User Reviews

The third and last of his British made films with Richard Todd is Rob Roy: The Highland Rogue. As per a Disney family audience it's a lot more upbeat than the Nineties version of this same tale that starred Liam Neeson.

It's after the 1715 uprising and James Robertson Justice as the Duke of Argyll wants to bring peace to Scotland as he's figured out the Stuarts ain't coming back. But his aide Lord Montrose has a wholly different agenda going and it involves a special if unspecified grudge he has against the MacGregor Clan as headed by Richard Todd.

Anyway in many attempts they just can't seem to capture Todd or intimidate the MacGregors. The Earl of Montrose is played by Michael Gough and his bloodthirsty aide is played with special relish by Geoffrey Keen.

Rob Roy is not quite up to the excellence of Robin Hood and The Sword and the Rose, but Richard Todd is earnest and athletic and every inch a Scottish hero. There was definitely a special eye for the customs and mores of Eighteenth Century Scotland in the making of Rob Roy. And it holds up well after over half a century.

Walt Disney's follow-up to THE STORY OF ROBIN HOOD AND HIS MERRIE MEN (1952) is this similar epic about another legendary outlaw (emanating from Scotland this time around). He is once again played by Irishman Richard Todd (who has just passed away at the venerable age of 90) and the film even re-unites the actor with his three co-stars from yet another period outing from the Disney Studios, THE SWORD AND THE ROSE (1953), namely Glynis Johns, James Robertson Justice and Michael Gough. For some reason, the film is fairly maligned (awarded a measly *1/2 by the "Leonard Maltin Film Guide"!) but I rather enjoyed it, while readily admitting to be the least of Disney's three colorful adventures derived from the pages of English history. In traditional Disney fashion, the familiar events were simplified (though by no means rendered juvenile, as would often prove the case later) but there is enough sprawling action and engrossing drama – to say nothing of the beautiful scenery captured in gleaming Technicolor – to please most audiences. Similarly, characterization for this type of larger-than-life fare is pretty much standard but, given careful casting all round, it emerges as forceful rather than clichéd; besides, at a terse 81 minutes, the film has little chance of outstaying its welcome. Incidentally, I had found the flabby, oddly uninvolving and ill-cast 1995 remake (which had garnered critical praise and at least one top Oscar nod back in the day) a major disappointment on my sole viewing so far!

I quite like 'Rob Roy, the Highland Rogue', though the bland conclusion knocks it down a peg in my books.

There are a number of familiar faces from 1953's 'The Sword and the Rose', with Richard Todd again teaming up with James Robertson Justice, Glynis Johns and Michael Gough. I enjoyed these cast members in that latter film, so little surprise I rate them here too.

Todd leads as Rob Roy himself, to mostly positive feelings. He continues to work well with Glynis Johns (Helen), I would've actually appreciated extra scenes with those two together. I wanted more screen time for Justice (Argyll) too, though his absence does make sense to be fair. Credit to Jean Taylor Smith also, she's decent as Margaret.

The action sequences still look fairly solid, while the 82 minute run time helps keep things fresh - I never felt like it dragged its heels personally. I just didn't presume such a quick resolution, I expected a bigger finale.

One of Disney's better historical pictures with excitement and plenty of action to satisfy moviegoers of all ages. Richard Tod stars in the title role as the rogue clan leader and is primarily a British production, as it was filmed mainly in Scotland and the film contains mostly British actors. Our hero leads raids and uprisings against British troops and the main thrust of the film is his efforts to get amnesty for his MacGregor clan in return for a truce. The main nut is that the English might be so inclined, but not for Rob Roy himself. Lots of battle and chase scenes throughout the picture keep the action moving.

This film is much better than the write-up given it in Maltin's. For some reason the reviewer thought very little of it and gave the film a bad review. As is often the case, you must judge for yourself, because in my opinion it is one of the better family-oriented action films from the Disney studio.

7/10 - The website no longer prints my star ratings.

Obviously this was not a big enough hit to make it an attraction at Disneyland. Maybe that was down to the fact that RKO,who distributed the film,were at the time in some disarray due to the ownership of Howard Hughes.

It is a reasonably entertaining film,well photographed in Technicolour. It has to be said that Richard Todd doesn't quite make the same impact as Robert Newton did in Treasure Island.

He is supported by lots of familiar character actors, particularly Finlay Currie and Eric Pohlman.. I always find it funny when you see Scots depicted as fighting bare chested. Didnt anyone that it is freezing in Scotland and they would have died of hypothermia before reaching the battlefield.

This film is a mixed bag. It has some excellent aspects, but it does tend to drag a bit, and it is a muddle of accents. It is set in the highlands of Scotland during a very complicated time, and does not do a very good job of explaining this complicated political situation. While it probably looked vibrant when it was first put out, today it looks very muddy and boring, like they were filming at the end of February or the beginning of November. There are two parts which are quite funny, the first is when Rob is trying to ask for someone's hand in marriage and his future father-in-law is loudly playing with the reed of a bagpipe. The second is that the new German King of England George the first needed a translator and spoke in a very thick German accent, and spoke in German to highlanders who happened to understand German. It's often compared to the last film about Rob Roy they made, in the early 90s, while I have seen that film, I do not remember it very well, so I can't really compare the two. It seems to me an American imagining of the story of Scotland, and I think that most films about Scotland are American imaginings of Scottish history that they idealize. I think that's because America is a country of immigrants and while there is a civic identity of America, there isn't an ethnic American identity, so often the descendants of these immigrants tend to latch on to a sort of mythic past. It's the same thing in Canada, where I grew up, or at least during the time when I grew up. People would identify as Scottish or Highlanders, but never as the English, although everyone I grew up with was mostly a mixture of these ethnicities.

This Walt Disney (early, when Walt Disney Production was synonymous with wholesome family fare - poor Walt!) film, was actually part of a trilogy contracted with British actors Richard Todd and James Robertson Justice (The Sword and the Rose & The Story of Robin Hood and His Merrie Men were the other two). The lovely Glynis Johns, who plays Rob's wife, portrays a charming Mary Tudor in the Sword and the Rose, but is absent from 'Robin Hood'. Joan Rice is delightful as Maid Marion, but ....

Admittedly, one shouldn't substitute 'Highland Rogue' for a documentary on Scottish history of the period. However, there is more than enough accuracy to explain the attitudes and conflicts of the time.

Richard Todd shows, clearly, why he was one of the top British film stars of his time and why he was a popular North American import for both stage and screen . He was one of the most passionately animated actors to achieve leading man status. His dark good looks, range of expression, and obvious athleticism (he served as a paratrooper in WWII) complemented his energetic performances.

Those who, after watching him, have wondered why he didn't have even greater success in North America, should remember two things: Britain, aflame with patriotic fervor after the war, had a very strong film industry of its own; therefore, many actors felt no desire to join Hollywood's 'British Colony'. Also, Todd fell slightly short, pardon the pun, of North America's standard for romantic leading men.

For those concerned about coarse language, explicit sex, or graphic violence when selecting family viewing - this is a keeper. The historic struggle, warm interaction between the stars, and humour should satisfy the more mature members, while the bright colours and action sequences should appeal to all.

I first saw this movie about 45 years ago and 3 scenes stayed with me until 'my good woman' was able to find a copy for me last year. (Since I watch it every month, she uses it as one of her arguments when she feels a need to remind me why I should appreciate her so much!) I also heartily recommend the other two movies from the trilogy as wonderful family viewing.

Although not based on Sir Walter Scott's novel of the same name, I found "Rob Roy" a most entertaining effort. Splendidly acted throughout, particularly by James Robertson Justice (as the sympathetic Campbell), Michael Gough and Geoffrey Keen (two wonderful villains), and Eric Pohlmann (a truly charismatic performance – one of his best – as King George), "Rob Roy" emerges as a rousing adventure yarn with plenty of swashbuckling excitement, hair's breadth escapes, and even a bit of humor and romance. French has directed in rousing style. He has an eye for both the pictorial and dramatic possibilities of real locations. Supporting technical credits are absolutely first-class, featuring fine scenic photography and a handsomely atmospheric music score.

Although I said I had seen this film before it was at least 44 years ago and I was only a strapping lad of about 6 or 7 so my comments of the film might be touched with some nostalgia.I have incidently seen the new release of Rob Roy several times but I somehow prefer the 1953 version.

If you're looking for a perfect swashbuckler in which people sound like stage Scots, ye can nae do better than this movie about the Scottish cattle thief and protection racketeer whom the early 18th-Century press, along with highwaymen, romanticized into heroes; the magnificently idiotic image was perfected by Sir Walter Scott and so we have this flick.

Disney went full English with this, shooting at Elstree and the Highlands with a British cast, and the care shows, particularly with Guy Green's beautiful oil-painting Technicolor lighting. Richard Todd gives a fine performance in the traditional, anachronistic costume; Glynis Johns (who is still with us as I write this) has never been cuter; Finlay Currie was never more Scottish; and John Robertson Justice, as the Duke of Argyll, plays his role as befitting a man whose name is John Robertson Justice, even though his real middle name was Norval.