Vesuvius Express (1953) Poster

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8/10
Is this one available on DVD?
JohnHowardReid24 July 2017
Warning: Spoilers
Producer/director: OTTO LANG. Photographed in CinemaScope and Technicolor by Charles Clarke.

Copyright 17 December 1953 by 20th Century-Fox Film Corp. U.K. release: March 1954. Sydney opening at the Regent. 1,348 feet. 15 minutes.

COMMENT: I don't generally enjoy short subjects. Indeed, in the many, many years that I was a professional movie critic, if the supporting program was made up entirely of shorts, I usually timed myself to arrive at the theater no more than five or ten minutes before the main feature actually commenced.

I did, of course, make an exception for cartoons, particularly if the cartoon was scheduled just before the main feature.

However, in addition to everything else, I'm a train buff, so I made sure I didn't miss seeing "Vesuvius Express" - particularly as it was photographed in early CinemaScope. In fact, I found that although burdened with a distressingly over-facetious commentary, this travelogue turned out to be an ideal subject for CinemaScope. Although I haven't seen it since, I remember it well. The widescreen camera took me on a fast-paced tour of Milan, Florence, Rome and Naples.

Yes, the "express" of the title of course is a train.

The first short subject to be released in CinemaScope, "Vesuvius Express" was nominated for a prestigious Hollywood award in the Two- Reel Short Subjects division, but it lost out to Walt Disney's True Life Adventure, "Bear Country".
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You want CinemaScope...we'll give you CinemaScope.
horn-524 March 2003
This 16-minute short (about a train trip across Italy produced and directed by Otto Lang) and a 6-minute 2nd one called "Tschaikowsky's Fourth Symphony", where the 20th Century-Fox studio orchestra, under the direction of Alfred Newman, plays the final movement of Tschaikowsky's Fourth Symphony"---hence the time-crunched misleading title--were offered together to exhibitors when they booked Fox's "Beneath the 12-Mile Reef." TCF's plans to get tri-billings and dominate the whole program with their logo fell short of domination because no exhibitor at major first-run theatres in their right mind was going to offer any program that didn't include a cartoon from Warners or M-G-M. No, they didn't want TCF's Terry Toons. The second-tier houses booked those.
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