together and released as feature films. Madison managed to squeeze in some more adult-oriented roles during his off-time from the series, but much of this work was also in westerns. After the Hickok series ended Madison found work scarce in the U.S. and traveled to Europe, where he became a popular star of Italian westerns and German adventure films , such as : ¨Duel at Rio Bravo¨ , ¨7 Winchester for a massacre¨ , ¨Bang bang Kid¨, ¨Five for revenge¨ , ¨Il figlio di Django¨ and ¨Reverend Colt¨ . Support cast is pretty well, full of gritty acting and giving splendidly fortright performances , notably from Frank Lovejoy who discourages a rattlesnake with tobacco , Onslow Stevens , James Brown , Dub Taylor , Ron Hagerthy , Steve Brodie , Ben Corbett , Lane Chandler and Dick Wesson who provides gritty humor , he is a nice comedian who should gone further in movies .

Beautifully and wonderfully filmed by cameraman Perveret Marley . Being filmed on location in Santa Clarita , Santa Ana River, Norco, Vasquez Rocks Natural Area Park , Escondido Canyon Rd., Agua Dulce, California,California . It contains a stirring and adequate musical score by the classic composer Max Steiner . Max 's soundtrack skilfully underscores some the greatest action scenes ever filmed . Actually made with great drive by Hollywood craftsman Gordon Douglas , even though the script is ordinary and ¨deja vu¨ . Douglas directs some of the best action scenes he ever shot . The motion picture was professionally directed by Gordon Douglas , at his best . Gordon directed nearly 100 features and shorts, including five features alone that were released in 1950, and four more in 1951. He was eventually hired by Hal Roach as a gag writer . His first directorial assignments were for Roach's "Our Gang" series . Graduating to features, Douglas stayed with comedies, directing Stan Lauren and Oliver Hardy . Douglas left Roach for RKO, for which he directed about a dozen films from 1942 to 1947, mostly routine programmers. He then went to Columbia for several years, but in 1950 he headed over to Warner Brothers, where he would stay for the next 15 years and where he would find his greatest successes . His westerns and crime dramas for Warners met with critical and financial success, and it was during this period that he made what is considered one of the classic sci-fi films of the era : Them (1954). Often used counter diving angles with camera, for instance when cars or wagons roll. He was an expert on adventures cinema as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as : ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ in similar plot to ¨Chuka¨ , Richard Boone as ¨Rio Conchos¨ considered the best , and on bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others. Rating : 6.5/10 .

Absolutely superior 3D photography, possibly the best from that short-lived gimmick (saw it slack-jawed at a recent 3D Festival here in Los Angeles). Very clever and simple effects from yoeman director Gordon Douglas, who handily uses his B-movie angles to great effect in this little saga, with a flawless Guy Madison and Frank Lovejoy very, very good in their parts as rogue officers leading a ragtag band (a'la THE DIRTY DOZEN) to find (a'la THE SEARCHERS)a woman kidnapped (not exactly against her will) by Indians (the added twist: an incredibly evil performance by a likewise kidnapped sister, Vera Miles, looking like she just graduated from high school, who stops at nothing to halt the progress of Our Guys. Two stand-out scenes, even in 2D, is Lovejoy spitting INTO the camera to rid himself of a deadly snake (sounding a lot like Mel Blanc hawking up), and the first use of the infamous "Wilhelm Scream" - since used in literally hundreds of films (and actully re-mastered by Ben Buritt for LucasFilms' use - you can hear it much like that strange "oh-oh" titter in old situation comedy tracks - in all Warner Bros. films from this movie on, as well as RAIDERS OF THE LOST ARK. Listen for it (in CHARGE AT FEATHER RIVER it comes right after the inevitable "You OK, Wilhelm?" before he's ZAPPED by an arrow in the chest - one of many thrown at the audience in the film's compact running time).

The Charge At Feather River finds Guy Madison in charge of a group of misfit soldiers called the Guardhouse Brigade because that's where most of them were recruited for this mission from. The mission is to rescue two white women, Helen Westcott and Vera Miles, who were taken years ago during a raid and are now confirmed alive and now living with the Arapahoe.

The worst of his recruits is Neville Brand, but the rest of the crew that Madison has are no prizes with the exception of Lane Chandler who was a former Confederate officer who captured Madison during the Civil War. Along for comic relief are Dick Wesson and Henry Kulky who provide some levity in what is a serious film.

Vera Miles got her first real notice here. She's never been to Sweden, but she suffers from Stockholm syndrome as she now totally identifies with her captors. In fact she's going to be the bride of the chief, making him quite the envy of his tribe since none of them are married to any blonds. She acquits herself well in the part.

The film is loosely based on a real cavalry engagement in the Indian Wars, the battle of Beecher's Island. It combines elements of The Dirty Dozen and with John Ford's classic Two Rode Together.

And of course there's the 3-D which elicited a lot of excitement back in the Fifties. Even today seeing the various spears, tomahawks, and even some tobacco juice, courtesy of Frank Lovejoy, coming right at you on the small screen is impressive.

The Charge At Feather River still holds up well today, but should really be seen at a movie theater.

After two white women are abducted and taken hostage by the Cheyenne, a frontiersman by the name of "Miles Archer" (Guy Madison) is recruited by the commander of a nearby fort to retrieve them. Accompanying him are several soldiers who have recently gotten into trouble and have been placed under his authority in order to have their punishment reduced. To complicate matters even further, a railroad is being built through Cheyenne territory and this has stirred up the local tribes as well. Now rather than going any further I will just say that this was a decent Western which had a couple of unique innovations in its favor. For starters, it was filmed in a basic version of 3D which is evidenced by the number of shots that feature arrows and spears appearing to come directly at the camera. Likewise, it also incorporated a special audio effect known as the "Wilhelm scream" which was used in a specific incident involving a soldier named "Private Wilhelm" (Ralph Brooks) being shot in the leg with an arrow and this unique sound has since been used in hundreds of other movies afterward. Additionally, having a beautiful actress like Vera Miles (as "Jennie McKeever") dressed in buckskin didn't hurt the film in any way either. Be that as it may, I found this film to be entertaining for the most part and have rated it accordingly. Slightly above average.

Warner Brothers produced this 3D extravaganza that was the biggest commercial success for westerns in 1953. Guy Madison leads a band of guardhouse soldiers and misfits to rescue two white women being held by Indians, which essentially all there is to this film. The 3D format was in its early stages as a Hollywood gimmick to compete with the growing popularity of home television, and the effects work very well here. The rescuers make off with the ladies and are pursued by the Indians until the white men make their stand at an island in a creek bed. The Indian weaponry comes at the audience non-stop throughout, and a spray of tobacco juice aimed at a rattler is thrown in for good measure. Madison was quite popular as television's Wild Bill Hickock and is good as a displaced cattle rancher who is given his thankless task by the army. For all the film's polish and presentation, the movie was made in just three days.

Saw this film the first time in 1953 with my older brother. It was one of the great 3 Demension films released in that era. We saw it at least thirteen times and were proud of it. Scott does a typical western shoot em up job while surrounded by the Indian arrows rather than surround sound. Oh, for those polaroid lenses again.

If you haven't seen this movie as part of some Saturday afternoon matinée or aired on The Western Channel, you're really not missing much. Its the same ol' Injun bad...White Man good...Cavalry save day dreck that made the American Western such a box office success during the 40's and 50's, and such a throwaway genre in recent years. Still, Charge at Feather River remains slightly more enjoyable than most, and honestly if it ever arrives on DVD, its one Ill no doubt add to my western collection.

The movie's most attractive aspect would have to be the gorgeous Helen Westcott (if you don't believe me, check out Abbot and Costello meet Dr Jeckyll and Mr Hyde. She's stunning!) and Vera Miles of Psycho fame.

The movie is also notable to film geeks for its 3D presentation and the origin of the famous "Wilhelm Scream" that can be heard in all the Star Wars and Indianna Jones movies, as well as several other big Hollywood productions. You know when you hear it.

Slightly above average western drama with the emphasis on action. A cavalry commander (Madison) is forced to recruit from the guard house and set out on a mission to bring back white hostages the Indians have captured. All the expected sterotypes are present, and of course one of the hostages is a beautiful female. Since this one was originaly shot in 3D, be prepared to 'suffer those slings and arrows!'

Having seen 8 westerns directed by Gordon Douglas, I'd rank this one only in the 6th place, beneath Fort Dobbs, Rio Conchos. Only the Valiant. The Iron Mistress, and The Great Missouri Raid, still ahead of his weakest efforts (The Nevadan and Barquero)

The Charge at Feather River is directed by Gordon Douglas and written by James R. Webb. It stars Guy Madison, Frank Lovejoy, Helen Westcott, Vera Miles, Dick Wesson, Onslow Stevens, Steve Brodie, Neville Brand and James Brown. Filmed in Natural Vision-3-Dimension and WarnerColor, music is by Max Steiner and cinematography by J. Peverell Marley.

The Guardhouse Brigade.

Wonderful. It's the sort of Western you watched as a kid and it made you fall in love with the genre. It has it all, the standard Cowboys versus Indians action to keep the youngsters amused, and quality characterisations for the knowing adults to acknowledge. Plot would become very familiar over the years, where a bunch of reprobates, here they are the bad boys of the army guardhouse, are trained up and sent on a suicide mission. The mission here is to rescue two white sisters who were captured by the Cheyenne years ago.

The group dynamic positively bubbles with tension as men who fought on opposite sides of the Civil War are tasked with performing as one force. There's also a heated rivalry between two men because of a woman, and naturally there's some loose cannons in the group. Things further pick up when the two ladies are rescued and the group has to try and make it back to the fort with the whole Cheyenne tribe on their tail. The elder sister is grateful to be rescued, the younger one not so much since she has converted to the Cheyenne way and is set to marry Chief Thunder Hawk.

Thus the group dynamic goes up a couple of more notches on the stove as the younger sister does all she can to sabotage the mission, while the elder frets about how society will treat her once her past comes to light, and of course there's an attraction between her and the alpha male. Yet the romantic thread is superbly written, really mature and never cloying. There's some requisite humour that works very well, the action is very well staged by the wily Douglas and Madison makes for a good leader of men. While having Brand and Brodie in support playing ornery dudes is perfect casting.

It's a very satisfying Oater, it's not hard to see why it was a big hit at the box office. Oh for sure the 3-D gimmick would have been a big draw, especially since there's plenty of scenes made for 3-D nirvana in the picture. However, this is strong enough to stand on its own 2-D feet, a throwback to a great decade of Westerns. It also has a Steiner musical score and Marley's super photography around the California locations. Think what would happen if you mixed The Searchers and Major Dundee together, added in some Dirty Dozen like conflicts, and then sprinkled on some seasoning of Audie Murphy like Westerns, and you then get an idea of the type of film on offer here. Recommended to Western buffs. 8/10

How did a routine, frequently poorly acted movie with "small screen" star Guy Madison beat "Hondo," a complex, beautifully acted movie with John Wayne as biggest western moneymaker of 1953? No, the answer is not the faddish 3D process, as BOTH films were shot in 3D. I believe the answer lies in "...Feather River" is director Gordon Douglas' understanding of the potentials of 3D. Douglas and director of photography J. Peverell Marley produce some really impressive 3D visuals. The proof is this is even the "flat" version impresses with it's "in your face" effects.

Madison is solid, as always,as are most of the cast of supporting players, virtually a "who's who" of great 50s character actors. The major false note is Vera Miles, in one of early roles. Miles is terrible, surprising, given her later career and her previous films. and veteran character actor Onslow Stevens disappoints in his final scene.

On the other hand, even Max Steiner's clunky score adds to the fun.

"The Charge at Feather River" is the perfect example of how imaginative use of 3D can enhance the most familiar of material. While it's no where near the best film shot in 3D (which include "Hondo" and "Invaders From Mars" and "Creature From the Black Lagoon") it's he best 3D movie I have seen. I give "The Charge at Feather River" a "7".

This movie needs to be put into the DVD format. It is a story about the American wild west. It stars Guy Madison and it was made it 1953. It also has the Wilhelm Scream. You can hear it when Private Wilhelm is struck in the leg by an arrow. Private Wilhelm dies. The Wilhem scream was originally made by Sheb Wooley in 1951 and heard in Distant Drums. The scream has also been used by George Lucas in his Star Wars series and Steven Spielberg used it in Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade and Indianan Jones and the Kingdom of the Crystal Skull. Other film makers use the Wilhem Scream all the time. The Charge at feather river comes out on DVD at July 4th 2010.

Other commentators here have done an admirable job in addressing where "Charge at Feather River" fits in within the canon of Western movies, its similarity to "The Dirty Dozen" and other films of that genre, the use of 3-D effects, and even the origin of the Wilhelm scream. But what about the climactic, epic-making confrontation between Miles Archer (Guy Madison) and Chief Thunderhawk (Fred Carson)? In the action/adventure movies of the 1950s and 1960s, one knows the leaders will meet and fight it out. But when and where and how will it happen?

Thunderhawk has plenty of reasons to want to kill Archer himself. The whites are building a railroad through Cheyenne territory; their rescue effort has led to the death of Thunderhawk's bride-to-be. The cavalry troopers are occupying an island in the middle of the Feather River itself.

In the first charge, the Cheyenne have been repulsed. Their bodies float about the river. Stray horses amble about without direction. But the calm following this is deceptive. The Cheyenne prepare for another charge and this time Thunderhawk will personally take command.

At first, all goes well and a couple of the Guardhouse Brigade are picked off. Then, Thunderhawk commits his fatal mistake. At the head of about thirty to fifty braves, he veers off with only a half a dozen or so warriors to approach the island from the rear while the main bunch of Indians continues to hurl spears and to get shot, falling off their horses, and then bobbing in the river.

Thunderhawk, recognizable in his eagle feather headdress, leads his handpicked braves slowly up an embankment, on their bellies, in preparation for this "stealth" attack. But when they reach the crest of the embankment, above the river's edge, all goes wrong. They are seen too soon and all but Thunderhawk get shot down. Meanwhile, the main war party is beginning to back off.

Thunderhawk, without rifle or spear, cut off from all his men, draws his knife, preparing to do battle with Archer, one against one. Thunderhawk's very life now depends upon his skill with a knife. The bare-chested Cheyenne war chief, confident, powerful, motivated, eager for revenge and victory, squares off against Archer.

After only a few moments, Archer has maneuvered the chief to a slight earthen rise above the embankment, so that the daring, risk-taking, bold Cheyenne war chief stands a little bit above the cavalry officer. Archer goes for Thunderhawk's proud, taut, copper-bronze, native leader belly. As the knife goes in (off camera), Thunderhawk grunts in disbelief and topples, about to fall over the embankment. In a very clever shot, Guy Madison is seen looking over the embankment as Thunderhawk might have seen the view, his last before his death. Thunderhawk gives out a scream of terror as he tumbles down the embankment, splashing into the river. His horse makes way, only slightly, as the chief disappears under the water.

A valiant, determined, daring, native chief has lost his gamble.

I can remember seeing this movie when I was very young and several times on TV since then. I have always liked it. I have noticed on the print shown on local TV that one scene has reversed film. It is the one where they are hiding behind the rock outcrop(it looks like Vasquez Rocks near Los Angeles) watching the Indians ride by. If you look carefully, you will notice that suddenly all the soldiers are left-handed! It is only a short segment and I have to admit that it took me years to notice it.

As far as history goes, there were often expeditions to rescue white captives from the Indians. The direct connection for the final battle scene is the Battle of Beecher's Island. In that action, a group of volunteer scouts equipped with repeating carbines (Spencer carbines not Winchesters) were surprised by the Indians and retreated to an island and held off several charges. In the last charge, they killed Roman Nose, one of the more famous Indian Chiefs. I have no idea if the writer of the script had this in mind but it does fit fairly well.

There are several Guy Madison movies that I hope come out on DVD someday and this is one of them.

Guy Madison may well be the best looking "guy" in the movies and the way he was discovered supports that idea. He was sitting in an audience and an agent just happened to spot him. Guy was on leave from the service and was quickly signed and shot his one scene in a Selznick film of all things then returned to the service apparently unaware that he was on the verge of stardom. In this film Guy does what he does best - just looks good - who cares about the story or the other actors -Guy is like some mythological figure out of Greek or Roman history - you just cannot get enough of him - and he never disappoints - whether it's left profile or right or full frontal Guy Madison keeps the blood flowing and the old heart pumping just when it needs to pump.

If you have seen DISTANT DRUMS,ONLY THE VALIANT, THE COMMAND also from Warner Studios, you already know what it is about. Indian wars plot, very well done - always with Gordon Douglas - but without any surprise of any kind. It is efficient, taut, gritty, with very bad Indians and courageous White soldiers or scouts and that's all. Guy Madison is bland, nearly invisible for me, but he was better in other features; I can't explain why. Maybe more spice could have been brought with bigger stars, I don't know. I was not bored with this movie, and I took pleasure watching it again, thanks to the director Douglas who was a great professional, technician. Not more, without any personal touch.